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<\/div>\n\n

I\u2019ve been keeping a little secret. And I\u2019m not quite ready to spill the beans, not 100% at least. That will happen soon enough in a post chronicling the concept-through-construction of a mixed species (ash and elm) \u201cbistro table\u201d built by Ron Bauer this spring. Anticipation is half the pleasure! Until then, today\u2019s post is a sneak peek into the process of tung oiling the ash and elm centerpiece of the main room. <\/p>\n\n\n\n

Given the diminutive scale of Rosslyn’s icehouse, each ingredient, design detail, furnishing, and decoration is important and demands intention. A single, small table designed in collaboration with Ron \u2014 with whom we’ve teamed up on multiple past projects, from hand turned bowls and custom cutting boards to tables, desks, and builtins \u2014 and impeccably crafted by Ron is now receiving 8 to 12 hand applied coats of tung oil, courtesy of Tony Foster.<\/p>\n\n\n\n

\"Tony
Tony Sanding Underside of Ash & Elm Table (Photo: Geo Davis)<\/figcaption><\/figure>\n\n\n\n

In the photo above Tony is sanding the table\u2019s underside, skirt, joinery, and legs with ultra fine (1500 grit) sand paper to remove any hour joint irregularities, etc. And in the phot below he\u2019s begun to hand rub (maybe massage is more accurate) the tung oil deep into the ash and elm grain, ensuring total coverage without over-applying, and working strictly with the grain direction. <\/p>\n\n\n\n

\"Tony
Tony Tung Oiling Ash & Elm Table (Photo: Geo Davis)<\/figcaption><\/figure>\n\n\n\n

Comparing the middle underside and and breadboards to the legs, skirt, and near underside offers an accurate contrast between pre-oil and post-oil.<\/p>\n\n\n\n

Prior to diving in I double checked with my brother, Charlie. He\u2019s a seasoned woodworker, and he\u2019s never once lead me astray when it comes to appropriate joinery, finishing, etc. In this case I asked if my instinct to eschew linseed for tung oiling made sense to him. <\/p>\n\n\n\n

\n

For the ash, definitely tung oil, I would think. Could even richen the color hues a little. Tung oil is pretty straightforward: the more coats, the better the finish. Wipe it on, wait until just tacky, and rub it off. Use plenty of cloths. And throw them in water when you\u2019re done to avoid fire.<\/p>\n\n\n\n

[Linseed]\u2026 is less luminescent, by itself. Though if you cut it with mineral spirits and add a polyurethane, you get an oil-like finish with waterproof properties of poly… Linseed oil can discolor paler woods (like ash) making them yellow. \u2014 Charlie Davis<\/p>\n<\/blockquote>\n\n\n\n

It\u2019s always reassuring to have his weigh-in, and the focus and determination that Tony\u2019s bringing to this project inspire plenty of confidence. <\/p>\n\n\n\n

\"Tony
Tony Tung Oiling Ash & Elm Table (Photo: Geo Davis)<\/figcaption><\/figure>\n\n\n\n

Get ready for the reveal\u2026 Soon!<\/p>\n","protected":false},"excerpt":{"rendered":"

I\u2019ve been keeping a little secret. And I\u2019m not quite ready to spill the beans, not 100% at least. That will happen soon enough in a post chronicling the concept-through-construction of a mixed species (ash and elm) \u201cbistro table\u201d built by Ron Bauer this spring. Anticipation is half the pleasure! 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He blogs about story-smithing, poetry, fl\u00e2nerie, doodling, and other esoterica at virtualDavis.com; posts sometimes exhilarating, often unnerving, occasionally euphoric, and always pollyanna \"midlife mashups\" at Carpe Midlife;\u00a0chronicles his sailing adventures (and misadventures) at Sailing Errant; and delves into his childfree choice at Why No Kids? George formerly taught and coached at Santa Fe Preparatory School and The American School of Paris, and he co-founded and launched Maison Margaux: \"Paris \u00e0 la parisienne\" in Faubourg Saint-Germain. He currently owns and operates Adobe Oasis in Santa Fe, New Mexico with his bride. 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