Tag: Sunburst

  • Double Sunburst

    Double Sunburst

    Today’s post is a tribute to our Rosslyn forebear, George McNulty, from whom we inherited a whimsical double sunburst motif on the west façade of Rosslyn’s ell, and Peter Vaiciulis who fabricated a slightly downscaled sister embellishment for the east façade of the icehouse.

    Double Sunburst, Rosslyn’s Icehouse, March 2023 (Photo: R.P. Murphy)

    This twist on a familiar Essex architectural theme, the sunburst motif that is most prominent on the old firehouse turned art gallery turned tavern (in the middle of town), is perhaps best described as a double sunburst. Or, in the view of Peter, the carpenter who reinterpreted George McNulty’s original with a slightly more diminutive iteration, this is not a sunburst at all, but rather two “sun fans”.

    And a haiku is born.

    Double Sunburst Haiku

    What sunburst motif?
    Better two suns than one, and
    a pair of sun fans.

    Or Sunup, Sundown?

    As an unabashed heliocentrist I’m drawn to another possibility. Possibly Peter’s “sun fans” are actually an architectural paean to the rising sun and the setting sun. Sunup. Sundown. Conjoined. Sunup-sundown.

    While it’s tempting to conceive of Essex, New York (and maybe even the entire Adirondack Coast) as the point of perennial sunrise, more fitting (and yet similarly flattering) is the more reality based celebration of sunup AND sundown. For both are glorious in this realm.

    Afterward

    The Essex sunburst has ostensibly been ornamenting our community since the late 18th or early 19th century. Perhaps this 1882 Harper’s Weekly illustration was inspired by a visit to our fair hamlet?

  • Icehouse Rehab 10: East Elevation Gable Window

    Icehouse Rehab 10: East Elevation Gable Window

    Rendering for Icehouse Rehabilitation: East Elevation Gable Window (Source: Tiho Dimitrov)
    Rendering for Icehouse Rehabilitation: East Elevation Gable Window (Source: Tiho Dimitrov)

    I mentioned recently that framing for the expansive gable window in the west elevation of Rosslyn’s icehouse was completed, and the change was monumental. Now we’re on hold, anticipating the big reveal in a few months when the new windows arrive and the sheathing can be trimmed. For now that facade is concealed behind a plane of green ZIP paneling, effectively shrouding the dramatic transformation until springtime. Anticipation, I tell my dog, is have the pleasure…

    Today, however, I’m able to update you on Hroth‘s gable window framing for the *east elevation*. Hurrah! As you can see in Tiho‘s rendering above, the openings on the lake-facing facade will remain virtually unchanged except for a shift from opaque (solid wood openings) to transparent (glass window and door). But the the east elevation gable window will be integrated into a whimsical Essex sunburst motif that echoes the same detail on the third story, west elevation gable end of the main house. I will focus on this detail separately once we’ve made a little more progress.

    Icehouse Interior, Hroth framing East elevation gable window (Photo: R.P. Murphy)
    Icehouse Interior, Hroth framing East elevation gable window (Photo: R.P. Murphy)

    In short, we’ve endeavored to maintain the public view shed much as it has appeared in recent decades albeit with a reimagined sunburst embellishment that weaves the icehouse together with the main house, the gates, and multiple additional sunburst motifs throughout Essex and the Champlain Valley.

    Envisioning the icehouse rehab from within, the photo below helps orient the new window as it will be experienced from the loft (still not framed) and, to a lesser degree, the main room. Morning light will illuminate the interior, offering a restrained prelude to the magnificent afternoon lighting that will bath the icehouse as the sun sets into the Adirondack foothills.

    Icehouse Interior, East elevation gable window (Photo: Hroth Ottosen)
    Icehouse Interior, East elevation gable window (Photo: Hroth Ottosen)

    The closeup below captures Hroth at the end of a long day of carriage barn carpentry looking a more than a little bit ready for some heat and a more comfortable perch. But it also captures the just completed window framing below the header, perfectly echoing the slope of the icehouse roof.

    Icehouse Interior, Hroth framing East elevation gable window (Photo: R.P. Murphy)
    Icehouse Interior, Hroth framing East elevation gable window (Photo: R.P. Murphy)

    Another closeup, gets a little closer to imagining the perspective when standing on the future loft floor.

    Icehouse Interior, East elevation gable window (Photo: Hroth Ottosen)
    Icehouse Interior, East elevation gable window (Photo: Hroth Ottosen)

    Framing East Gable Window

    Shortly this aperture will be concealed behind insulated paneling much like the west elevation, but for a fleeting moment longer we can appreciate the natural light entering through the east elevation gable window framing, and we can try to imagine the daybreak view of Lake Champlain, warm sunlight illuminating the north elevation of the main house as it rises up into the summer sky.

    A new perspective is emerging as Hroth frames my future office window (from the icehouse loft). Looking east (actually southeast in this photo), this will be my morning view. Panning to the left 10 to 15° the view will be filtered through the enormous American Linden (basswood) tree and across the upper lawn, through the ancient ginkgo tree and across the front lawn to Lake Champlain. (Source: Loft Office View)

    Holes in walls. Such rudimentary changes to a building envelope. And yet such profound transformation!

    By strategically introducing apertures and maximizing transparency in this small structure we’re endeavoring to dilate the living experience beyond the finite building envelope, to challenge the confines of walls and roof, and when possible and esthetically judicious, to improve porosity with abundant new fenestration, dynamic interior-exterior interplay, subtle but impactful landscaping changes (including a new deck) that will work in concert to amplify the breathability of the interior and temptingly invite insiders outside. (Source: Gable End Window in West Elevation)

    The photo below hints at the future porosity of the this space. Imagine the window near bottom right once it is glass.

    Icehouse Interior, East elevation gable window (Photo: Hroth Ottosen)
    Icehouse Interior, East elevation gable window (Photo: Hroth Ottosen)

    Of course, framing in the balcony and eventually adding blisters will shift add interesting layers, shadows, textures, and other nuances to the transparency looking east from within. Perhaps an interior rendering or two will help imagine forward…

  • 1882 Harper’s Weekly: Children’s Excursion to Lake Champlain

    1882 Harper’s Weekly: Children’s Excursion to Lake Champlain

    When I stumble upon artifacts specific to Rosslyn or Essex or Lake Champlain or the Adirondacks I’m usually unable to resist collecting and showcasing them for others to enjoy. Often I can explain precisely why the artifact is of interest, but other times I’m unable to explain clearly, succinctly the appeal. Today’s discovery is fated to this latter purgatory I’m afraid.

    1882 Harper’s Weekly: Children’s Excursion to Lake Champlain

    This antique print appeared at auction but its purchase eluded me. It would have been nice to get a closer look, and to properly decipher the artist’s name (not 100% ineligible in this digital facsimile).

    According to the auction listing, the page was pulled from the July 1882 issue of Harper’s Weekly, and the title offers a glimpse into the narrative it was illustrating.

    THE “TRIBUNE” FRESH-AIR FUND—CHILDREN’S EXCURSION TO LAKE CHAMPLAIN

    Harper’s Weekly, July 1882

    This evocative antique drawing captures the hope and energy of a children’s book illustration, inviting daydreams of carefree country living along the shores of Lake Champlain.

    There’s plenty to appreciate in this drawing. My eye is especially drawn to the vignette subtitled “At a bee swarming” and located near the center of the image. While the drama of finding and trapping a bee swarm (presumably to populate a bee hive) is the clear focus of this freeze-frame, it’s the background which leaps out at me. Do you see building boasting a sunburst ornamented pediment? The architectural illustration may or may not have been inspired by a visit to Essex on Lake Champlain, but it certainly appears likely!