Tag: Site Work

  • Renderings for Icehouse Rehabilitation 2022-2023

    Renderings for Icehouse Rehabilitation 2022-2023

    If you’ve been following along over the last couple of months, observing from afar as we rehabilitate and repurpose Rosslyn’s icehouse, then perhaps a vision is beginning to take shape in your imagination? Or maybe you’re struggling to envision the future of this handsome but understated utility building? I’ll be sharing design and structural plans piecemeal in the months ahead, but today I’d like to show you a couple of slightly whimsical renderings of the icehouse as it *might* (see note below) appear when rehabilitation is complete. The work of friend and frequent architectural design collaborator, Tiho Dimitrov, these illustrative previews are an enjoyable way to fertilize the team’s imagination as they progress.

    Rendering for Icehouse Rehabilitation, East Elevation (Source: Tiho Dimitrov)
    Rendering for Icehouse Rehabilitation, East Elevation (Source: Tiho Dimitrov)

    The image above depicts the east elevation, the most visible to passersby who happen to glance west, beyond the house, past the stone wall and the linden tree, to where a pair of “barns” —actually a carriage barn and an icehouse — are backlit by the setting sun. This east-facing icehouse façade was the primary focus in our meetings with the Town of Essex Planning Board. Because of the impact it has on the historic viewshed, we have endeavored to minimize changes, even repurposing/recreating the former icehouse door as a storm door per the encouragement of several board members.

    Rendering for Icehouse Rehabilitation, North Elevation (Source: Tiho Dimitrov)
    Rendering for Icehouse Rehabilitation, North Elevation (Source: Tiho Dimitrov)

    The second rendering of the icehouse as viewed from the north is notably absent the carriage barn (located directly south of the icehouse.) Although this might initially seem misleading, there’s potentially an intentional and beneficial consideration as explained below. Of note in this view (not visible from the public viewshed) is a change to the original fenestration. Only a single window, the one furthest to the left, likely dates to the building’s construction in the late 19th century. This 3-lite window, along with an identical window south side, have served as the template for three windows in the rehabilitation plan. When we purchased the property a massive window had been cut into this wall, but we removed it during the initial phase of structural rehabilitation in 2006-7. It is visible in the photo below, taken by the previous owners’ son, Jason McNulty.

    Icehouse, North Side (Source: Jason McNulty)
    Icehouse, North Side (Source: Jason McNulty)

    It’s also evident in the following photo taken by Jason McNulty. Both photographs were recorded on November 8, 2004.

    Icehouse, North Side (Source: Jason McNulty)
    Icehouse, North Side (Source: Jason McNulty)

    The three six-over-six double hung windows in Tiho’s rendering have been templated from the carriage barn, and the three small windows above are templated from similar windows in the carriage barn that were originally installed in rack of the horse stalls. They are visible in one of the photos I shared recently in the post, “Local Lumber& Fall Foliage”.

    As It Might Appear?

    I qualified my statement above about these renderings illustrating how Rosslyn’s icehouse will/might appear after rehabilitation is complete. Why, you ask? Architectural renderings are a powerful tool for visualizing designs and structural plans, but they are subjective. For example, in the renderings above, attention is focused on the icehouse to the exclusion of other conditions (ie. the carriage barn located mere feet to the south of the icehouse). There’s something romantic, even misleading when we isolate a specific subject from its broader context, and that is certainly the case with these delightful renderings. Colorful and capricious, they are extremely effective tools for catalyzing imagination for the future of this rehabilitation project. But there’s much more at stake as we adapt the northwest quadrant of Rosslyn’s public property (as opposed to the meadows and fields to the west of the gardens and orchard). I’ve chronicled in other recent posts concurrent site work to the north and west of the icehouse, removing some of the topographical changes introduced early in the 20th century when a clay tennis court was installed. We will be reintegrating the landscaping in the immediate vicinity of the icehouse with elements already present on the property in order to restore greater cohesion and balance to the landscape design.

  • Tempest & Terroir

    Tempest & Terroir

    Tempest & Terroir (Photo: Hroth Ottosen)
    Tempest & Terroir (Photo: Hroth Ottosen)

    It’s time for a tumble into tempest and terroir. And so I return to storms and dirt. To dirt and storms. More specifically I revisit that sudden, destructive blast that crashed through the Adirondack Coast between Westport and Essex back on August 30, 2022. (See “Storm Damage” for the gory details.) And then I fast forward to our recent dirt work, sculpting and regrading a portion of the almost century old clay tennis court back closer to what it *might* have looked like two centuries ago. (See “The Art of Dirt Work” if you’re undaunted by dirt and clay and raw site work.)

    Tempest & Terroir

    A derecho, they said.
    A straight line blast, they said.
    A microburst, they said
    in the hours after.
    I'd watched at the front door
    forehead hard against
    sharp-edged muntins pressing
    elliptical tattoos
    into flesh above my brows.
    Moments later, panting,
    I stood in the screen porch
    looking west toward the barns,
    filming the angry minutes,
    prolonged, distorted minutes,
    while the sky blackened
    and rain blurred horizontal
    and leaves — at first, just leaves
    and then clusters of leaves
    and then whole branches —
    streaked horizontally,
    southeast to northwest,
    no gravity just a fierce force
    ripping through our lake life
    as crazed and decisive
    and mesmorizing and efficient
    as a runaway subway train.
    Later, still spongy earth
    gaped in the failing light
    like a mute maw anguished,
    roots unanchored, failing,
    drip-dripping muddy tears
    in a disinterred void.
    Silence now except for
    moisture's music drumming,
    a chorus of water
    drops and weeps and seeps,
    melancholy melody
    foretelling the dirt work
    now underway, today,
    two months after the storm.
    Excavator guided
    by imagination,
    plans, words, hasty field notes,
    and the dexterity
    of shrewd operators
    slicing precisely and
    scraping layers of sod,
    then soil, then clay away.
    Worry wells within for
    savage scars unsettle,
    whether microburst rought
    or man and machine made.
    But Rosslyn's fertile ground —
    robust, resilient, and
    memory of ages —
    will nourish and nurture,
    lifting lofty notions
    and simplest seedlings
    from rudiments and seeds
    to safe sanctuary
    and towering glories.

    Goût de Terroir

    Let’s chock this post up to poetic license. Sometimes poems (and sometimes stories) are more effective than nonfiction prose, I find. Hopefully some of you will grasp what I’m grappling with, the tenuous connections I’m making, the profound faith in this healing property that has, since 2006, guided us through transition after transition.

    Why poetic license? Well, for one thing the French idea of “terroir” (literally soil or earth) is usually used in reference to wine, specifically the aroma and flavor profile as derived from the environment within which the grapes have been grown and, more loosely, the wine produced. So the idea as used by those of us who enjoy wine usually encompasses the geographic location and characteristics such as soil composition, climate, and topographical siting. I think it’s fair to extrapolate from this usage a broader albeit agricultural application of the term, but I’m trying to amplify the idea a bit further. Needless to say, this poem is still a work in progress…

  • Icehouse Rehab 2.5: Site Work Begins

    Icehouse Rehab 2.5: Site Work Begins

    Icehouse Site Work Begins (Photo: R.P. Murphy)
    Icehouse Site Work Begins (Photo: R.P. Murphy)

    Icehouse site work is underway! Bob Kaleita, Phil Valachovic, and Scott Blanchard made great progress this perfect October Thursday, carving out new grade for deck and landscaping.

    Icehouse Site Work Begins (Photo: R.P. Murphy)
    Icehouse Site Work Begins (Photo: R.P. Murphy)

    Per an anonymous member of our team this morning, “Scott Blanchard is in the excavator… He’s one hell of an operator!”

    Icehouse Site Work Begins (Photo: R.P. Murphy)
    Icehouse Site Work Begins (Photo: R.P. Murphy)

    After days of perfect dry conditions, Mother Nature threw a curve ball. Rainy conditions overnight saturated the ground and contributed to muddy, less-than-ideal excavation circumstances but the team persevered.

    Icehouse Site Work Begins (Photo: R.P. Murphy)
    Icehouse Site Work Begins (Photo: R.P. Murphy)

    Because much of this site is an old clay tennis court, dating back to at least Sherwood Inn days if not earlier (perhaps Hyde Gate?) The surface of the court long ago was scraped and allowed to grow thick with grass, but the resulting ground consists of a lot of class which becomes sticky and exceedingly messy after a rainstorm.

    Icehouse Site Work Begins (Photo: R.P. Murphy)
    Icehouse Site Work Begins (Photo: R.P. Murphy)

    It was somewhat slow going, ensuring that appropriate cuts were made for transition from upper lawn (a future volleyball, badminton, and croquet court) to lower lawn where the deck deck will be built. But the plan is in focus, major progress was made, and tomorrow we’ll finish up the week with significant accomplishments behind us.

    Icehouse Site Work Begins (Photo: R.P. Murphy)
    Icehouse Site Work Begins (Photo: R.P. Murphy)

    In the photo above, the perspective of the icehouse’s western facade is for the first time in a looong time (about a century?) rising yo it’s appropriate stature above grade. The fill that was added / altered many decades ago to accommodate a tennis court is now partially removed, and the well proportioned icehouse has begun to emerge from the semi-entered conditions it endured for far too long.

    https://www.instagram.com/reel/CkPDHcDg25d/

    Xxxx

  • The Art of Dirt Work

    The Art of Dirt Work

    Excavation, grading, and other related site work can sometimes be like sculpting — carving away material, building up material, liberating a vision, reimagining environs, transforming possibility into reality. It’s truly the art of dirt work.

    The Art of Dirt Work (Photo: R.P. Murphy)
    The Art of Dirt Work (Photo: R.P. Murphy)

    Occasionally, I’m fortunate enough to be one of the operators sculpting concept into actuality, imagination into existence. Often instead I’m standing and pacing and siting and gesticulating and interrupting the hard work of another operator, tweaking and revising, recalibrating my original idea(s) as circumstances warrant.

    The Art of Dirt Work (Photo: R.P. Murphy)
    The Art of Dirt Work (Photo: R.P. Murphy)

    Last week was challenging for me. While I prefer to be on site, observing, directing, reevaluating, making field decisions as the site evolves, I was unable to be present for the site work. In fact, while Bob, Scott, and Phil were practicing the art of dirt work around Rosslyn’s icehouse I was over 2,000 miles away. With only telephone, video, and photos connecting me to their progress, I was forced to let go, to trust their judgment, to rely on the whole team to help catalyze the plan.

    And you know what? It looks like everything worked out great!

    https://www.instagram.com/reel/CkYWmy3gi5f/