Tag: New York

  • Where in the World is Rosslyn?

    Where in the World is Rosslyn?

    Essex, NY in 1876 (Source: OW Gray Atlas of Essex County)
    Essex, NY in 1876 (Source: OW Gray Atlas of Essex County)

    Where in the world is Rosslyn? If you’re not too terribly averse to a verse, here’s an introduction writ small (wrapped up in a tidy micropoem.)

    Up in the Adirondacks
    at the foot of the foothills,
    where Champlain's sweet waters
    refresh, render respite,
    and sooth worldweary souls,
    a sanctuary sings
    welcoming melodies.
    (Source: Where's Rosslyn?)

    Poetry not your preference? Pity! 😉 Let’s try this.

    Rosslyn is perched on the Adirondack shore of Lake Champlain in Essex, New York. Unlike the Adirondack High Peaks region, the Adirondack Coast (which comprises much of Champlain’s western shoreline) exhibits picturesque colonial architectural unlike the more recent Adirondack rustic camps located further inland. Historic Essex boasts one of the most intact, best preserved collections of early 19th century United States architectural heritage. Serving as a gateway community since the late 1700s, Essex remains an important crossroads today. The Essex-Charlotte ferry connects New York State with Vermont, while nearby NYS Route 87 and Amtrack trains connect Montreal, Albany and New York City. (Source: Where’s Rosslyn? )

    Beginning to zero in on where in the world Rosslyn is? If neither the poetics of place nor encyclopedic brevity are helping much, let’s try a map or two. Maybe I can narrow your focus a little further with this line drawing that I created with Katie Shepard for our community blog, Essex on Lake Champlain back in 2015. (If you click on the map it’ll open a window where you can download the unfuzzy PDF complete with a key explaining each of the numbers in the map.)

    Essex Architecture Map, July 2015 (Source: Essex on Lake Champlain)
    Essex Architecture Map, July 2015 (Source: Essex on Lake Champlain)

    Enough with the old school black and white (and sepia with faint rose highlighting). It’s time for technicolor!

    Where in the World is Rosslyn in Color?!?!

    When it comes to brightening things up, there’s no better bet than close friend, artist, and best selling author, Amy Guglielmo (@amyguglielmo). Back on November 18, 2013 I shared a post showcasing Ms. Guglielmo’s dazzling aerial view of our Essex neighborhood.

    Essex Aerial View (Painting by Amy Guglielmo)
    Essex Aerial View (Art by Amy Guglielmo)

    So, where in the world is Rosslyn? Train your eyes on the three docks/piers extending out into Lake Champlain. The middle one is the ferry dock. (See the ferry heading to Vermont?) The smallest of the three man made peninsula’s is Rosslyn’s dock house (aka “boathouse”). Armed with that little insight, perhaps you can find the same property on the two maps above? (Hint: the boathouse wasn’t yet constructed in 1876 when the map at the top of this post was made.)

    Now back to Amy’s painting and Rosslyn’s boathouse, “the maritime folly that enchanted us back in 2005-6 enough to swap NYC for the Adirondacks.”

    Heck, it still enchants us despite constant maintenance and seasonal flood worries. And the boathouse hammock is a mini vacation!

    Head inland from the boathouse and you’ll discover Rosslyn itself, tucked next to two massive trees, a ginkgo and what I believe is a silver maple (Acer saccharinum). In fact, I’m sitting in the top right room on the second floor right now. Perhaps if you swoop in a little lower you’ll catch me jotting this blog post.

    A little further left of the house are the carriage barn (lower) and ice house (upper) which offer up all sorts of mysteries. But those for another day. Unless you remember three curious artifacts I shared with you a while ago… (Source: Essex Aerial View)

    Hopefully this helped orient you. Yes, a Google map might be more precise and quicker, but sometimes Rosslyn Redux and the art of homing aren’t particularly precise or quick. Besides, a thin veil of privacy keeps the snoopers away. Or at least adds a little challenge to their quest. But if you’re looking for a little more clarity on where in the world Rosslyn is located, I suggest you check out this hopefully helpful hub: “Where’s Rosslyn?

  • Demolition: Rosslyn Dedux

    Demolition: Rosslyn Dedux

    Rosslyn Demolition
    Rosslyn Demolition, autumn 2006

    When it was built it was just right for the times. But it didn’t adapt… Rooms were shut off and fell out of use. Neglect left the paint chipped, with bare wood and brick showing through… rehabilitation fails with no sustainable plan for use. ~ Stef Noble (www.stef.net)

    I don’t recollect how I came across Demolition, a blog post by Stef Noble (@stefnoble). I don’t know her. I don’t even know about her. But somehow I stumbled across her reflection on what happens at the end of a building’s life. She ponders demolition, debris, salvage, sensitivity to neighbors and environment. And she wanders into wonders about the transition, preparedness, shelter…

    [pullquote]Like an enigmatic poem that continues to resonate long after that first encounter… Stef’s words have hooked me, drawn me back again and again.[/pullquote]

    The post moves from conviction and resolve to questions. From “sometimes you find that there is nothing left to save” and “It must be a salvage process” to “What does your shelter look like now?”

    It’s a poignant, provocative post despite its brevity and abstraction. I have no idea what or where the building is or even whether the building is a metaphor for something else that’s beyond rehabilitation, something else that must be dismantled sensitively and responsibly before moving on. But like an enigmatic poem that continues to resonate long after that first encounter, inspiring rereading upon rereading, Stef’s words have hooked me, drawn me back again and again.

    Noble Demolition & Rosslyn Rehabilitation

    At the risk of misappropriation (Sorry!) I have transposed Stef’s wonder to Rosslyn’s endless rehabilitation. Inadvertently. Inevitably.

    There are obvious differences. Rosslyn was repeatedly adapted across almost two centuries. From year-round residence to seasonal residence to inn, restaurant and tavern. From Georgian to Federal to Greek Revival to Victorian and back to Greek Revival/Georgian. From stately home and outbuildings to dilapidated, structurally failing buildings more readily, easily, and cost effectively demolished than rehabilitated. Rosslyn adapted.

    But rooms fell out of use, and rooms were shut off. A large portion of the rear ell (wing) was removed half a century ago. In fact the rear ell has undergone four or five, maybe even six significant rebuilds and alterations since the 1820s. And the front facade was dramatically altered early in the 1900s when a vast Victorian wraparound porch was added. This lake overlook was removed several decades before Rosslyn became our home.

    In short, Rosslyn’s story is first and foremost one of adaption. Repeat adaption. Her perseverance has been at least partly due to her perennial adaptability.

    Rosslyn Boathouse, circa 2006
    Rosslyn Boathouse, circa 2006

    Nevertheless when we were in the final pre-purchase days, the inspector opined that the boathouse and icehouse were probably unrecoverable. Use them while we could or demolish and replace them. There were other eleventh hour surprises that jeopardized the sale too, but demolition as a recommendation was unnerving.

    Rosslyn’s boathouse was precisely what I’d fallen for. Tear it down? No chance. And the ice house promised to be the perfect office/studio/playhouse. Think desk, aisle, pool table, bar!

    In both cases we forged ahead, prevailing upon the planning board, engineers, contractors (and detractors) that these buildings should be, could be, would be preserved. Underpinning our confidence and our persistence was the conviction articulated so well by Stef Noble:

    rehabilitation fails with no sustainable plan for use

    In order to ensure that Rosslyn’s iconic boathouse/dock house would continue to welcome ferry passengers to Essex long into the future, it needed to be more than an historic artifact. It needed to be relevant and useful. It needed to adapt.

    No longer serving the Kestrel as a boathouse and coal storage facility, the boathouse needed to evolve. It need to become our waterfront, useful and relevant to us. Rosslyn’s boathouse should accommodate our boating and water sports needs. We windsurf. We waterski. We sail. We entertain nieces and nephews and friends who enjoy fishing and playing on the beach and barbecuing…

    The sustainable plan for Rosslyn’s boathouse involved adapting the precarious building into a safe, inviting and attractive place of waterfront activity once again. And despite the odds, we prevailed. The boathouse remains the heart and soul of our Rosslyn lifestyle.

    And some day — in the still unknown future — I hope that the boathouse will evolve again to satisfy and inspire Rosslyn’s future stewards.

    Rosslyn Ice House 2006
    Rosslyn Ice House 2006

    The ice house is another story.

    We stabilized the failing structure, replaced the failed roof, repaired the crumbling stone foundation and upgraded the mechanicals. But then we mothballed the project, deferring the next phase indefinitely until circumstances warranted moving forward. For several years we’ve used the ice house as a storage and maintenance annex for the carriage barn, but recently we’ve begun to address a sustainable plan for use. I hope to address this in more depth over the course of the next year. But for now, I’ll just say that we understand that simply stabilizing the building is not enough. Successful rehab demands a sustainable plan for use. And we’re working on it!

    The carriage barn and house have been rehabilitated and are serving the modern iteration of the original purposes for which they were built. The house is a home. We live and work and entertain at Rosslyn. I genuinely hope that the future is bright for this structure remaining a year-round residence for a long time. And while horses and carriages no longer come and go, the carriage barn is a handsome but utilitarian space for cars and tractors and a colorful parade of property maintenance equipment. There are bicycles and winter storage for kayaks and windsurfers. In a real sense the building has been rehabilitated into a modern “carriage barn”.

    If you’re still with me, I apologize for getting carried away. My mind was wandered. And I’ve still fallen short of conveying why exactly Stef Noble’s post continues to resonate for me. I suppose I’m still not 100% certain. But it seems to share some DNA with the adventure my bride and I undertook in the summer of 2006 when we pulled up roots in Manhattan and set down roots in the Adirondacks with the dream of rehabilitating Rosslyn…

  • Paris, Rome, New York City and Essex

    Paris, Rome, New York City and Essex

    Living Past: Paris, Rome, New York City prepared me for Essex, NY
    Living Past: Paris, Rome, New York City prepared me for Essex, NY

    Early in the millennium I lived in Paris and Rome for a little while. Twin hardship posts!

    I shuffled back and forth on a roughly two week cycle with frequent detours to New York City to visit my then-girlfriend-now-bride. I lived out of a suitcase and a briefcase. I collected frequent flyer miles and passport stamps instead of chotchkies because they were portable and well suited to my itinerant existence.

    [pullquote]As I orbited through Paris, Rome, New York City I grew accustomed to certain similarities… but it was the differences that intrigued me most.[/pullquote]

    It was a frenetic time, juggling life on two continents and work in three countries. But it was an exhilarating and thoroughly intoxicating chapter of my still-young life. I was thirty years old and hungry for adventure. Needless to say, my jet-set life was indulging (and dilating) my appetite if never fully sating it.

    As I orbited through Paris, Rome, New York City I grew accustomed to certain similarities (ie. all three cities encourage a cosmopolitan, lively, gastronomically diverse and culturally rich lifestyle), but it was the differences that intrigued me most.

    Aside from the obvious social, cultural and linguistic differences, the way all three cities engage with their past sets them apart. All three are old — though New York and Rome bookend the age spectrum — and all three embrace their history. Architecture and urban planning are two of the most visible indications of this, and both set Rome apart.

    Rome is old. Sure, all three cities can make that claim, but Rome is really old. Ancient. And while Paris reveals Roman vestiges when quaint or historically beneficial and even highlights older archeological roots clinging to the swampy banks of the Seine, so much of the grandeur of Paris dates from the mid 1800s when Napoléon III commissioned Baron Georges-Eugène Haussmann to renovate and modernize the squalid descendent of Lutetia Parisiorum.

    [pullquote]Essex is a mere freckle on the cheek of Paris, Rome, New York City, but this charming freckle simultaneously lives in the past and the present. Comfortably, happily and willfully. Essex embraces its living past…[/pullquote]

    Although Rome has periodically made efforts to modernize, there’s no escaping the city’s ancient history at every turn. New and the old are interlaced, and Romans habitually extol and condemn their ancient city in the same sentence. They bemoan the frustrations of abysmal traffic circulation, for example, and yet they pride themselves on navigating the labyrinthine quarters with alacrity, colorful language and wild gesticulation.

    Romans’ love-hate relationship with history is evident in the architecture and urban planning, but it also informs their art, design, food, music and language.

    I’ve been a collector, even a hoarder since childhood, but I credit Rome with awakening my fascination with the living past. One man’s artifact is a Roman’s quotidian necessity. The past is not relegated to museums or worse, the dump. It coexists and enriches the present.

    New York covets the new and improved, and Paris fastidiously collects and curates the most valuable gems from the past. But Rome simultaneously lives in the past and the present. Comfortably. Happily. Willfully. In a sense, Rome is timeless for this reason. It embraces its living past.

    W.D. Ross House, Essex, NY (c.1822)
    Rosslyn (aka W.D. Ross House) circa 1822 in Essex, NY

    This has been a circuitous meander to be sure, but it leads to Essex, New York, another “city” that embraces its living past. Alright, “city” is a stretch. Essex is a village, a small village. With a year-round population well under a thousand residents Essex is a mere freckle on Rome’s or Paris’ cheek. And yet this charming freckle simultaneously lives in the past and the present. Comfortably, happily and willfully. Essex embraces its living past, especially when it comes to architecture. Two centuries of heritage and life permeated by a built environment dating almost exclusively to the first half of the 19th century. Indeed many of the current residents were drawn to Essex precisely because of the historic built environment.

    While my bride and I didn’t understand it at the time — seeing our transition from Manhattan to Essex primarily as a lifestyle choice — it was Rosslyn, one of the most historic structures in town, that ultimately seduced us. And it is Rosslyn that took me by the hand and guided me back through the years.

    Through Paris, Rome, New York City to Essex in one meandering rumination, this is the journey through the coupling of past and present that has drawn me since purchasing Rosslyn in the summer of 2006.

  • Rosslyn for Sale

    Rosslyn for sale, November 2004
    Rosslyn for sale (photo credit Jason McNulty)

    Susan and I were driving back to Rock Harbor after visiting Rosslyn, an early 19th century home in Essex, New York, which our realtor had just shown us for the second time in several months.

    It was spring. At least a dozen sailboats speckled Whallons Bay as we wound south along the edge of Lake Champlain. Small white caps, light wind, bluebird skies above. Two fishing boats trawled between the beach and Split Rock where a glimpse of Vermont was visible within the cleft.

    We veered away from the lake and up Couchey Hill toward one of the most picturesque views in the Champlain Valley. Hurricane, Giant, Dix and the Jay Range were silhouetted against cloud specked blue skies to the east. An undulating patchwork quilt of hayfields and tree lines stretched to blue green foothills clumped against the Adirondack Mountains.

    Half an hour can vanish in a single breath while watching a sunny day expire here. Even at midday the view is an open-ended invitation to linger.

    But with minds and mouths racing, we did not even slow down on our way back to Rock Harbor. We were sorting engagements, worrying over deadlines and synchronizing schedules for the week ahead. After a quick lunch, we would drive back to Manhattan. Although the trip could be as quick as five hours, Sunday afternoons were typically slower with increased traffic around Albany and returning weekenders adding to the congestion.

  • Contemporary Vintage Boathouse

    Vintage boathouse postcard? Or not? (Source: Geo Davis)
    Vintage boathouse postcard? Or not? (Source: Geo Davis)

    Is this a vintage postcard or a recent photograph taken from the ferry dock in Essex, New York?

    If you guessed that the image is contemporary, you’re right. It was taken on 29 May 2017. Born a moody, slightly fuzzy phone shot but reborn a tango dancing, filter-upon-filter-upon-filtered vintage postcard wannabe. Or something…

    SaveSave

  • Serene, Patinaed Fantasy

    Apartment buildings lining the south side of E...
    East 57th Street between First and Sutton (via Wikipedia)

    Accustomed to living out of a suitcase, I pendulumed back and forth between Manhattan where Susan was wrapping up a degree in interior design following a decade-long career in video production, and Westport, New York, where both of our parents owned homes and where we’d met a couple of years prior.

    Susan had recently refinished a one bedroom apartment in The Galleria, and she was itching to sell it and start a new project. I was intrigued by the prospect of collaborating on a project and plugging my recent Paris experience into a tired but dignified New York apartment, but the Adirondacks were pulling me. After almost half a lifetime living in cities, I yearned to return to the rhythms and pleasures of rural life.

    My idealized notion of a country house had its roots in a small farm that my parents had bought in Washington County while still living in New York City in the 1970s. Initially a getaway for my recently married parents trying to balance life and careers in New York City and later, albeit briefly, a full time residence, The Farm underpins my love for countryside and provides my earliest childhood memories.

    The perfect place, I explained to Bruce, the friend and realtor who shuttled me from property to property, would be a small, simple farmhouse in the middle of fields with a sturdy barn and some acreage, maybe a stream or a pond or access to a river. Barns, in particular, pulled me. Secluded places with good light and views, forgotten places with stories still vaguely audible if you slowed down long enough to hear the voices. No loud traffic. An old overgrown orchard, perhaps. Asparagus and rhubarb gone feral near the barn. Stone walls, lots of stone walls and maybe an old stone foundation from a building long ago abandoned, the cellar hole full to bursting with day lilies. A couple of old chimneys in the farmhouse with fireplaces. A simple but spacious kitchen. A bedroom with plenty of windows. A room to read and write and collage the walls with notes, lists, photos, drawings and scraps. Someplace I could tinker at myself, gradually restoring the walls and plaster and roof. Timeworn wide plank floorboards of varying widths that I would sand by hand to avoid erasing the footpaths and dings and cupping from a burst pipe years before.

    Although I’d painted the picture often enough, my budget and unwillingness to abandon the serene, patinaed fantasy resulted in a few false starts but mostly a very clear idea of what I was not interested in buying. On the upside, I came around and helped Susan select and renovate a coop in a 1926 McKim, Mead and White prewar located on 57th Street just off Sutton Place. An elegant apartment in a handsome building. Great bones, view and sunlight enhanced with a top-to-bottom environmentally responsible, non-toxic renovation. A success!

    Though there were occasional fireworks when our aesthetics and convictions clashed, we enjoyed working together and decided to look for a North Country property that would suit both of our interests…

  • De-Icing the Duck Pond

    Let me start by saying that we don’t have a duck pond. We have a lake. Lake Champlain.

    And although it pains me slightly to say it, we also don’t have any ducks. Not personally, at least. Lake Champlain, on the other hand, has plenty of ducks. And when the lake freezes and the ducks run out of water to swim and eat, we offer them a small “duck pond” in front of Rosslyn boathouse to tide them over until spring. Or at least that’s our current practice.

    In the Beginning…

    The origin of our “duck pond” is less duck-centric. When we purchased Rosslyn in the summer of 2006 the boathouse perilously teetering on a failing timber and stone crib. The whole peninsular folly was one ice flow away from the grave. In fact, all four buildings were suffering the advanced stages of disrepair. We had to prioritize our attentions that first winter, and the house won out. In the hopes of preserving the boathouse until we could begin rehabilitation, we purchased an Ice Eater to reduce ice damage. It was a long shot. But it worked. The Ice Eater agitated the water at the end of Rosslyn boathouse, preventing ice from forming. It also created a perfect refugee for the ducks. (And the hawks and eagles, but that story for another day…)

    The following winter my bride (and many of our new neighbors) insisted that we install the Ice Eater again to ensure that the ducks would have open water. I obliged. Despite the fact that the boathouse now how a solid foundation and is [hopefully] less likely to succumb to ice damage, we continue to maintain a winter “duck pond” each year.

    2015 Ice Eater Foibles

    Unfortunately in late January pack ice was blown into shore clogging the Ice Eater and eventually sheering both of the propeller blades that agitate the water to prevent freezing. Temperatures were bitterly cold and the lake froze sans “duck pond”. My bride and I were out of town at the time, but concerned messages began to fill my email account.

    “Since George has not installed his bubbler this year the Essex ducks are cooperating to keep a pond churned with 100 constantly circling webbed feet. Their pond is a few hundred feet north of George’s boathouse…” ~ S. B.

    “Greetings from ‘cool’ Essex. All those mallards are hoping you will turn on your bubbler as the ice is closing in on them and they really don’t want to leave. I was surprised to find them in my yard under the oak tree eating acorns a couple of afternoons. Never knew that could be part of their diet…” ~ D. L.

    Reopening the Duck Pond

    2015 Duck Pond
    2015 Duck Pond

    I ordered a replacement propeller for the Ice Eater and hustled home to make repairs. By the time I arrived the lake had tightened up (regional expression for frozen solidly) except for the ferry channel where the ducks were congregating, flying up with the comings and goings of the ferry, and then settling back down into the frigid water.

    Doug assisted me in repairing the Ice Eater and breaking a small hole in the ice, not much larger than those used by ice fishermen. We suspended the Ice Eater in the hole and plugged it it. It whirred to life, pumping a steady stream of warmer water from the bottom up onto the ice. Within hours the hole had grown large enough to attract some of the ducks. Over the next few days the churning water swelled the hole larger and larger, finally expanding the open water enough to once again qualify as our “duck pond”. As I write this post, literally hundreds of ducks are bobbing wing to wing, beaks into the wind.

    That’s the good news.

    Can you anticipate the bad news?

  • Ed Pais visits Rosslyn Boathouse

    Ed Pais visits Rosslyn Boathouse

    Ed Pais visits Rosslyn Boathouse
    Architect (and high school classmate) Ed Pais visits Rosslyn’s boathouse to help me troubleshoot post-flood remediation.

    Edward Pais was a classmate of mine at Deerfield Academy from 1986 to 1990, and he now practices architecture in Burlington, Vermont. Despite being out of touch for more than two decades we recently reconnected via Facebook. Ed joined the Rosslyn Redux Facebook page and he’s offered ongoing feedback about our boathouse during the Lake Champlain flooding. Recently he offered to come over and take a look. Needless to say, I eagerly accepted his offer.

    We started out with a delicious lunch at Essex Provisions overlooking the still flooded marinas, then headed back to Rosslyn to take a look at the boathouse.

    Ed’s reaction was encouraging, and despite pushing him into engineering territory a couple of times, I mostly listened and took mental notes. He reminded me that he’s an architect and not an engineer, but repeatedly expressed his confidence in the work of Engineering Ventures in Burlington. Paul Hobbs who handled most of the structural engineering for the boathouse renovation repeatedly impressed with his keen mind, so Ed’s confidence was not misplaced. That said, I do intend to follow up with Hobbs and/or Jeffords Steel to ascertain whether or not the beams which support the suspended pier were fabricated out of COR-TEN or a similar weather resistant steel.

    Ed’s recommendation to quickly and aggressively treat the mold situation was highlighted in a follow-up message after his visit. He suggested that we should remove the baseboards to inspect for mold. He linked me to helpful information “Cleaning Mold on Wood” that confirms that we’ve been remediating the post-flood mold situation appropriately.

    The molds seen on lumber are largely a collection of fungal spores on the surface of the wood. Wet wiping and scrubbing the lumber will remove the mold. But simply wiping the wood can release spores into the surrounding air. A better approach is to gently spray or wet down the mold prior to removal.

    There are a number of products on the market, ranging from common bleach to commercial mildewcides, which are promoted for cleaning mold from wood. However, the U.S. Environmental Protection Agency suggests using a mild detergent and water for most mold clean up. The EPA recommends wet vacuuming the area, wiping or scrubbing the mold with detergent and water and, after drying, vacuuming with a high-efficiency particulate air (HEPA) vacuum.

    Common bleach and water can be used for cleaning mold. The U.S. Centers for Disease Control (CDC) recommends using a solution of 10 parts water to one part bleach to clean mold from surfaces. (Western Wood Products Association)

    Huge thanks, Ed, for taking the time to coach me through the latest challenge! I really appreciate it.

    After De’s departure my parents joined us for dinner. They’ve just returned to the Adirondacks from Chicago for the summer, so grilling and dining al fresco seemed like the perfect way to launch their summer. While showing my mother the recovering boathouse, I asked if she remembered Ed Pais from Deerfield. She did! She recounted a story that I’d never known. My brother, two years younger than I, had come to Deerfield for his admissions interview. Although he already knew his way around because he had visited me frequently, he decided to take the admissions office campus tour anyway. His tour guide was Ed Pais! When we got back to the house I asked my father if he remembered Ed Pais, and he immediately told me the same story! Ed, must have made quite an impression…

  • Hickory Hill and Rosslyn

    The Ross Mansion, Essex, NY
    The Ross Mansion, Essex, NY

    I recently happened on this antique postcard of the Ross Mansion (aka Hickory Hill) which was built by the brother of W.D. Ross, Rosslyn’s original in the early 1820s. Hickory Hill still presides handsomely at the intersection of Elm Street and Church Street. I’m still sorting out the Ross family tree, intricately woven into the history of Essex, New York, and I’ll do my best to paint a clear picture as it emerges. For now, a couple of interesting references include:

    Hickory Hill & Rosslyn Link

    [pullquote]Hickory Hill’s setting in its own spacious grounds on the ridge which overlooks the village and the lake adds much to its beauty. Rosslyn commands a superb view of the lake and the Green Mountains in Vermont.[/pullquote]

    The interesting connection between Rosslyn and Hickory Hill is illuminated in Living Places: Essex Village Historic District.

    “Hickory Hill” on Elm Street, and “Rosslyn” on the Lake Shore Road represent the residences of the wealthy merchants and lawyers who dominated Essex in the early days of its prosperity. Two-and-a-half-story brick structures whose design combines Georgian and Federal elements, both “Hickory Hill” and “Rosslyn” were built before 1830. The building of “Hickory Hill” (1822) built by Henry Harmon Ross for his bride, was taken from a five-bay design in Salem, New York. It displays great grace and lightness in its Palladian window, Neo-classic portico, and elegant cornices. Its setting in its own spacious grounds on the ridge which overlooks the village and the lake adds much to its beauty. “Rosslyn”, the William D. Ross house, originally constructed as a three-bay side hall dwelling, was expanded (1835-40) into five bays. Presently restored to its appearance in 1840, it commands a superb view of the lake and the Green Mountains in Vermont.

    William Daniel Ross

    [pullquote]Rosslyn’s original owner, William Daniel Ross, dealt in lumber, iron and ship-building in Essex.[/pullquote]

    Another genealogical reference appears in Ancestry.com:

    DANIEL ROSS: born February 23, 1764, Duchess County, NY; son of Daniel Ross (c 1740- c July 22, 1795) and Jerusa Howard; married Elizabeth Gilliland June 1784; one of the original settlers of Essex, NY on lands given to his wife by her father William Gilliland; had five children- Elizabeth, William Daniel, Henry Howard, Edward D., and Sara Jane; divorced Elizabeth c July 1815; Captain of Militia, Justice of the Peace, merchant, first Essex County Judge, and most prominent citizen; died at the home of his son Henry, Hickory Hill, Essex, NY March 10, 1831 at 67.

    ELIZABETH GILLILAND ROSS EVERTSON: born 1764 in New York City; first child of William Gilliland (c1734-1796) and Elizabeth Phagan (c1740-1772); married Daniel Ross June 1785; had five children noted above; divorced c July 1815; married John J. Evertson by April 1, 1823; Evertson died by 1829; after Daniel’s death in 1831, she returned to her son Henry’s home, Hickory Hill, Essex, NY and died there August 3, 1847 at 83.

    I will continue adding Ross family references, but for now, here is an interesting if somewhat garbled overview of William Daniel Ross from Caroline Halstead Barton Royce as recorded in Bessboro: a history of Westport, Essex Co., N.Y. (Note: corrections are mine and possibly erroneous.)

    William Daniel Ross dealt in lumber, iron and ship-building in Essex; his wife was a sister of John Gould, Aid on Gen. Wright’s stafi; and his brother, Henry H. Boss, (afterward Gen. Ross,) was adjutant of the 87th at the battle of Plattsburgh.

    If you can point me toward accurate history, genealogy, etc. for the Ross family of Essex, New York, please contact me. I would be much indebted to you. Thank you in advance.

  • Essex Horse Nail Company and Wadhams Mills

    Envelope from the Essex Horse Nail Co., Limited in Essex, New York.
    Envelope from the Essex Horse Nail Co., Limited in Essex, New York.

    I spied this intriguing artifact in an eBay auction. It’s a canceled envelope for a letter, invoice, something… sent from the Essex Horse Nail Co., Limited in Essex, New York on August 16, 1898 (year cited in eBay auction, though I’m unable to verify) to Mr. D. J. Payne in Wadhams Mills, New York. It’s a somewhat unremarkable artifact, detritus really, the “wrapper” from correspondence between the village where I live now and the village where I grew up, from the village where the Essex Horse Nail Co. no longer stands (and Rosslyn still does), to the village where “Homeport” still presides over the Boquet River just upstream from a hydroelectric power plant (resurrected on the site of the original Wadhams Mill). Unremarkable, yes, and yet nostalgic. A bridge across almost twelve decades, a dusty handshake between two geographically poignant reference points in my personal journey. Nothing more. Nothing less.

    Envelope (back) from the Essex Horse Nail Co., Limited in Essex, New York.
    Envelope (back) from the Essex Horse Nail Co., Limited in Essex, New York.
  • Lingering Longer at Rock Harbor

    Rock Harbor view of Lake Champlain and Vermont shoreline
    Rock Harbor view of Lake Champlain and Vermont shoreline

    Back at Rock Harbor I packed the car while Susan prepared tuna melts. The temperature had warmed to the mid seventies, and a light breeze was blowing off the lake. We ate lunch on the deck, one last indulgence before locking up and heading back to Manhattan.

    Perched a hundred feet above the lake, the deck offered a stunning panorama of Lake Champlain’s mid-section, known as the narrows. At just over a mile across, the narrows are the wasp’s waist of the 125 mile long lake that at its broadest spans 14 miles across. Across the field of sparkling topaz Vermont farmland extended to the Green Mountains. The Basin Harbor Club’s whitewashed cottages winked through heavy foliage along the shoreline. Several sailboats glided north. A motorboat buzzed lazily, weaving in and out of the coves along the New York shoreline.

    I remembered the summer five years ago when Susan and I first explored these same coves together — waterskiing, drifting, skinny dipping — enjoying a whimsical summer fling before heading back to separate lives and responsibilities on opposite sides of the Atlantic.

    “I was thinking,” Susan interrupted my reverie. “I don’t really have to be back in the city until noon tomorrow…”

    I smiled. We both knew that she really meant, Do you want to stay another night and drive home tomorrow? Though not habitually subtle, Susan had a tendency to suggest rather than request. So, an offhand, “It’s getting late, we really should feed Tasha,” actually translated into, Can you please feed Tasha dinner? Or, “It would be nice to have a fire in the fireplace,” meant, Would you build a fire?

    “Great! Let’s stay.”

    “Really?” Susan sounded surprised.

    “Sure, it’s a perfect day for tennis.”

    My work was portable, so Monday mornings rolled out more or less the same whether we were upstate or downstate. Up early, take Tasha out, feed Tasha, feed myself, fire up my laptop and get to work. In Rock Harbor I could let Tasha out the front door in my bathrobe and then let her back in five or ten minutes later when she barked at the door. In Manhattan, I got dressed, chatted with the doormen, walked Tasha around the block on a leash, chatted with the doormen again and then scarfed down a banana or some cereal at my desk in front of my computer. Breakfast at 430 East 57th Street and Camp Wabetsu might have tasted the same, but the view from the kitchen window in Rock Harbor — this same IMAX movie we were experiencing right now — tipped the scale. Often we were accompanied by a bald eagle sitting in the dead pine tree 25 feet away, waiting to plunge down and grab his own breakfast. Or a fox patrolling for mice. Or a herd of white tail deer browsing saplings and tender spring shoots.

    “You won’t be anxious if you can’t work tomorrow morning?”

    Translation: You won’t be annoyed if I sleep in and we get a late start? Now we were getting to the crux of it.

    “No problem. I’m okay with missing a morning’s work while we drive down in exchange for some tennis this afternoon and another relaxing night here. But let’s make sure we get up early and leave on time, okay? I don’t want to miss a whole day’s work because we got a late start.”

    This was a familiar conversation. We always craved more time at Rock Harbor and always found it hard to leave. The Champlain Valley effect. It kicked in each time we drove up, right after passing the last Lake George exit on Route 87. It felt like the first few deep breaths after a good visit to the chiropractor. Maybe it was the clean air or the spectacular views. Or the absence of traffic. Or the anticipation of a slower rhythm.

    We agreed to postpone our departure, and I unpacked the car while Susan cleaned up from lunch. A couple of phone calls and a change of clothes later we headed up to the tennis court to burn off the tuna melts and Doritos.

  • Postprandial Soak

    Postprandial Soak
    Postprandial Soak

    After dinner Susan opted for a postprandial soak. Quiet. Languid. Sybaritic. Tasha curled up beside the bathtub, sighed and fell asleep. A breeze carried the faint smell of pine trees through the open window. A whippoorwill called in the distance.

    “Wouldn’t it be great if we could live here?” Susan said.

    “Why couldn’t we?” I asked, vaguely aware that my response might abbreviate the placid mood we were enjoying.

    “Really?” Susan sat up abruptly. “I mean, of course we could, but we can’t just leave our friends behind. And the apartment?”

    “Our friends would visit. And the apartment? We could figure that out.” We only recently had found and renovated the co-op on East 57th Street, our first joint remodel. Located on the twelfth floor of an understated pre-war with a southern exposure, tons of sunlight, a working fireplace and beautiful hardwood floors, we knew we were incredibly fortunate. The neighbors and staff were friendly, and the neighborhood offered excellent restaurants, grocers, wine shops and even a knowledgeable and well stocked fromagerie.

    “We can’t just sell the apartment. I mean we’ve barely lived there. And besides…”

    “You want to work in green design, right?” I asked. “Why not get a job in Vermont? They’re all about green over there, aren’t they?”

    “How did you know I was thinking about my career?”

    “I didn’t know. I guessed.”

    “I know I haven’t exactly gotten around to starting my design career yet,” Susan said and went on to remind me that soon – very, very soon — she anticipated a high profile job with a world renowned firm, designing hotels and proving that commercial interior design could be environmentally friendly, healthy and affordable.

    “Sounds good,” I said softly, definitively and tried to sink back into dreamy limbo.

    Susan was quiet. Tasha ran in her sleep, thumping against the side of the tub.

    “I need to spend a few years with a big firm first, for the experience. Then, maybe…”

    “I’m just saying, if you’re serious about green design, Vermont might be as good a place as any to start your career. And besides, you’d actually be living a green lifestyle in the Adirondacks, right?”

    “But what about you?”

    “What about me? I’d be living a green lifestyle in the Adirondacks too. I love it here. I’d be thrilled to live here for a few years.” Peripatetic by nature, I enjoyed relocating every three to four years. Having grown up in the Adirondacks, mostly in the Champlain Valley, I had long yearned to reconnect, not just for vacation or a weekend.

    “Really? But what about your career?”

    “Which one? Teaching? Writing? Ecommerce? Renovating real estate? Susan, my career is adventure!” I said melodramatically, with a splashy flourish and a roguish grin. “And right now my adventure is the Margaux Project and ShipStore,” referring to two websites I was currently working on. “I can do that anywhere. And, frankly, if we we’re up here I might find more time to write. This’d be the perfect place to finish my novel.”

    “And my screen play.”

    “And your screen play.”