Tag: New Year’s Eve

  • Midpoint Milestone: 6 Months Down, 6 Months to Go

    Midpoint Milestone: 6 Months Down, 6 Months to Go

    Midpoint Milestone (Photo: Geo Davis)
    Midpoint Milestone (Photo: Geo Davis)

    Yesterday was a meaningful midpoint milestone in my quest to post a Rosslyn update every day without fail for an entire year. 

    Six months, 26+ weeks, 184 days. One new installment every 24-hours without fail. Rhapsodizing Rosslyn, celebrating our team’s accomplishments, soapboxing historic rehab and adaptive reuse, showcasing seasonality snapshots and historic Essex memorabilia, weaving in some hyperlocal haiku and place-based poetry, illuminating the mercurial transition / transformation we’re currently navigating, and sharing boathouse and icehouse updates, intriguing artifacts, and wildlife observations. 

    Call it a 184-day streak. Or call it dogged determination. Either way I have 181 days to go until I reach my goal. And with each new post, each small victory, I am growing more and more confident that I will accomplish my mission of 365 posts, one complete year of daily updates beginning on August 1, 2022 and concluding on July 31, 2023. 

    So how to commemorate this midpoint milestone? With 6 months down and 6 months to go, it feels momentous enough to pause and praise my good fortune. But should this benchmark be acknowledged with a celebratory salute? A solemn ceremony? A toast, my first spirited sip after 31 days of teetotaling? (Yesterday marked the conclusion of my 7th or 8th, maybe even my 9th “dry January”.) Or perhaps a decadent dessert after a sugar free month? (For some sadomasochistic reason I’ve decided in recent years to add a sugar fast to alcohol abstention during the month of January, a timely recovery after the excesses of Thanksgiving-through-New Years…) A new month (ie. rabbit-rabbit) ritual transcending the delicious dinner I shared with Jim and Mark two nights ago at Juniper?

    Slow Cooked Whole Rabbit: cumin, blood orange and smoked paprika glazed, corn tortillas, chimichurri, salsa fresca, refried beans (Source: Juniper at Hotel Vermont)

    Maybe a romantic romp with my bride who suggested, upon retrieving me from the airport yesterday, that we celebrate a belated anniversary to compensate for the one we missed this past autumn when she was unwell. 17 years of marriage and 21 years together. I’m incredulous even as I type these numbers. Neither seems remotely possible. But my 50th birthday seemed similarly inaccurate this past spring, and I’m obliged to accept it.

    Or how about we honor the 200th anniversary of Rosslyn’s front façade, ostensibly completed in 1823? (Apparently 3/5 of the building — the two window portion to the north of the entrance, as well as the entrance itself — was completed in 1820. The remaining 2/5, including the two windows to the south of the entrance and comprising the dining room downstairs, a guest bedroom and Susan’s study on the second floor, and another guest bedroom on the third floor, was most likely finished three years later in 1823, fulfilling the the architectural promise of this classic Federal home with Georgian and Greek Revival elements.

    An auspicious confluence of milestones and anniversaries. I’m choosing to interpret this is a good omen even as I nevertheless acknowledge that I’ve meandered from my original mark, hoisting the flag at my halfway point, mid-journey in my post-a-day quest. I recall an earlier waypoint in this quest, an update I published on October 10, 2022 when I was still just shy of halfway to where I am today.

    Yesterday marked ten weeks of old house journaling. Every. Single. Day. Two months and ten days back at the helm of this wayward, meandering, sometimes unruly experiment I call Rosslyn Redux. I emphasize the daily component of this benchmark because it’s been an important part of the goal I committed to at the end of July. (Source: Old House Journaling)

    Then as now my emphasis on everyday journaling remains a top priority.

    Over the last few years, Susan and I have scrutinized our hopes and expectations with Rosslyn. We have reevaluated our plans as they originally were in 2006 when we embarked on this adventure and as those plans evolved during the decade and a half since. It’s been an extended period of introspection, evaluating our current wants and needs, endeavoring to align our future expectations and goals with respect to one another and with respect to Rosslyn, and challenging one another to brainstorm beyond the present.

    There’s no question but that our impromptu quarantine at Rosslyn during the spring and summer of 2021 catalyzed some of this soul-searching. But so too have the many life changes in recent years. Our gradual shift toward Santa Fe as our base and Essex as our getaway rather than the other way around. The loss of Susan’s mother. My parents’ retirement near us in Santa Fe. Our nephews and nieces growing up and expanding their orbits far beyond Rosslyn. A perennially postponed but driving desire to collaborate on a smaller, efficient, creative lakeside home of a different DNA altogether, an unrepressable will to imagine into existence the sort of slow cooked (albeit shapeshifting) and highly experimental homestead we originally envisioned in 2003-5 when we first began to explore our Adirondack Coast homecoming. And there is that hiccup in our 2006 original timeline, our 2-4 year vision for homing at Rosslyn until we’d managed to reboot and reground, until we were ready for our next adventure. Those naive expectations were eclipsed — willingly and joyfully — within the first year or two.

    So what does this have to do with my daily Rosslyn updates?

    Everything.

    In committing to this daily practice last summer I was acknowledging that I had some serious work to do. In order for us to constructively sort through out collective vision for the future, to determine whether we’re too fond of Rosslyn to proceed with plans for designing and building the lakeside retreat we’ve conjured over the years, to honestly assess our willingness and our readiness to hand this sanctuary over to another family, both Susan and I are undertaking the sort of “deep work” that will hopefully enable us to make some decisions. I’m talking about 100% honest, prolonged consideration. Rosslyn has quite literally been a part of our family, and not just our nuclear family. Can we untangle her? Are we willing to let her go? Can we joyfully pass the privilege on to new custodians? Or are we not yet ready?

    For me this daily practice, digging deep into sixteen and a half years of living and loving Rosslyn, is my time and place to work through these questions. To sort it all out. To find peace and confidence in my convictions. And six months in, I believe that I’m on the right path. Not all the time. There have certainly been some tangles and tangents that got away from me before I realized what was happening and reined them in. But the constant conversation — *internal* as I study, reflect, and compose these installments as well as *external* as I share these updates and then interact with many of you — is reinvigorating and reawakening Rosslyn from her comfortable slumber (and me from mine!) 

    So this midpoint milestone is a profoundly significant benchmark for me personally. It’s the tangible representation of my germinating confidence and clarity. It’s the measurable mean between a conflicted outlook and the conviction I’m hoping to discover over the next six months. In a real sense, it’s a halfway point toward the sort of rehabilitation that we’ve been undertaking with Rosslyn’s buildings and grounds since 2006, only in this case the journey is profoundly personal. Instead of historic architectural rehabilitation, it is restoration of my innermost wonder, my romantic dreams, and my idealistic hopes. With passion reawakened and a map forward becoming more apparent each day, I’m tempted to see this benchmark as the sort of celebration enjoyed upon finally reaching a base camp, a lofty peak viewable in the distance foreshadows the ambitious ascent ahead but also offers a majestic affirmation of the reachability and proximity of the summit. Today marks just such a halfway point, an opportunity to appreciate the accomplishments so far, and an incentive to forge ahead.

    Thank you for meeting me in the middle!

  • “On Lake Champlain” Singalong

    “On Lake Champlain” Singalong

    Victor's “On Lake Champlain” by Sterling Trio (Alfred Bryan and Albert Gumble)
    Victor’s “On Lake Champlain” by Sterling Trio (Alfred Bryan and Albert Gumble)

    With Christmas leftovers diminishing, Christmas tree needles succumbing to gravity, and Christmas carols beginning to sound slightly cloying, it’s starting to feel a lot like… time for a transition. Sure, New Year’s Eve will briefly wrap us in Guy Lombardo’s “Auld Lang Syne” and Bing Crosby’s “Let’s Start the New Year Right”, but then what? How about an “On Lake Champlain” singalong? It’s only two verses, and I’m able to offer some constructive coaching since my previous post.

    Let’s rewind back to my discovery of this early 20th century song.

    Care to join me for a singalong? Today I’d like to share with you the sheet music cover image for the song, “On Lake Champlain” by Alfred Bryan and Albert Gumble.

    […]

    So for now I’ll pause this post in the hope that the vintage color lithograph for Alfred Bryan and Albert Gumble’s sheet music will miraculously move us closer to an audible version of “On Lake Champlain”. If fortune smiles upon us, I’ll update this post. (Source: “On Lake Champlain” Song by Alfred Bryan and Albert Gumble)

    I have some good news for you. Today I’m ready to pass along the original sheet music, several early recordings (pops, scratches, and all), and a stripped down midi recording if you’d like to rig up your own karaoke.

    Columbia Record's “On Lake Champlain” by Sterling Trio (Alfred Bryan and Albert Gumble)
    Columbia Record’s “On Lake Champlain” by Sterling Trio (Alfred Bryan and Albert Gumble)

    Sterling Trio & Mills Brothers

    Without further ado, I invite you to hear the song as it was originally recorded. Enjoy.

    If you experiment with pitch and tempo, you might modernize this ditty by a few decades, possibly rendering it a little catchier in the process.

    In addition to the Columbia Record version above here are links to the Victor recording (Sterling Trio), the Decca recording (Mills Brothers), and the Silvertone recording (Vocal Trio; Orchestra Accompaniment).

    Silvertone's “On Lake Champlain” by Sterling Trio (Alfred Bryan and Albert Gumble)
    Silvertone’s “On Lake Champlain” by Sterling Trio (Alfred Bryan and Albert Gumble)

    MIDI Sans Vocals

    The time distorted sound of an old 78 speed LP is evocative and slightly romantic, but what if you’re ready for a “On Lake Champlain” singalong? More good news! You can download Geoff Grainger‘s midi recording of “On Lake Champlain” (part of his online repository and resource called Ditty Box Enterprise) for hours of fireside enjoyment. Of course, you might need to play around with the raw file to make replay convenient. I just slurped it into Garage Band and then output it as an MP3. Good luck.

    “On Lake Champlain” Sheet Music

    Now if you’re feeling ready to invite the neighbors over and spark off the bonfire, I encourage you to first download the sheet music from Duke University’s David M. Rubenstein Rare Book & Manuscript Library so that everyone can join in the revelry. After all what fun is an “On Lake Champlain” singalong if you’re solo-ing through two verses while everyone else roasts marshmallows?

    And, once you’re good and comfortable with your new-old song, how about recording it and sending it my way?! Thanks in advance.

  • Epiphany on Epiphany: Shirley Bacot Shamel Day

    Epiphany on Epiphany: Shirley Bacot Shamel Day

    Starting today, Epiphany will be Shirley Bacot Shamel Day.
    Starting today, Epiphany will be Shirley Bacot Shamel Day.

    Susan chuckled this morning after reminding me that her family hadn’t celebrated Epiphany when she was growing. I had reminded her that my family had, and for some reason she considers it slightly droll. It’s true that we did celebrate some holidays that my peers did not. I’m not certain why. In addition to Epiphany, we celebrated Saint Nicholas Day (aka Saint Nick’s Day) a month ago on December 6.

    We celebrated all sorts of holidays that my friends did not. Christmas, yes. But also Epiphany (Three Kings Day) and another near-to-Christmas night when we placed our shoes at the top of the stairs and St. Nick (I think) came and filled them with treats. Pistachios. Chocolates. Silver dollars. (Source: Rabbit, Rabbit « virtualDavis)

    Other Davis family habits and traditions make her chuckle as well, including rabbit-rabbit-ing the end and beginning of months; using “Christmas crackers“ to celebrate not only Christmas, but New Years, Thanksgiving, and just about any other festive meal; and corn cakes and turkey gravy as a customary follow-on meal after Christmas and Thanksgiving.

    Although Susan thinks some of these observances amusing, it’s worth noting that she has embraced year-round crackers with gusto. Any excuse for miniature fireworks and crown-wearing appeals to her!

    It was encouraging to hear Susan start the morning today with a chuckle. Today, of all days. Her spontaneous laughter instantly lifted the ominous if unspoken heaviness that had settled upon her, settled upon us, over the last 24 hours.

    In addition to Epiphany, January 6 marks a more painful anniversary. Susan‘s mother, Shirley Bacot Shamel, passed away three years ago today. The loss remains palpable, and grieving is ongoing, intermittent, and usually unanticipated, triggered by a song, a memento, a photograph,…

    Today’s melancholy was anticipated, and by yesterday memories were being shared. I knew that today would be difficult, but I hadn’t come up with any clever ways to support my beautiful bride.

    But Susan’s early morning laughter lifted my hopes and prompted an epiphany! (Sorry, I couldn’t resist.) Suddenly I had an idea how to transform this solemn day into a more joyful remembrance. Let’s start a new tradition of our own.

    Starting today, Epiphany will be Shirley Bacot Shamel Day.
    Starting today, Epiphany will be Shirley Bacot Shamel Day.

    Epiphany2

    To follow my logic, if there is any (and I’d venture a suggestion that epiphanies needn’t follow the laws of logic), we might first take a look at capital “E”, Epiphany.

    January 6 observed as a church festival in commemoration of the coming of the Magi as the first manifestation of Christ to the Gentiles or in the Eastern Church in commemoration of the baptism of Christ. (Source: Merriam-Webster)

    For some readers this is familiar. For others, not, so here’s a slightly more expansive explanation.

    After the 12th day of Christmas, believers take down their festive decor. But they don’t let January 6—or January 19 for many Orthodox Christians who still abide by the Julian calendar—pass by without another Christmas-connected celebration.

    Tied to biblical accounts of Jesus Christ’s birth and baptism, the holiday of Epiphany is a chance for Christians to reflect on the nature of God’s physical manifestation on Earth and pay homage to three important visitors in the biblical account of Jesus’ birth. (Source: National Geographic)

    The three important visitors in the second explanation and the Magi mentioned in the first are one and the same. Also known as the three wise men, the three kings (sometimes even by name: Caspar, Melchior, and Balthasar), and sometimes more by association with the gifts they bore: gold, myrrh, and frankincense.

    If you’re anywhere as keen a Christmas carol aficionado as I am, you’re familiar with these three gift bearing gentlemen, but if not, you’ve at least a basic understanding now.

    So that’s capital “E”, Epiphany. What about this morning’s lowercase “e”, epiphany?

    Again I need to reach back a little. I’m as keen on getting and decorating a Christmas tree as I am on Christmas carols, and given the anticipation it represents (and the beauty it adds to mornings and evenings) I prefer to jumpstart Christmas by finding a handsome evergreen and decorating it midway between Thanksgiving and Christmas. And that means I’m ready by New Year’s Eve for it to morph from crispy needle-dropping leftover to lush, colorful memory. But we rarely manage to get the tree down by New Year’s Eve or even New Year’s Day. So, in keeping with National Geographic’s observation, it had struck me that today might be the perfect time to un-decorate the Christmas tree.

    But that’s not the epiphany. In trying to anticipate a way to brighten my bride’s morning on a particularly mournful morning, I thought wishing her a happy Epiphany and proposing that we start a new tradition of removing the Christmas tree each year on January 6 might shift her perspective and strike her innate sense of logic. But…

    That chuckle.

    Starting today, Epiphany will be Shirley Bacot Shamel Day.
    Starting today, Epiphany will be Shirley Bacot Shamel Day.

    Shirley Bacot Shamel Day

    The eureka moment catalyzed by Susan’s superpower smile and laugh suddenly made it all clear. Yes, we needed to launch a new family tradition. From now on Epiphany should be a holiday to celebrate the legacy of Susan’s mother. Three years ago we lost Shirley. On this day. And on this day we recognize three kings bearing gifts. Loose logic? No logic?!?! But sometimes the universe rhymes, and in that moment I could hear the singing underneath, connecting these nominally connected dots into a perfect picture of Epiphany as Shirley Day. Sure, we could remove ornaments from the tree, and I could drag it out back for wood chipping. But maybe we should think bigger. A hooky day. No work. A day to remember and celebrate and show our love for the lady who blessed our union before it even existed. (That story for another day.)

    And so today we started a new family tradition. We canceled commitments, bundled into our ski gear, and headed into the snowy mountains for some outdoor bliss. And you know what? It worked. It recalibrated our brains. It lifted our spirits. Whether or not the tree is going to get tackled is still uncertain. But a delicious dinner this evening; a hot tub soak as we were enjoying the night Shirley passed; and some time together gazing up at a bright star that guided three kings, a star that Susan named after her mother three years ago, a star that now helps guide us; this is 100% certain.

  • New Year’s Eve

    New Year’s Eve

    It’s New Year’s Eve 2022. I’ve just returned from a provocative exhibition by Shirin Neshat, with whom I originally became acquainted by way of Essex friend and photographer, Larry Barns, a dozen years or more ago.

    New Year’s Eve: ephemeral folly (Photo: Hroth Ottosen)
    New Year’s Eve: ephemeral folly (Photo: Hroth Ottosen)

    Land of Dreams is a solo exhibition by Shirin Neshat, an Iranian-born artist and filmmaker based in New York Comprising photography, film, and video, the exhibition brings together two bodies of work, Land of Dreams (2019), and Dreamers (2013-16), a trilogy of video installations.

    Source: SITE Santa Fe

    While there’s much to say about Neshat’s work, that will wait for another time as this day’s, this year’s minutes are too quickly sifting through my fingers and falling into a new year. It’s New Year’s Eve. An ending. And a fresh start.

    Instead of responding to Neshat’s portraits and films, I’ll allow this post to follow the footfalls of my afternoon, out of Neshat’s Land of Dreams and into Max Cole’s Endless Journey. This New Mexico-based painter’s meticulous meditations slowed my senses and my sensibility. Cole’s “Thoughts on Art” leapt from the wall and into my dream-addled skull, tickling the tattered leaves of my inquiry these last five months.

    And “knowing how way leads on to way”, one fragment falling upon another, and another, and another,… I’ve decided to resist looking back — for now at least — for answers and assurance that this afternoon’s wisps and tatters and excerpts are what they appear to be. I’ll trust the “singing underneath” and trace my index finger aling this newfound map, starting with a few snippets from Max Cole’s “Thoughts on Art”.

    There is nothing to say without first knowing yourself.

    Choices have to be made and parameters established. All that remains should be only essential means. This process of definition occurs over years.

    Art is something that must be lived. It is long and there are no shortcuts.

    As in life, in art nothing exists removed from the past or separated from the present.

    Most of reality is not visible. Art makes perceptible the indefinable quality of presence. It is content which is the soul of art.

    […]

    The motivation for making art is art and its insights into that which transcends the material. Nothing else. There can be no compromise.

    […]

    All creativity draws from the same source regardless of discipline and eventually merges at a common point which is philosophical.

    Max Cole, “Thoughts on Art” (SITE Santa Fe)

    It’s New Year’s Eve. An ending. A fresh start. An interstitial moment, part conclusion and part beginning. The common point where deconstruction couples with construction, the philosophical rebirth. Death. Birth. Phoenix from ashes.

    And that photograph above, a folly fabricated by Hroth, temporarily framing my future desk view, is in fact a fleeting and false perspective. Delightful. Whimsical. An old window and frame repurposed from the historic icehouse’s former life, propped in an incongruous aperture in the icehouse’s future life. A meeting of of past and future in the present. Ephemeral. Art rendering for a moment the invisible visible. “Art makes perceptible the indefinable quality of presence.”

  • Jack-o’-lantern Post Mortem

    Jack-o’-lantern Post Mortem

    Hroth’s & Pam’s Jack-o’-lanterns (Photo: R.P. Murphy)
    Hroth’s & Pam’s Jack-o’-lanterns (Photo: R.P. Murphy)

    Stop the presses! And un-press the blog… It turns out that my declaration of a Jack-o’-lantern victor was premature. Foolish me, it wasn’t even Halloween yet when I posted the following on Saturday.

    Hroth Ottosen, channeled his theatrical genius for the win with this Covid safe “hatchet head”. (Source: Happy Halloween 2022)

    At the time it looked as if his gruesome pumpkin (at left in photo above) would win uncontested. But my haste inspired a fierce 11th hour contest from Pam who carved up a sinister Jack-o’-lantern (at right in photo above and in video below) that is especially eye-catching after dark.

    https://www.instagram.com/reel/Cka_dH6Azuw/

    So, just when you thought Halloween was safely behind you, when you hoped spooky and haunted would give way to joyful gratitude and Thanksgiving, when you wished the season of tricks and treats would surender to the steady crescendo toward Christmas and New Year’s Eve, I’m backsliding briefly to the height of Halloween haunting with a Jack-o’-lantern post mortem.

    Pam’s Jack-o’-lantern (Photo: R.P. Murphy)
    Pam’s Jack-o’-lantern (Photo: R.P. Murphy)

    With two cleverly crafted Halloween Jack-o’-lanterns contending for 1st place, I knew I needed another judge to assist me. Fortunately Susan was quick to volunteer and quick to judge.

    Best Jack-o’-lantern 2022

    And the winner is… Both!

    No, Susan didn’t deem the contest a tie. She awarded Hroth’s Jack-o’-lantern (closeup below) the daytime win and Pam’s Jack-o’-lantern the nighttime win. So there you have it. Straddling the light/dark divide, Susan has awarded both winners!

    Hroth’s Jack-o’-lantern (Photo: Hroth Ottosen)
    Hroth’s Jack-o’-lantern (Photo: Hroth Ottosen)

    In closing, it is worth noting that Hroth further embellished his Jack-o’-lantern after sending me the photograph this weekend. Perhaps he was feeling a little heat?