Tag: Mooring

  • Melancholy Boathouse

    Melancholy Boathouse

    Melancholy Boathouse (Source: Douglas Peden, Essex Studios)
    Melancholy Boathouse (Source: Douglas Peden, Essex Studios)

    Melancholy much? Yesterday I posted this achingly evocative image on the Rosslyn Redux Instagram feed with thanks to our neighbor, Emma, who gifted the vintage photograph postcard to us. It was a gift to her from Michael Peden who, in turn credited his father, Douglas Peden, as the photographer. Here’s an excerpt from my caption.

    Sometime in the early days of the millennium, perhaps. The condition of the boathouse suggested it may have been a few years prior to 2005 when we purchased Rosslyn. Such ethereal longing and melancholy in this painterly rendering. Hoping to learn more about this evocative photograph…

    It turns out that my conjecture may have been off by a significant margin. There’s still no definitive date for when this melancholy moment in Rosslyn’s history was captured, but some interesting insights have emerged.

    I’d guess that it is much earlier than 2005 – probably before 1985. If nothing else, the front porch doesn’t have its roof, and I don’t remember it ever being missing. The lack of the dock doesn’t mean anything, because with the water that high you wouldn’t see it, anyway. — Jason McNulty

    I don’t recall the porch roof ever being missing either. Quick check from photos I have shows the roof there in 1969 and again in 2004. — George McNulty

    Jason and George McNulty, two of the previous owner’s sons, have suggested that I’m probably off in my estimate by at least two to four decades. And George McNulty also shared another photograph doubling the subjects of my inquiry: when were these photographs taken?

    Rosslyn Boathouse (Source: George McNulty)​
    Rosslyn Boathouse (Source: George McNulty)​

    Melancholy Boathouse Revisited

    I’m grateful to Emma, Jason, and George for kindling this inquiry. And, as it turns out, the initial photograph gifted to Emma by Michael Peden (and ostensibly photographed by his father, Douglas Peden) which was in turn re-gifted to me has catalyzed even more intriguing feedback and photographs from Jason McNulty.

    Jason McNulty followed up on Douglas Peden’s photograph at the top of this post with some feedback from his father, George McNulty, Sr. from whom we purchased Rosslyn sixteen years ago.

    Sorry, but I really do not remember about the date. A good guess would be about 30 years ago. The photograph was taken by Doug Peden. It shows the dock house after I had rebuilt the cribbing but had not started to replace the roof. — George McNulty

    Jason amended his own thoughts and another truly unique photograph of the boathouse.

    For what it’s worth, if you fudge some numbers a little, this roughly corresponds with a picture that you posted on your site showing the dock house with its roof nearly destroyed by flooding in 1983. Given my parents’ finances at the time, it could easily have taken a few years to replace that roof. I’ve also found a picture in my collection from roughly 1989 showing a clearly new roof. — Jason McNulty

    Boathouse 1989, original un-enhanced photo (via Jason McNulty)
    Boathouse 1989, original un-enhanced photo (via Jason McNulty)

    Spectacular cinematic image! I’ve taken the liberty of tweaking the levels, etc. to improve the detail of the boathouse, pier, etc. Here’s the adjusted and enhanced version.

    Boathouse 1989, adjusted/enhanced for detail (via Jason McNulty)
    Boathouse 1989, adjusted/enhanced for detail (via Jason McNulty)

    I was curious about the photo’s provenance, also wondered about the boats, etc. Jason offered some helpful insights. Although he wasn’t certain who originally took the photograph, he felt confident that the year was 1989 (i.e. seventeen years prior to our purchase of Rosslyn.)

    When I added the file to my collection, I renamed it and added the year 1989 to the name. I wouldn’t have done so if I was uncertain about the year, although I have no idea now why I was so confident then. As for the sailboat, it was my father’s second sailboat during my lifetime. It was fiberglass and this picture must be relatively early in Dad’s ownership of the boat since he didn’t wait too long to replace the outboard rudder with an inboard one. This boat eventually disappeared from its moorings with no explanation, although the aluminum mast was still in the barn for years later. The first sailboat was a wooden boat, possible yellow in color, that sank on the other side of the dock (parts of its frame can still be seen), and its mast is now the flagpole for the dock house itself. The rowboat was one of three or four that Dad designed and built using plywood. Growing up, I rowed it all over the shoreline, going at least as far the marina. Unfortunately, part of the reason that Dad had to make so many was that they kept rotting out. — Jason McNulty

    Although I’ve wandered afield to be sure, my curiosity’s been awakened. I told Jason that I recollected him (or perhaps his father) telling me about the sailboat that sank. As a boater and a sailer, the tragedy etched itself into my memory. But, I told Jason, I didn’t realize that another sailboat had vanished as well. Mysterious. Might it also have sunk?

    It might have, but I doubt that it sank at its moorings. It was tied to a buoy not to far away from the dock itself, and I’m sure that Dad did things like check to see if the rope was still there or whether there was a large white blur underwater. Besides, unlike the wooden sailboat, the fiberglass one didn’t leak. Beyond that, though, I’m not sure. — Jason McNulty

    I’m aware that Rosslyn’s boathouse flagpole is their former sailboat mast. A perfect story instance of repurposing. And I have salvaged a few other pieces from the sunken vessel. But now my wonder wanders to the second sailboat that disappeared. Hhhmmm…

  • It’s Not a Bug, It’s a Feature

    It’s Not a Bug, It’s a Feature

    It's Not a Bug, It's a Feature: luna moth (Photo: Geo davis)
    It’s Not a Bug, It’s a Feature: luna moth (Photo: Geo davis)

    Yesterday I made a passing reference to coder jargon when I said that “the bug is beginning to feel like a feature”. (See “Yesteryear or Yesterday?“) I’m not a coder. Never was. Never will be. But I like the way coders think (and sometimes the way they talk.) You may be familiar with the acronym INABIAF or the phrase, “It’s not a bug, it’s a feature“. Its use long ago jumped the software programming border, and today you’ll hear it bandied about in all sorts of curious contexts. Yesterday’s post, for example… 

    An adage too often deployed, too often stretched and distorted, tends to become overly generic. Tends to lose its oomph. I’m guilty, of course. But unrepentant. Chalk it up to poetic license. Or digital graffiti. Or wanton disregard for the sanctity of jargon?!

    Today I’m doubling down. It’s not a bug, it’s a feature. 

    What, you ask, is not a bug? Certainly some of the spunky snapshots I’ve included in this post are bugs. And insects, though I forget what delineates the two.

    When a Bug is Not a Bug

    So many transfixing bugs at Rosslyn, and so little call for their vibrant mugs. Today I change that.

    But what do these fetching flyers have to do with wonky tech talk? I’m working on that. First let’s detour a moment for more versed expertise on the aforementioned phrase.

    WE’LL NEVER KNOW who said it first, nor whether the coiner spoke sheepishly or proudly, angrily or slyly. As is often the case with offhand remarks that turn into maxims, the origin of It’s not a bug, it’s a feature is murky. What we do know is that the expression has been popular among programmers for a long time… (Source:WIRED)

    This article by Nicholas Carr (@roughtype) handily takes up the INABIAF backstory including a bridge deeper into software speak. 

    A standard joke is that a bug can be turned into a feature simply by documenting it (then theoretically no one can complain about it because it’s in the manual), or even by simply declaring it to be good. “That’s not a bug, that’s a feature!” is a common catchphrase. (Source:The Jargon File)

    More insightful, I think, is the embrace (or at least tolerance of) ambiguity.

    It’s not a bug, it’s a feature is an acknowledgment, half comic, half tragic, of the ambiguity that has always haunted computer programming. (Source:WIRED)

    Of course this flies in the face of the stereotypical assertion and aspiration of most coders who express a quasi cultish obsession with purity and absolutes and confidence in the incorruptible virtue of science. 

    In the popular imagination, apps and other programs are “algorithms,” sequences of clear-cut instructions that march forward with the precision of a drill sergeant. But while software may be logical, it’s rarely pristine. A program is a social artifact. It emerges through negotiation and compromise, a product of subjective judgments and shifting assumptions… (Source:WIRED)

    This. From ambiguity to social artifact. Indeed. Pristine aspirations achieve by people-powered processes and resulting in people-powered products. The blurring of reality and circumstance, the possible filtered through the inevitable. Subjectivity and uncertainty and inexactness.

    It's Not a Bug, It's a Feature: rosy maple moth (Photo: Geo davis)
    It’s Not a Bug, It’s a Feature: rosy maple moth (Photo: Geo davis)

    Of Bugs & Ambiguity 

    Yesterday’s bug reference was a lightheartedly dismissive counter to concerns (anticipated but not advanced) about the ambiguity of unreliable, shapeshifting time in my Rosslyn deep dig. While pouring over a decade and a half of detritus that has accrued during our custodianship of this beguiling property I’ve witnessed time’s tendency to blur and become elastic. Memories and even events themselves can become unmoored from their chronological anchors.

    And I was subtly resurfacing an even larger consideration of time and timelessness across the span of Rosslyn’s two centuries. In the case of the capriciously altered boathouse images — a blurred, patinated, age and wear accelerated photograph of relatively contemporaneous provenance — one’s first impression might be to judge the artifact as a time capsule. A voyeuristic glimpse into an earlier time on Rosslyn’s waterfront. Scrolling down through the three images might dissolve the ambiguity despite the absence of dates.

    While grappling with our Rosslyn adventure, I’m struck not only by the ambiguity of time but also of memories and perspectives and opinions. On the one hand, there’s disagreement among the cognoscenti about Rosslyn’s architectural lineage. Colonial, Greek Revival, Federal, Georgian, or an amalgam of two of more architectural periods or styles? On the other hand, Susan and my memories about notable chapters in our own Rosslyn record frequently diverge. Countless conflicting recollections surface in our conversations. When certain things happened. Why they happened. If they happened at all!

    It's Not a Bug, It's a Feature: bumblebee (Photo: Geo davis)
    It’s Not a Bug, It’s a Feature: bumblebee (Photo: Geo davis)

    It’s Not a Bug, It’s a Feature

    I’ve meditated on wavy glass window panes provoking perspective shifts and even paradigm adjustments. I see these flowing lenses as inviting insight as well as intoxication, delivering discernment as often as distortion. And what to make of the potent clarity of art and poetry that can sometimes better translate what facts and artifacts, expertise and authority overlook? Watercolors, for example, can reveal truth more lucidly than photographs. Hand renderings can articulate architecture’s poignance and prowess better than AutoCAD.

    Carr’s conclusion invites us to wonder wider about the possible merits of buggy artifacts.

    The programmer’s “common catchphrase” has itself become a bug, so trite that it cheapens everything it touches. But scrub away the tarnish of overuse and you’ll discover a truth that’s been there the whole time. What is evolution but a process by which glitches in genetic code come to be revealed as prized biological functions? Each of us is an accumulation of bugs that turned out to be features, a walking embodiment of INABIAF. (Source:WIRED)

    And that, friend, is a piece of the puzzle that’s been captivating me for months. My information gathering and analysis and synthesis are rigorous but glitchy. For a long time I aspired to purity, to algorithmic precision. But often yesteryear and yesterday have bled into one another. Often juxtaposed memories mingle and morph, contradictions converge, and dissonance dithers then dissolves. Fragments reveal what we may have missed in the moment. Curiosity and creativity have emerged from the years of quiescence. I’m less and less called to chronicle the past, to husband our history, Rosslyn’s history into some sort of encyclopedic epic. I find myself more and more compelled to reassemble the fragments with an eye to where I am headed rather than where I’ve been. I’m reveling in the playful possibility of reimagining and repurposing these ingredients into a sculptural collage; no, a three-dimensional poem; no, a montage-mobile almost imperceptibly gyrating in the rhythmic breathing of a slowly awakening breeze; no, a lakeside sanctuary braided out of found fragments, aromatic melodies, spring starts, and autumn harvest; no,… A buffet of indecision!

    Back to bugs. I offer you three flying features: a luna moth (Actias luna), a rosy maple moth (Dryocampa rubicunda), and a bumblebee. Perhaps, for now, these will suffice.

  • “In Old Champlain” by Mills Brothers

    “In Old Champlain” by Mills Brothers

    "In Old Champlain", released in 1942 by Decca Records, performed by Mills Brothers, and music/lyrics by Cliff Friend and Charlie Tobias
    1942 recording of “In Old Champlain” by Mills Brothers (Decca Records, 78rpm)

    It’s time for another fun, local-ish song (or so I hope to discover) that just might celebrate the greatest of lakes, our one and only Lake Champlain. From the scarce little I’ve been able to learn about “In Old Champlain” (released in 1942 by Decca Records, performed by Mills Brothers, and music/lyrics by Cliff Friend and Charlie Tobias) it more likely pertains to a small town located near Rouses Point, New York.

    Of course, I’m not even 100% certain that it relates to either, but I’m hoping that maybe, just maybe somebody out there — you, perhaps? — might able to help solve this mystery.

    That’s right, today I’m sharing this crackly old audio recording (and an intriguing video montage based on the recording) with my perennial optimism that crowdsourcing this so far dead-ended research might illuminate it’s geographic/cartographic mooring. And I’m also hoping that lyrics — somewhat difficult to make out in this timeworn 78 — might manifest from the magical interwebs as well.

    Audio of “In Old Champlain”

    Enough with the details. “Can we skip to the good part?” No, not that good part. The poppy-scratchy but still pretty groovy 78 recording of “In Old Champlain” by Mills Brothers. Here. It. Is.

    Hope you enjoyed that. And hope even more that you (or somebody within your rhizomic reach) can demystify the where this song is celebrating. Which Champlain are the Mills Brothers singing about?

    Video Montage of “In Old Champlain”

    I stumbled across this likely answer to my question. Champlain, New York is about a 45-50 minute drive north of us, close to the Canadian border. This video montage offers a pretty convince visual argument that the song is about this town located on the western shore of Lake Champlain. But, is the creator correct? Or merely inspired by the song’s title and lyrics?

    If you enjoyed the song, spread the word. If you thought it stinks, spread the word. 😉 And maybe somebody will be able to help out. Thanks.

    https://www.instagram.com/p/CoXV6uMOzJD/

  • Undocking

    Undocking

    Undocking 2022: ready to remove the docks (Source: Geo Davis)
    Undocking 2022: ready to remove the docks (Source: Geo Davis)

    Once upon a time undocking referred to a boat pulling away from a dock, a ship disembarking from a pier. At Rosslyn we also use the term to describe the annual autumn removal of docks (and boat lift) from Lake Champlain once the boats have been hauled and we begin to prepare for the North Country wintry. There’s also a more modern conotation in recent decades that summons grainy video footage of a spaceship uncoupling from the space station, or in a more quotidian context disconnecting technological devices or applications. For me today, in this post, undocking is all of these and more, a sort of metaphorical undocking, uncoupling, disconnecting as well.

    Undocking 2022: docks removed (Source: Geo Davis)
    Undocking 2022: docks removed (Source: Geo Davis)

    Undocking v1.0

    Let’s start with those first two photos above. Before and after autumn dock removal. In the first, an early morning photo, I sent the drone up for an end-of-season portrait of Rosslyn’s waterfront. A moody moment as if the lake and sky and the forces of nature were brooding, perhaps wavering, second guessing this seasonal transition. Less than a couple of hours later the boatlift sits high and dry (just barely visible north of the cottonwoods and west the multi stem maple) and the docks are lined up on the beach, their temporary home until late fall / early winter when they’ll be moved up onto the grassy terrace.

    Undocking 2022: ready to remove the docks (Source: Geo Davis)
    Undocking 2022: ready to remove the docks (Source: Geo Davis)

    This third image, an aerial view directly above the boathouse, dock, and boatlift, offers a better perspective of the waterfront before undocking. And the photograph below offers virtually the same view except that the docks and boatlift have been stored on shore.

    Undocking 2022: docks removed (Source: Geo Davis)
    Undocking 2022: docks removed (Source: Geo Davis)

    Of course, before proceeding with dock and boatlift removal, there’s an important prologue, disembarking in the Nautique ski/surf boat and the Chris Craft picnic boat for the final time of the season. So last Friday we hauled both boats for the winter, and today we removed the boatlift and the docks. Undocking complete, we’re —metaphorically speaking, at least — one step closer to our big seasonal transit. We’re temporarily unmoored. Unvesselled.

    https://www.instagram.com/reel/CiCnGSnAgab/

    Undocking v2.0

    In the spring of 2021 I sold a 31’ sloop that I’d sailed around Lake Champlain for seven seasons. In retrospect, I suppose it was one of my pandemic pivots. Although I’d been considering selling it sooner rather than later, I had expected to hold onto the sailboat for at least another year or two. I was contemplating a move to a larger boat, and I was beginning to wonder aloud with Susan if it might be time to start thinking about coastal sailing, a step toward blue water sailing that has long beckoned me. I’ve explored my rather sudden decision to sell Errant elsewhere, so I’ll curtail that narrative here. But I’ve brought it up for two reasons.

    For starters, selling Errant was part and parcel of an ongoing period of transition with roots well before — but catalyzed during — the pandemic. But there’s something more germane to the present context.

    Usually when I headed out to sail it was for a span of hours. Maybe half a day. If lucky, maybe a day. But sometimes, when opportunity allowed, I would depart for days instead of hours. On occasion Susan would join me. More often I sailed solo. And whether heading out for a few hours of wind chasing or setting off on a multi day sailing adventure, I would experience a euphoric wave as I hoisted the sails. An exhilarating wave simultaneously deep in my gut, high in my heart, and even higher in my head would sweep over me. A sort of high that would fill me with enthusiasm and hope and a profound feeling of freedom.

    Helming 6-tons of home, vessel, food, and plans into a stiff chop and a swift blow is one of my “happy places”, as the saying goes. A plan and an itinerary but also a comfortable awareness that circumstances and conditions could shift unexpectedly, that sailing by definition presupposes a state of fluidity and flux from undocking (or untethering) to setting anchor or returning to harbor.

    To some degree this euphoric state is present every time I set out in any boat, any journey, any transition. Our seasonal migration between the lush shores of Lake Champlain and the high desert southwest is one of these undocking rituals. A setting out. An ending. A beginning. Closure. A fresh start. A new adventure. Another chapter. Seasonality writ large…

    But I’m digressing and meandering. Back to the present, to removing the boats and storing them for the winter, to removing the docks and storing them for the winter, to winterizing the waterfront for the coming cold, the snow, the ice…

    The present undocking is even more significant for us than usual. Or at least I have the sense that it is more significant. As we navigate a period of curated liminality, I am especially conscious of the uncoupling. The untethering. Sometimes a simple, familiar seasonal ritual — falling out of summer and into autumn, undocking vessels and the temporary means by which we secure them — turns out to be an integral constituent part of a larger, more profound transformation.

    This is what I see when I look at the aerial photographs above. It is an awareness, a conscious yielding to the change(s) underway. I’m confident that Susan and I are both attuned to this liminality, that we’re aware and willing to embrace the shift, to immerse ourselves fully into what is feeling like a monumental shift in the proverbial seasons. I believe that we’re in the flow in a way that has eluded us in recent years. In many years really. This present undocking and its various rhizomic permutations feels more significant than its predecessors. In fact, this undocking is increasingly reminiscent of our transition from Manhattan to Essex 16 years ago. It’s still early. And it’s still unclear what exactly were moving through, moving toward. But we are journeying toward greater clarity each day.

  • Mutual Respect & Team Spirit

    Mutual Respect & Team Spirit

    Team Spirit: Sailing with Susan (Photo: Geo Davis)

    While every day is an important day, today is an especially significant milestone for me. But more on that tomorrow since I’d prefer to dedicate this personal benchmark to a celebration of our team whose collaborative accomplishment on the icehouse foundation made way for a significant subsequent uptick in productivity.

    Since sometimes the best way to express something is to say as little as possible, I’m going to get out of the way and let the idea(s) speak for themselves.

    Hence, I’ll offer you two excerpts, one from yesterday’s update, “Icehouse Rehab 4.5: Foundation Collaboration“, and the other from Close to the Wind by Pete Goss.

    The combined concrete collaboration would be Pam, Peter, Hroth, Supi, and Tony. With everyone coalescing around one specific goal — completing the icehouse concrete… without blowing up the budget or timeline — the objectives were obvious, but so was the potential for challenges and setbacks. Imagine a metaphorical pressure cooker.

    And now for the companion excerpt let’s see if anything resonates with this nautical vignette.

    The interesting thing about an offshore trip on a small boat is that you untie more than the boat when you slip the mooring. The trappings and pretensions of rank and authority are soon stripped away. There’s nowhere to hide, and it can be a raw experience for some. Natural leaders come to the fore, and a pecking order emerges which is not necessarily the one in place prior to departure. What is important is that everyone feels they are making a contribution, whatever their skill or ability. This promotes a mutual respect which evolves into a healthy team spirit where rank ceases to matter. — Pete Goss (Close to the Wind)

    Pick your metaphor — pressure cooker or small boat — these raw experiences promote mutual respect, camaraderie, in team spirit. I’m proud of our team for meeting the challenge and gathering together to celebrate their accomplishment.

  • Meadowmount and Rosslyn

    Rosslyn Boathouse, by Steven Rochen
    Rosslyn boathouse photographed from Essex ferry dock (photo credit Steven Rochen)

    What a pleasure to discover on Monday morning that the newest friend of the Rosslyn Redux Facebook page was Steven Rochen. Who you might ask? (Though, if you’re a Meadowmount School of Music alum, you probably already know!) Mr. Rochen first crossed my radar back in February of this year when I happened upon an interesting photograph of Rosslyn’s boathouse. The following was originally posted in “Rosslyn Boathouse in August 2005“:

    Another Rosslyn boathouse sighting, this time discovered via Google Earth. The photo was taken by czechsteve on Panoramio.com on 2005/08/12 which is approximately one year before my wife and I purchased Rosslyn. The wooden Chris Craft on a mooring between our boathouse and the Essex ferry dock belonged to our neighbor, but he has since replaced it with a sailboat which is visible in more recent photographs.

    If you go click through to the original photo and enlarge it, you can see the degree of disrepair that we inherited when we took ownership and began restoring this stately old maritime structure.

    I have contacted the photographer to suggest a title because the image is currently untitled.

    Update: Today is Wednesday, February 2, 2011 and I’ve just heard from the photographer:

    I have added a title to your boathouse picture. Thanks for your input – I have seen that boathouse for many years (I’ve been coming for summers in the Adirondacks since I was a teenage student at the Meadowmount School of Music coming from Texas to study violin.)

    Was the boathouse there in 1980? I don’t remember when I first saw it from the ferry crossing but I have always enjoyed seeing it – that is why I took the photo years ago…I can’t wait to see what you have done…

    All best wishes! Steven Rochen – a.k.a. czechsteve!

    Wonderful response. I’m excited to have made the connection, and I’m hoping that I may one day have the chance to meet Steven Rochen and give him a tour of the boathouse which has intrigued him for decades.