Tag: Flux

  • Creative Collisions & Happy Accidents

    Creative Collisions & Happy Accidents

    Boathouse, Essex, NY (Credit: Paul Flinn)
    Boathouse, Essex, NY (Credit: Paul Flinn)

    A few days ago I came across a provocative Facebook post that artist Nick Bantock had shared on December 30, 2022. The date’s not particularly notable, but the author is. Familiarity with Bantock’s work adds context and texture to the explanation about his creative process, specifically how he moves from found ephemera to finished artwork.

    I keep an in-between tank, a collection of part-constructed smaller pieces that are in a state of flux or transition. Resonating bits that touch or brush-up against one another, in a pre-morphing box (or in this case, a studio drawer)… Ideas are rarely plucked out of the ether, in my experience they come from creating an environment where happy accidents and surreal collisions can best occur. (Source: Nick Bantock, Facebook, December 30, 2022)

    I’d be wise to leave his words to stand alone. Unsullied. Undistorted. Unaccompanied. A beacon.

    And I’ll try.

    But trying isn’t enough. Temptation is building, like a wave rising higher, gaining momentum, wisps of foam falling from the curled lip.

    And so I succumb. Slightly.

    Creative Collisions

    The image above, an illustration of Rosslyn’s boathouse by Essex resident, Paul Flinn, was documented by Tony Foster. Between upcycling garapa decking boards into distinctive wall paneling for Rosslyn’s icehouse rehab he popped into Essex Town Hall, spied this handsome architectural sketch, snapped a photo, and pinged it through the ether to me.

    Collaborating with creative characters; emphasizing the merits and possibilities of adaptive reuse while repurposing collected curios, salvage, and surplus; and generally endeavoring to create an environment where “happy accidents and surreal collisions can best occur” just might be working. Thank you, Paul. Thank you, Tony.

    Happy Accidents

    Fusion. Collage. Combinatorial creativity… It’s been immensely satisfying to help catalyze the morphing. And it seems that everyday their are more happy accidents. They’re not all tidy or comfortable. Sometimes there friction and frustration. Sometime fission in place of fusion. But we’re in a flow state that, like an undertow and a strong surface current, are pulling us forward. Where? Too soon to say. But creative collisions and happy accidents suggest we’re trending in the right direction!

  • Undocking

    Undocking

    Undocking 2022: ready to remove the docks (Source: Geo Davis)
    Undocking 2022: ready to remove the docks (Source: Geo Davis)

    Once upon a time undocking referred to a boat pulling away from a dock, a ship disembarking from a pier. At Rosslyn we also use the term to describe the annual autumn removal of docks (and boat lift) from Lake Champlain once the boats have been hauled and we begin to prepare for the North Country wintry. There’s also a more modern conotation in recent decades that summons grainy video footage of a spaceship uncoupling from the space station, or in a more quotidian context disconnecting technological devices or applications. For me today, in this post, undocking is all of these and more, a sort of metaphorical undocking, uncoupling, disconnecting as well.

    Undocking 2022: docks removed (Source: Geo Davis)
    Undocking 2022: docks removed (Source: Geo Davis)

    Undocking v1.0

    Let’s start with those first two photos above. Before and after autumn dock removal. In the first, an early morning photo, I sent the drone up for an end-of-season portrait of Rosslyn’s waterfront. A moody moment as if the lake and sky and the forces of nature were brooding, perhaps wavering, second guessing this seasonal transition. Less than a couple of hours later the boatlift sits high and dry (just barely visible north of the cottonwoods and west the multi stem maple) and the docks are lined up on the beach, their temporary home until late fall / early winter when they’ll be moved up onto the grassy terrace.

    Undocking 2022: ready to remove the docks (Source: Geo Davis)
    Undocking 2022: ready to remove the docks (Source: Geo Davis)

    This third image, an aerial view directly above the boathouse, dock, and boatlift, offers a better perspective of the waterfront before undocking. And the photograph below offers virtually the same view except that the docks and boatlift have been stored on shore.

    Undocking 2022: docks removed (Source: Geo Davis)
    Undocking 2022: docks removed (Source: Geo Davis)

    Of course, before proceeding with dock and boatlift removal, there’s an important prologue, disembarking in the Nautique ski/surf boat and the Chris Craft picnic boat for the final time of the season. So last Friday we hauled both boats for the winter, and today we removed the boatlift and the docks. Undocking complete, we’re —metaphorically speaking, at least — one step closer to our big seasonal transit. We’re temporarily unmoored. Unvesselled.

    https://www.instagram.com/reel/CiCnGSnAgab/

    Undocking v2.0

    In the spring of 2021 I sold a 31’ sloop that I’d sailed around Lake Champlain for seven seasons. In retrospect, I suppose it was one of my pandemic pivots. Although I’d been considering selling it sooner rather than later, I had expected to hold onto the sailboat for at least another year or two. I was contemplating a move to a larger boat, and I was beginning to wonder aloud with Susan if it might be time to start thinking about coastal sailing, a step toward blue water sailing that has long beckoned me. I’ve explored my rather sudden decision to sell Errant elsewhere, so I’ll curtail that narrative here. But I’ve brought it up for two reasons.

    For starters, selling Errant was part and parcel of an ongoing period of transition with roots well before — but catalyzed during — the pandemic. But there’s something more germane to the present context.

    Usually when I headed out to sail it was for a span of hours. Maybe half a day. If lucky, maybe a day. But sometimes, when opportunity allowed, I would depart for days instead of hours. On occasion Susan would join me. More often I sailed solo. And whether heading out for a few hours of wind chasing or setting off on a multi day sailing adventure, I would experience a euphoric wave as I hoisted the sails. An exhilarating wave simultaneously deep in my gut, high in my heart, and even higher in my head would sweep over me. A sort of high that would fill me with enthusiasm and hope and a profound feeling of freedom.

    Helming 6-tons of home, vessel, food, and plans into a stiff chop and a swift blow is one of my “happy places”, as the saying goes. A plan and an itinerary but also a comfortable awareness that circumstances and conditions could shift unexpectedly, that sailing by definition presupposes a state of fluidity and flux from undocking (or untethering) to setting anchor or returning to harbor.

    To some degree this euphoric state is present every time I set out in any boat, any journey, any transition. Our seasonal migration between the lush shores of Lake Champlain and the high desert southwest is one of these undocking rituals. A setting out. An ending. A beginning. Closure. A fresh start. A new adventure. Another chapter. Seasonality writ large…

    But I’m digressing and meandering. Back to the present, to removing the boats and storing them for the winter, to removing the docks and storing them for the winter, to winterizing the waterfront for the coming cold, the snow, the ice…

    The present undocking is even more significant for us than usual. Or at least I have the sense that it is more significant. As we navigate a period of curated liminality, I am especially conscious of the uncoupling. The untethering. Sometimes a simple, familiar seasonal ritual — falling out of summer and into autumn, undocking vessels and the temporary means by which we secure them — turns out to be an integral constituent part of a larger, more profound transformation.

    This is what I see when I look at the aerial photographs above. It is an awareness, a conscious yielding to the change(s) underway. I’m confident that Susan and I are both attuned to this liminality, that we’re aware and willing to embrace the shift, to immerse ourselves fully into what is feeling like a monumental shift in the proverbial seasons. I believe that we’re in the flow in a way that has eluded us in recent years. In many years really. This present undocking and its various rhizomic permutations feels more significant than its predecessors. In fact, this undocking is increasingly reminiscent of our transition from Manhattan to Essex 16 years ago. It’s still early. And it’s still unclear what exactly were moving through, moving toward. But we are journeying toward greater clarity each day.

  • Hammock Huddle Haiku

    Hammock Huddle Haiku

    Hammock Huddle (Source: Geo Davis)
    Hammock Huddle (Source: Geo Davis)

    Hankering for a hammock huddle this morning, so I’ll I revisit the photograph I shared on June 6 depicting a herd of hammocks near the orchard. Yes, the color is a little over juiced. And the shadows are dark almost to the point of feeling ominous. Or cozy? But this moment beckons this morning given yesterday’s storm damage. (I’ve included another image below capturing just how close one of the fallen trees came to both the icehouse and the hammock huddle.

    Hammock Huddle Haiku

    Together apart,
    plein air cocoons canopied
    beneath maple trees.
    — Geo Davis

    Pandemic Precursor

    While quarantining during the early months of the pandemic Susan and I spent time exploring and experimenting with aspects of our property that we’d never considered before. Or not recently, at least.

    Sixteen years have lulled us into habits, ways of living and looking at Rosslyn that have possibly become more confining than we’d realized prior to weeks-on-end of quarantine.

    We spent many afternoons and early evenings on the lawn of the abandoned clay tennis court (located west, northwest of the icehouse). It started because the early spring sunsets were best visible from here, but it continued because we discovered a fresh and inviting space and perspective that we’d previously overlooked. And this new vantage, this new ritual catalyzed a shift in our thinking. Wondering, really. We’d inadvertently stumbled upon a liminal space. And the longer we spent hammocking together near the glowing Solo stove fire pit gifted to us by our older nephew, bundling up as the evening grew chill, witnessing another pandemic sunset, the more our conversations and questions raced into exciting new places. Our wondering wandered further and further into liminality.

    Transitions. Flux. Liminality. Interstices. Inflection. Evolving… We are awash in transitions! (Source: Transitions)

    Three years later we’re navigating a tempest of transformation. But I’m tickling a tangent, so best to stick with our hammock huddle for now.

    Ensemble Hammocking

    Our earliest ensemble hammocking in this location, back in March or April 2020, was nestled up together in this wooden arc stand.

    Pandemic Hammocking 2020 (Source: Geo Davis)
    Pandemic Hammocking 2020 (Source: Geo Davis)

    Needless to say, no side-by-side reveal since we were quarantined, and we weren’t super swift with selfies…

    We’ve long loved hammocks, stringing them up throughout our property, so it occured to me that it would be fun to create a group of hammocks hanging together in the hopes that soon we’d be able to be joined by friends once again. Recumbent social distancing!

    The hammock huddle shown at the top of this post was born. The same is shown here, minus the giant maple tree that used to tower nearby.

    Hammock Huddle (Source: Geo Davis)
    Hammock Huddle (Source: Geo Davis)

    As it turns out, the hammock roundup has been a hit. For the third season in a row we’ve enjoyed group hammocking among the still adolescent stand of maple trees growing between the tennis court and the orchard.

    Yesterday‘s storm damage was distributed throughout our property, and the immense maple that succumbed in the photo stood right next to the hammock huddle. Guided through the forceful blow by some benevolent force, the towering tree exploded onto the ground without damaging the hammocks, the maple trees in which they are suspended, or for that matter any of the adjoining trees save a few branches here and there. It’s remarkable really. Even the gate through which we drive the tractor was unscathed. And, as I pointed out yesterday, if the wind been blowing in the opposite direction, the maple would likely have destroyed the icehouse that we are just beginning to rehabilitate. Instead, we have a new aperture of visible sky this morning and a year’s worth of firewood.

  • Transitions

    Transitions

    Transitions (Source: Geo Davis)​
    Transitions (Source: Geo Davis)

    Transitions. Flux. Liminality. Interstices. Inflection. Evolving.

    To remain nimble amidst unpredictability and unforeseen challenges, optimistic astride setbacks and failures, innovative and creative under duress. And to navigate gratefully and passionately at all times.

    From carpentry fiasco (boathouse gangway) to carpentry triumph (house deck), from summer to autumn (bittersweet seasonality), from hale and hardy to COVID crash dummy, from perennially postponed icehouse rehab to 100% timely reboot, from Adirondacks to southwest,… We are awash in transitions!

  • Predawn

    Predawn

    Predawn: carriage barn and icehouse (Source: Geo Davis)​
    Predawn: carriage barn and icehouse (Source: Geo Davis)​

    Today, predawn, shortly after 5:00 AM, low 40°s, crystal clear. Distant crows, further distant rooster, bats above, swooping, pinging, chimes chiming beneath the cedar,…

    We’re on the cusp of a perennially bittersweet transition. One among many. A seasonal migration mid a monsoon of transitions. Such flux. Such disconcert. Unsettled and evolving. If you’re curious, comfortable with unpredictability, inspired by inflection, then I invite you to join us. I’ll be waxing romantic-but-honest in the days and weeks ahead. Change, inside out, for the hale of heart. Bumps, bruises, and blemishes. But also predawn profiles emerging out of the obscurity of night; stark silhouettes and crystal clarity; the beginning of the end of a familiar, comfortable chapter and the end of the beginning of a still-enigmatic and wonder-filled new chapter. I will stumble. But with your patience, your guidance, I will get up again. And I will emerge on the other side, ready.

    https://www.instagram.com/reel/CiACFKiAwJB/