Sooo close to arriving at Rosslyn, but these peony blooms (Paeonia lactiflora) have exploded into exuberant bloom before I made it back. A false start. Preterprecocious peonies, at least from my present perspective.
Fortunately Pam documented these peony season precursors. (Thanks, Pam!) Beautiful debutants, welcoming Rosslyn arrivals. Our arrival. Shortly. But, inevitably rain will arrive, as if on cue, once the peonies bloom…
Perhaps micropoetry might capture a petal or three. And offering it up to the universe just might invite a rain free reprieve?
Preterprecocious Peonies (Photo: R.P. Murphy)
Bursting with color and perfume, peonies might seem an unlikely culinary accessory. But the roots and petals are, in fact, edible. Of course anybody who’s cultivated propones (preterprecocious or otherwise) would resist disinterring peony roots for eating. But the petals?
While my poppy passion is no secret to Rosslyn Redux readers, I’m less vocal about my partiality to wild flora like trillium and Jack-in-the-Pulpit. One learns to protect these treasures!
But today I pause for an overt gawk at this exotic Jack-in-the-Pulpit, a sylvan surprise with almost impossibly green and purple stripes.
Jack-in-the-Pulpit (Photo: R.P. Murphy)
Jack-in-the-Pulpit (Arisaema triphyllum sensu stricto or Arisaema triphyllum s.s.) is one of the most extravagant spring flourishes our woodlands offer. Coming across this beauty recalibrates, we’ll, just about everything. The day, the week, one’s mood, one’s wonder, one’s optimism. A gift of nature. A gift of springtime.
Beyond the beauty, there is mystery. A wondrous, semi sibylline wild neighbor. Let’s take look…
Jack-in-the-Pulpit (Photo: R.P. Murphy)
Jack-or-Jill-in-the-Pulpit
Let’s take a look at the reproductive realm.
The inflorescence can be male (with male flowers only), bisexual (with both male and female flowers), or female (with female flowers only). In a small plant, most if not all of the flowers are male. As the plant matures and grows larger, the spadix produces female flowers as well as male flowers. The transition from male to female continues until eventually the plant produces female flowers only. This is an example of dichogamy, a rare phenomenon in flowering plants. Due to this sex-change lifecycle, this species is sometimes called colloquialy as Jack or Jill in the pulpit or Jill-in-the-pulpit. (Source: Wikipedia, June 23, 2023)
Fascinating, right? Let’s look into “dichogamy” a little further.
Sequential hermaphroditism (called dichogamy in botany) is one of the two types of hermaphroditism, the other type being simultaneous hermaphroditism. It occurs when the organism’s sex changes at some point in its life. In particular, a sequential hermaphrodite produces eggs (female gametes) and sperm (male gametes) at different stages in life. Sequential hermaphroditism occurs in many fish, gastropods, and plants. Species that can undergo these changes do so as a normal event within their reproductive cycle, usually cued by either social structure or the achievement of a certain age or size. (Source: Wikipedia, June 23, 2023)
And you thought I was just showcasing an extravagant bloom! Sometimes nature amplifies our perspective, offering a fresh twist on ideas we consider in other aspects of life…
For several years I’ve been absorbing holistic orcharding and gardening wisdom from Michael Phillips. I no longer recall how I came across the pied piper of organic, non-toxic fruit tree propagation, but it’s quite possible that my first introduction was an article in Mother Earth News titled, “Organic Apple Growing: Advice From Michael Phillips“.
If you’re uninitiated, Michael Phillips is the owner (along with his wife, Nancy, and their daughter, Gracie), steward, and chronicler of Lost Nation Orchard in New Hampshire. His book, The Holistic Orchard, is the bible for organic apple growers. Here’s a trailer for the companion DVD, Holistic Orcharding.
Whether or not “Organic Apple Growing: Advice From Michael Phillips“, the article in Mother Earth News, was my introduction to Michael Phillips’ ideas about holistic orcharding, there are some great takeaways that I’ll highlight here:
Q: How big of a hole do I need to dig for planting a tree? A: The size of the tree hole needs to be large enough to accommodate the roots without bending them. A 3-foot diameter hole generally fits the bill. (Source: MOTHER EARTH NEWS)
Q: A friend told me I should buy a mycorrhizal product to boost the growth of my trees. Does such a product have any worth? A: Plants have developed an incredible symbiotic relationship with certain fungi to help get nutrients from the soil, as well as to ward off pathogenic organisms. An apple tree has specific mycorrhizae that interact with its roots in the humus layer in these ways. You can inoculate your soil by finding a healthy wild tree and then bringing a few scoops of the soil beneath its branches back to your ground. Ecosystems adapt to the needs at hand without our necessarily having to buy a packaged product. (Source: MOTHER EARTH NEWS)
Q: Some bug is tunneling into a lot of my fruit when it’s just the size of a nickel. What’s up? A: We deal with two “petal-fall pests” in the eastern half of the United States that easily could be your culprits. Plum curculio larvae get their start in a crescent-like scar the female weevil makes to prevent the growing fruitlet from crushing her egg; European apple sawfly larvae first scratch the surface of a pea-sized fruitlet, and then go on to eat the seeds in another three or four fruitlets. (Source: MOTHER EARTH NEWS)
Q: What’s up with the new kaolin clay spray? A: Those petal-fall pests identified above can be held effectively in check with a nontoxic white clay covering applied over the entire surface of the tree. The kaolin clay panicles confuse the insect adults and prove incredibly irritating… Application begins as the blossoms start to fall and needs to be thorough. It takes two or three initial sprays to build up a thick enough base to repel these insects. Renew the clay weekly for the next month. (Source: MOTHER EARTH NEWS)
Q: Why did my grandparents hang open jugs of vinegar and molasses out in the orchard? A: Such homegrown traps usually target adult fruit moths such as the codling moth. Unfortunately, all sons of bugs end up drowning in this brew, some of which might have been beneficial allies. I prefer to control codlings moths with well-timed sprays of Bacillus thuringiensis (Bt), a biological pesticide stomach-specific to caterpillars. Others have had some success wrapping corrugated cardboard around the trunk of the tree, where the larvae crawl to continue their development. Then at the end of the summer, the cardboard is removed and burned. (Source: MOTHER EARTH NEWS)
Q: When do I hang those red sticky ball traps? A: Apple maggot flies (AMF) are the culprits drawn to these effective traps. The new generation emerges from the soil beginning in late June, with females seeking fruit in which to lay eggs throughout July and August. The sticky balls mimic the best apple to be found in the orchard. The female alights on the trap and stays put because of a layer of sticky goo called “Tangletrap” covering the red sphere… Two to four traps per tree generally suffice to keep AMF larvae from ruining a good harvest. I set out traps on early maturing varieties by the first of July, then scrape off the dead flies and renew the sticky material when moving the traps to later-maturing varieties in early August. (Source: MOTHER EARTH NEWS)
Poppy poems! At last I’m bundling a batch of verse celebrating my favorite blooms. Poppies. Papaveraceae. Coquelicots… Most of these poppy poems started out as Instagram posts inspired, at least in part, by daily snapshots of poppies blooming in Rosslyn’s gardens. For this reason I’ll include links at the end of the poem if you’re interested in seeing the original posts. Just click the link and a new window will open with the poem as it originally appeared with accompanying image(s).
Haiku Poppy Poems
Almost ephemeral brevity, stark minimalism, and — at best — a tingly eureka moment overlap haiku’s distinctive hallmark. Delicate. Vigorous. As unlikely a juxtaposition as poppies. Exuding a fragility and sparseness, but remarkably robust and resilient, the poppy is the haiku of flowers. And so I initiate this slowly evolving post with a collection of haiku poppy poems.
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Pink-Tinged Poppy (Source: @virtualdavis)
From velvety spokes a supernova outburst, ivory crushed silk. (@rosslynredux)
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Unfettered, unfazed by cloudburst or thunderclap, sensuous stalwart. (@rosslynredux)
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Papaver flashbacks bloom in frosted flowerbeds, daydream confections. (@rosslynredux)
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Come coquelicot, come crinkly crepe paper kin, come and laugh and lift. (@rosslynredux)
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Poppy blossoms pop into crepe paper fireworks and flamenco skirts. (@rosslynredux)
Longer Poppy Poems
While poppies and haikus strike me as cousins (or perhaps even as one and the same being at different stages of transmogrification), there are times when a poppy poem’s florescence exceeds the restraint of micropoetry. There are instances in which a poppy poem’s petals bloom into a lyrical sketch or rhapsody.
Amongst vegetables, fruits, herbs, and spices pop, pop, populate floral fireworks, flamenco skirts, and crepe’s crinkly kin, the coquelicots.
So sensuous, so beyond beguiling, so delicate yet robust, resilient, as exotic and mysterious as the whispering wind. (@rosslynredux)
Poppy Portraits (Visual Poetry!)
Sometimes a poem is crafted out of words, letters and spaces coalescing around a moment, an experience, a sentiment. Other times poetry is so visual that an image better conveys the poem. Please think of my “poppy portraits” as visual poems. Maybe you’ll agree that visual poems can sometimes eclipse the letter-tethered lot!
https://www.instagram.com/reel/CgSOV5-g-WL/
She short video in the post above essays to distill the grace of a poppy in motion, buffeted by the breeze, petals fluttering, stem swaying. I’m not 100% pleased with this series of moving images, but it’s a start. I’m still learning the nuances of video, especially phone video. I’ll get better. Hopefully soon!
I’m as smitten with the poppy pods as the blooms. Once the papery petals yield to the wind or gravity, a handsome hull plump with poppy seeds remains. Ample. Memorial. Geometric.
https://www.instagram.com/p/B0GlMkNAh-1/
There’s something profoundly compelling in that image, don’t you think? A mystery unraveling. Or re-raveling. Wonder is summoned, and it answers eagerly.
We’re grateful to our Amish community for assistance nurturing Rosslyn’s organic vegetable, fruit, and flower gardens; our holistic orchard and vineyard; and sixty acres of landscape. While there’s much to admire about the dedicated women who have planted and weeded, pruned and suckered, nurtured and harvested for us, I’m especially grateful for their petroleum-free, exhaust free locomotion!
You suspect I jest? I do. Often. But not in this case. I’m actually quite fascinated with their efficiency of 21st century horse-and-buggy travelers.
And not only when our dedicated Amish gardeners arrive and depart, but on most every morning’s bike ride between the Adirondack foothills and Lake Champlain. I often share quiet, winding backroads with these courteous drivers. And last night, returning from Westport at an advanced hour, we witnessed three buggies moving along at a startlingly quick clip despite having no headlights. Only a single, diminutive lantern bounced within each buggy scarcely illuminating the driver, so certainly offering no navigational assistance.
Amish Assistance Arrives (Source: Rosslyn Redux)
As muscly pickup trucks and stealthy EVs wind through our rural communities, the Amish manage admirably to accomplish whatever locomotion they need without combustion engines or power grid tethers. There’s plenty to be learned from them, and not only for their dedicated industry.
This is a new opportunity for us. One nearby Amish family has been trafficking between our properties, learning quickly what each garden, each plant, each property needs. Since early spring the two to three sisters will arrive in the morning via ultra quiet conveyance. Although it took Carley a little while to become accustomed to the horse-drawn buggy, she’s no longer startled when the staccato sound of horse hooves and the curious crunching noise of carriage wheels on crushed stone awaken her from her postprandial snooze. She perks up, saunters into the screen porch, and observes. The bonneted young women wave, and I return their greeting. Carley watches until the horse and buggy disappear from view.
I’ll close with a short video I shot early in the morning last summer as another Amish buggy for a moment rolled in front of the rising sun.
Poppies aplenty summer through early autumn (Source: Geo Davis)
Poppies aplenty! A gardener can never grow too many poppies in my estimation. Biased? Yes, unabashedly biased when it comes to Papavers, I’m afraid. (The oriental poppies that we plant at Rosslyn are in the genus Papaver in the subfamily Papaveroideae of the family Papaveraceae. No worries, you won’t be quizzed later.)
So smitten am I with this almost impossibly perfect pairing of sensuous and carefree, delicate and robust, that I’ve gathered a passel of poppy poems as a rainy day elixir. Feel free to avail yourself of this sure cure if you’re stuck in the doldrums and need a boost. I can’t guarantee that the poems pack the euphoric punch of actual poppies, but they just might remind your heart and soul how to conjure these beguiling beauties out of your own memory.
If I could grow poppies year round, I would! (Source: Geo Davis)
Bloom Where You’re Planted
The advice, “bloom where you are planted,” apparently owes it’s pithy endurance to the Bishop of Geneva, Saint Francis de Sales (1567-1622), but my first point of reference was different. It was 1999, and I had just relocated from Santa Fe, New Mexico to Paris, France. I received a book in my workplace welcome packet that had been compiled by the FACCP Franco-American Community Center of Paris. The title was Bloom Where You’re Planted: Tips for Living and Thriving in Paris.
Although I grew up admiring poppies that my mother grew in the Adirondack’s Champlain Valley, there’s no doubt that visits to Normandy where poppies still dot green fields, and teaching John McCrae’s “In Flanders Fields” to my students at the American School of Paris deepened my connection to Papavers. Somehow the helpful manual provided to me in my late twenties became connected with the poppies in my memory and in my gardens.
This morning’s poppies and the lovely reminder from Saint Francis de Sales and the good folks at the FACCP Franco-American Community Center of Paris coalesced for a fleeting moment, and the first semblance of a new poppy poem unfurled its still wrinkled petals. Not sure where it’s headed, if anywhere, but here’s where it stands today.
Bloom where you’re planted, where the wind blows you, where you are needed. Bloom when conditions are perfect and when they are not. Bloom.
Might need to let it rest a bit, and possibly, hopefully resurface anon. After all, I surround myself with poppies aplenty, so perhaps this poetry seed will germinate some day in the future, a reminder that preservation by neglect applies not just to orphaned buildings and blog posts, but also poems.
It must be spring! Sometimes affectionately cooed (by nobody ever) and sometimes disparagingly grumbled (almost always), “mud season” has rounded the proverbial corner. Dun and drab are giving way to brilliant white and violet and — as soon as the daffodils and dandelions bloom — vibrant yellow.
¡Hasta la vista, winter! Spring has sprung.
Crocus (Photo: R.P. Murphy)
Crocus & Dwarf Iris, Haiku
Crocus, dwarf iris dabbed from pigmented palette, early blooms unearthed.
Nature is the original artist, liberating all manner of magical blooms from the earth where only weeks ago it seemed unlikely that this theatre would open on time. But it does, year after year. And this is and a small part why I consider gardening to be the very fountain of optimism.
Dwarf Iris (Photo: R.P. Murphy)
Bulbs Now, Buds Soon?
Once bulbs begin to push their green shoots up out of the damp earth, it’s easy to let optimism run away with us. The daffodils and the daylilies are pushing up as well, although we’ll need to wait for a while longer before the day lilies bloom.
This exciting succession of blooms inevitably primes my Pollyanna pump for other blooms, especially bud burst in Rosslyn’s orchard. Talk about theatre!
Springtime is tulip time, a dramatic chapter in gardners’ succession blooming cycles. With snow drops, hyacinth, and daffodils fading, colorful tulip blooms take center stage. And this year’s tulip time does not disappoint.
Tulip Time (Photo: Susan Bacot-Davis)
Signs of springtime are abundant lately. It’s asparagus time. Also ramps, apple blossoms, dandelions, fiddleheads, tulips, nettles,… And lily of the valley unfurling dramatically. An entire army of terpsichorean twirlers synchronized, slowly unfurling, mesmerizing. (Source: Lily of the Valley Unfurling )
With especial thanks to my bride Susan Bacot-Davis for her moody photos, I offer you three intimate portraits of our current tulip time. Like festive gala gowns these goblets of pigmented petals dazzle and dare us to imagine springtime maturing into sizzling summer soon…
Tulip Time (Photo: Susan Bacot-Davis)
So much confidence and coquetry in these precocious summertime previews. And yet these blooms are delicate, susceptible to swings in temperature and downpours.
Tulip Time (Photo: Susan Bacot-Davis)
The tulips make me want to paint, Something about the way they drop Their petals on the tabletop And do not wilt so much as faint… (Source: A.E. Stallings, “Tulips”, Poetry Foundation
It’s that remarkable season of reawakening, spring, glorious springtime! And more than all of the other blooms that announce the season of unslumbering, Dandelions remind us that nature is nourishing and vibrant and brilliantly colorful.
Routinely dismissed, even abhored, as an annoying weed, dandelions are for me a welcome harbinger of warming temperatures, greening environs, several seasons of blooms and fruit and vegetables. And yet dandelions remain mostly symbolic representatives of reawakening, vivid reminders of the abundance we’ll soon celebrate.
Friend or Foe: Dandelions (Photo: Geo Davis)
A decade or more ago Tom Duca introduced me and a gathering of Essex area friends to The Teeth of the Lion: The Story of the Beloved and Despised Dandelion by Anita Sanchez. His enthusiasm for her enthusiasm about dandelions made an impression on me that afternoon. I planned to read it, but it slipped off my radar. Until now. I’ve located a copy that is presently wending is way to me. So, soon I’ll be able to amplify my understanding (and presumably my appreciation) for dandelions.
But even before educating myself I’ll comfortably come down on the side of dandelions bring friends. Yes, I know that many might consider them an invasive scourge peppering the perfection of an otherwise green lawn.
Friend or Foe: Dandelions (Photo: Geo Davis)
But I do not share this disdain. Rather, dandelions evoke childhood wonder and enthusiasm for spring a perennially optimism inspiring season for me. Simply put springtime is seasonality’s metaphorical morning. And rambunctious riots of dandelions are one of the most exuberant symbols of the season. Persistent, yes, but in so many cases we’re able to recognize the merits of persistence. Why not dandelions?
We know too that dandelions are a forager’s friends, Nature’s nourishing gift of vitamins and minerals after months of hibernal stinginess. I’ve enjoyed tender dandelion greens in a spring salad mixes from the store, but I’ve rarely made the effort to harvest these spicy freebies from the yard. It’s an embarrassing oversight I intend to remedy. Soon. And dandelion wine? So many experiments to explore…
Friend or Foe: Dandelions (Photo: Geo Davis)
So for now, I’ll optimistically file dandelions as friend (and not foe) despite the proclivity of so many among my gardening aficionado cohort to vilify and endeavor to extirpate this sunny sojourner. If designation by and large comes down to bias, I’ve now made mine known. Caveat emptor. And once I’ve made it through Sanchez’s book I’ll be able to update this post with a meatier installment justifying my somewhat sentimental declaration that dandelions are our friends. Stay tuned…
Signs of springtime are abundant lately. It’s asparagus time. Also ramps, apple blossoms, dandelions, fiddleheads, tulips, nettles,… And lily of the valley unfurling dramatically. An entire army of terpsichorean twirlers synchronized, slowly unfurling, mesmerizing.
Lily of the Valley Unfurling (Photo: Geo Davis)
Lily of the valley (Convallaria majalis)… is a woodland flowering plant with sweetly scented, pendent, bell-shaped white flowers borne in sprays in spring. (Source: Wikipedia)
Lily of the Valley Unfurling (Photo: Geo Davis)
It’s still too early for the perfume that this ground cover will waft across the deck and into the screen porch, but anticipation smells almost as sweet! And the vibrant pageantry, Nature’s unsubtle choreography, is enchanting, even slightly hypnotic. Believe, these sylvan dervishes chant, believe and spring will swirl into summer once again.
Autumn Landscape, October 27, 2015 (Photo: Geo Davis)
TGIF… time to put another log on the fire, pour yourself something refreshing, and unwind for a moment together. Busy-ness and a continuous cascade of commitments can gradually hypnotize us during the weekly hurly-burly, so let’s take a few minutes to exhale and redirect our attention at this dramatic time of year. Transformation all around us. Breathtaking beauty all around us. I invite you to round out your week by contemplating the autumn landscape.
As another week of icehouse rehab draws to a close, I’m shifted gears a little. I’ll post an update soon, however there’ve been several compelling-but-competing intrigues to pursue. Yesterday’s post about rehoming the “truckling” in exchange for an inspiring reuse/recycling story has elicited several compelling possibilities. (Hoping to make a decision soon, and I’ll share the winning story!) I’ve also been crowdsourcing (albeit quite limitedly among friends and family) perspectives on what makes a house a home. Can’t wait to share the riches tomorrow! For now, with this pair of jolly Jack-in-the-box updates about to spring out into the open, I’m recalibrating and refocusing on autumn landscape.
Autumn Streamscape
As wildlife crisscross
these riparian byways
scents, tracks, graffiti.
— Geo Davis
This haiku takes as its seed the layered narrative along Library Brook which meanders the western margin of Rosslyn’s back forests and fields. So much wildlife trafficking this vital corridor, and all of them communicating, carrying on a distributed dialogue, and creating artistic artifacts.
I spent some time flail mowing near a small portion of this riparian region last summer, eliminating some invasive that have clogged the stream, and encouraging native flora to thrive, ensuring a healthy habitat for our wild neighbors. I thought that I had taken photographs of a mesmerizingly beautiful glade thick with stream-side wildflowers, but I’m unable to find them. Perhaps these images were meant to remain wild, earned quietly on foot, cross country skies, snowshoes.
These contemplative places abound at Rosslyn. And my haiku doesn’t offer a sufficient snapshot. Perhaps I’ll be able to update this page with another poem that offers the scents and sounds of this this wild autumn landscape. For now I’d like to offer you a potent portrait by a Vietnamese poet, Hồ Xuân Hương (1772–1822), that hints at the intoxication I’m alluding to. If “the banana leaves” are overlooked, her poem feels as if it might be leaning against a stump beside burbling Library Brook.
Autumn Landscape
Drop by drop rain slaps the banana leaves.
Praise whoever sketched this desolate scene:
the lush, dark canopies of the gnarled trees,
the long river, sliding smooth and white.
I lift my wine flask, drunk with rivers and hills.
My backpack, breathing moonlight, sags with poems.
Look, and love everyone.
Whoever sees this landscape is stunned.
— Hồ Xuân Hương (Source: Narrative Magazine)
Let us all breathe some moonlight tonight, and let us all let go the of the week just lived and look at the autumn landscape, allow it to stun us, to remind us how to love. Everyone.
Sugar maples ablaze between the orchard, gardens, and barns. What a season! Thanks, Pam, for capturing the autumn vibes from this fun vantage point in the nearest of Rosslyn’s meadows.
Although leaf peeping fiery fall foliage is inevitably and justifiably the cynosure this time of year, autumn vibes are aroused insubtler ways as well.
Ripe apples and pears in the orchard. Grapes trellised along the fence line. Blueberry bushes blushing crimson. Squirrels hustling acorns into their winter larders. Deer, emboldened, arcing easily over the fence to forage the gardens and orchard. Canada geese chattering south in protean Vs, settling onto the lake or into the fields for the night…
And this year we have a new ritual this year: re-covering the high tunnel after months of open air gardening. New scissor doors will make air circulation and cooling convenient in the coming weeks when daytime solar gain can still be significant. And with a hint of good fortune we may even extend our growing season later than in the past. New experiment. New territory. New optimism. And the always new but familiar autumn vibes of light frost followed by heavy frost — gentle warning followed by mortal barrage — whittle dramatically away at the vegetable garden’s viability. But with the high tunnel it just might look a bit different this year. We hope so.
Autumn Vibes Haiku
Early the ash turns, now maples and blueberries, succession of leaves. — Geo Davis
So recently I shared a still-ripening vision of autumn, similarly infused with lyric longing and luminescence, but less resigned, less resolved, perhaps less poignant. In “September Twangs” the micro poem wasn’t puerile, but it did sing with the intoxicating twang of exuberance and curiosity. The poem above, though a mere sliver of a season, nods to the inevitability of fall’s flourish fading. If the earlier haiku was a ginger, matinal perspective, a youthful perspective when autumn was just arriving, this October haiku is less twang and more the sound of fireworks fading. Perhaps a sonic boom echo-doppling into the forests and hills, perhaps a casdade of delicate cracklings decaying downward, twinkling sparks like celestial petals falling free of their blooms, bending toward gravity’s seductive beckon, then fluttering toward the placid lake’s watery mirror.
