Tag: Essex New York

  • Frosty Ferrying into Rosslyn

    Frosty Ferrying into Rosslyn

    Heck of a homecoming my frosty ferry ride into Essex two weeks ago on January 25. Damp-cold. Socked in. Snowing. I was dropping in for team time, scope shuffle, timeline tuneup, perspective pivot, and a revitalizing dose of laughter with friends.

    Frosty Ferrying (Source: Geo Davis)
    Frosty Ferrying (Source: Geo Davis)

    Team Time

    As I’ve often touted, teamwork is the first, second, and third priority for us today and every day. When our crew is collaborating and collegial, progress is usually swift and morale is buoyant. But when team dynamics falter, for any reason, it’s usually evident even from afar. Headway stalls and morale suffers. But the cause (often) and the remedy (almost always) demand a closer inspection, an immersion in the daily doings and conversations.

    So when forward motion on the icehouse rehab began to slow and spirit suffered, it became clear that I needed some hands-on team time to understand and improve the slide. And frankly, swapping video meetings and phone/text threads for in person, sawdust in the air, boots on the snowy ground, chalk line snapping, and overdue discourse dumping was enticing and necessary.

    Scope Shuffle

    Personnel particulars won’t be part of this post since who does what, when, where, why, and how is Susan and my concern. Teams coalesce around a common cause, and when necessary, teams adapt. Sometimes the cause shifts; sometimes the team shifts. My time at Rosslyn enabled me to ensure a clear understanding of the needed change(s) not just from my geographically challenged perspective, but from the diverse perspectives of the members of the team. What’s going on? What needs to change? Sometimes these reorganizations are awkward and uncomfortable, clarity elusive. But in this case there was broad consensus about what had been hampering progress and what would restore progress.

    Within a week of my arrival we remapped the coming weeks and months, shuffled incremental scopes of work, and made a few adjustments to the plan to better account for the new vision (and to accommodate a few tweaks that became clear to me being onsite that hadn’t been so clear in plans and photo/video updates.)

    Frosty Ferrying (Source: Geo Davis)
    Frosty Ferrying (Source: Geo Davis)

    Timeline Tuneup

    Today and yesterday I’ve been massaging the new scopes of work into the calendar. Roughly halfway through our start-to-finish timeline in terms of actual months allotted and permissible (October 2022 through May 2023) but less than halfway through the scope and schedule, the days and weeks ahead will require a significant uptick in productivity. For my part, that demands a thoughtful timeline tuneup that makes sense to Pam (project manager), Peter and Eric (carpentry leads), Ben (plumber), Brandon (electrician), and everyone else on the team. It is imminently doable. But careful coordination, clear communication, and steady productivity will be critical.

    There’s still some sourcing and sorting to complete. The map forward is apparent, but the individual journeys and when/how they are sequenced is still firming up. In the mean time, collective confidence and enthusiasm appear to be rebounding.

    Perspective Pivot

    It’s worth noting that a perspective pivot — mine as well as everyone investing their time, expertise, and passion — is actually a really important part of any project. It’s altogether too easy to settle into a pattern, allowing vision and expectations to narrow, simply bumping forward from one day to the next. We all do it sometimes. And yet we all benefit from voluntary and even involuntary disruption that challenges us to think differently, to dilate our our vision, to alter and amplify our expectations. Team dynamics are never static. They can feel static. For a while. Until something disrupts collegiality or workflow.

    I’m feeling reinvigorated by what was an unanticipated and unfortunate disruption in our team dynamics. I know that everyone on the team similarly desired and endeavored to avoid the eventual disruption. But the change catalyzed over the last few weeks is dramatic and profoundly positive. Our individual and collective perspective pivots have reawakened our sense of purpose and our confidence in the ability for the team to accomplish the rehab in a timely manner that will make us all proud.

    Laughter with Friends

    No sojourn to the Adirondack Coast would be complete without at least a few friends gathering. I’d initially tried to limit social time during my stay because the punch-list was ambitious. But the universe has her own ideas, and we’re wise to pay attention. I was reminded how fortunate we are to be part of a community that is thick with good people — smart, creative, cordial, civic minded, and caring — and despite my speedy sojourn I was able to share some meals, cross-country ski, laugh, and catch up with some of the many who enrich our Adirondack life.

    https://www.instagram.com/reel/CoZ1pmDAvi_/

    Moody Midwinter Mashup

    With all the warm-and-fuzzy updates top loaded, it’s time to acknowledge the moody vibes of the video above (if you can’t see it, try loading the URL in a new browser tab). My midwinter mashup isn’t an artistic feat by any estimate, but the black and white sequence, shot for the ferryboat upon approaching Rosslyn’s boathouse on my way from Charlotte to Essex, really does feel like what I was feeling upon arriving. And the less-than-perfect weather conditions emphasized the mood over the first 36-48 hours. Fortunately the weather improved and talk time with the team (and friends) restored the levity I usually associate with a return to Rosslyn. That said, it feels important to acknowledge that it’s not always rainbows and bluebird skies, neither literally, nor metaphorically. Sometimes life shades into shades of gray, and we have to cope, to come together creatively to restore the technicolor lifestyle we love.

    Frosty Ferry Crossings

    I’ll close with an acknowledgment that a frosty ferry crossing may not be the picture perfect memory that we conjure when relating the joys of community by ferryboat, but I’ve experienced so many meaningful moments just like this. Rainy, snowy, stormy,… The imperfect moments shape us as much as the sunny ones.

    Special thanks to Rob Fountain whose February 27, 2015 photograph in the Press Republican deftly captures these sorts of experiences.

    Another Frosty Ferry Crossing (Photo: Press Republican)

    With temperatures below zero and a brisk wind, a Lake Champlain Transportation Co. ferry pushes through icy waters heading for Grand Isle, Vt., Tuesday from Cumberland Head. For many cities in the Northeast, it was the coldest February on record, and some places recorded the most days of zero or below temperatures. (Source: Press Republican)

    Thanks, Rob.

  • Rosslyn Rapture: A Bronze Sculpture by George McNulty

    Rosslyn Rapture: A Bronze Sculpture by George McNulty

    After purchasing Rosslyn, George McNulty, presented us with a bronze sculpture born of his own hands and imagination. Standing with arms outstretched, extended skyward, the figure’s celebratory posture exudes joy and pride. In my view, McNulty’s miniature man appears to be celebrating or perhaps praising, arms reaching upward toward the heavens. Rosslyn Rapture, I’ve titled it (albeit only in my mind.) With no permission from the artist to name/rename his work, you’ll note no plaque adorning the base, no engraved nametag competing for attention. In fact, until now I’ve kept mostly mum about my personal title for McNulty’s sculpture. It felt presumptuous to impose my narrative, my interpretation onto another’s creation.

    Rosslyn Rapture: Bronze Sculpture by George McNulty
    Rosslyn Rapture: Bronze Sculpture by George McNulty

    And while we didn’t have Rosslyn Rapture plaqued, we did have it mounted on a small marble base for display. When we received the sculpture a couple of bolts protruded from the bottom of the feet for mounting. Since, at first, the figure could not be exhibited without a base, we held it in our hands. We felt the weighty bronze, ran our fingertips over the textured surface shaped by the fingers of a man who invested almost four decades into studying and documenting and slowly restoring the buildings which we now call home. We traced the figure’s lanky limbs and placed our fingertips into the sculpture’s tiny palms. There was an intimacy. A connection. Or so I chose to believe.

    In time I came to see the sculpture as McNulty’s exaltation for a home and a heritage that he loved. A man exalted with reverence. It was a hypothesis that fit the man I’d briefly come to know. It was a hypothesis consistent with the anecdotes and memories shared by his Essex friends and neighbors. It was a hypothesis that justified his commitment—spanning almost four decades—to preserving this historic property. But mostly, as I’ve come to learn in the years since, it was a hypothesis that helped me explain my own love affair with Rosslyn. I realize now that I was ascribing my own passion for this property onto the previous owner. I was enraptured with Rosslyn, with our new life at Rosslyn, and with the prospect of restoring this stately home and grounds to the restrained elegance still evident but fading. I had reimagined this art as an artifact of the previous owner’s passion and devotion for Rosslyn when in fact my hypothesis was first and foremost self referential.

    Rosslyn Rapture: Bronze Sculpture by George McNulty
    Rosslyn Rapture: Bronze Sculpture by George McNulty

    A Bronze Sculpture

    In short, I realize now that Rosslyn Rapture was my creation. McNulty’s was a bronze sculpture of a man with outreached arms and open hands lifted high. I saw a man grasping for something or praising a higher being. Or perhaps the man’s adulation was for a woman with whom he was impassioned? But fancy clouds my vision. The man’s arms are outreached. That is clear. Whether in praise or celebration or something altogether different, only the sculptor knows.

    For many years the figure has presided over our living room from his perch on the mantle above the northern fireplace. When I gave George McNulty’s son, Jason, a house tour a few year after completing our renovation, he immediately spotted the sculpture.

    “What happened to the baby?” he asked.

    “What do you mean?” I responded, confused.

    “The man was originally holding a baby up in the air,” he explained.

    It had never even occurred to me that there might have been another part of the sculpture, a part now missing. A baby. That’s what he’s lifting up and celebrating.

    I explained to Jason that we had not removed the baby. We had never even seen the baby. Aside from the addition of a marble base, this is exactly how the sculpture looked when it was gifted to us by Jason’s father.

    Probably his father had made two versions, Jason suggested, one with a baby, and one without. Or perhaps the baby was cast separately and conjoined afterward.

    Both possibilities seem possible, probable even. Imagination flushes out the narrative. George McNulty sculpts the man out of clay, creates a mold from the original, and—using the lost wax process—casts several bronze replicas. Separately and by the same process, he casts bronze babies which he then welds to the man’s hands. One of the figures, for some mysterious reason, remains empty handed. No baby.

    I found myself, wondering if his son, now standing in the living room of the house where he had grown up, might perhaps have been the inspiration for the sculpture, maybe even the model. The man did, after all, resemble his father. And the baby? Anybody’s guess.

    It occurs to me later that there’s another possibility. Perhaps each of the figures originally held a baby high in the air. But one broke. Or the sculptor removed it. Maybe that’s why he gave it to me, because it was an incomplete piece. This seems like a reasonable hypothesis, and maybe it’s correct. But I prefer the possibility that he gifted us this  version because it leaves open the hands, open the possibility that Rosslyn is the subject of the man’s ecstasy.

  • Double Sunburst

    Double Sunburst

    Today’s post is a tribute to our Rosslyn forebear, George McNulty, from whom we inherited a whimsical double sunburst motif on the west façade of Rosslyn’s ell, and Peter Vaiciulis who fabricated a slightly downscaled sister embellishment for the east façade of the icehouse.

    Double Sunburst, Rosslyn’s Icehouse, March 2023 (Photo: R.P. Murphy)

    This twist on a familiar Essex architectural theme, the sunburst motif that is most prominent on the old firehouse turned art gallery turned tavern (in the middle of town), is perhaps best described as a double sunburst. Or, in the view of Peter, the carpenter who reinterpreted George McNulty’s original with a slightly more diminutive iteration, this is not a sunburst at all, but rather two “sun fans”.

    And a haiku is born.

    Double Sunburst Haiku

    What sunburst motif?
    Better two suns than one, and
    a pair of sun fans.

    Or Sunup, Sundown?

    As an unabashed heliocentrist I’m drawn to another possibility. Possibly Peter’s “sun fans” are actually an architectural paean to the rising sun and the setting sun. Sunup. Sundown. Conjoined. Sunup-sundown.

    While it’s tempting to conceive of Essex, New York (and maybe even the entire Adirondack Coast) as the point of perennial sunrise, more fitting (and yet similarly flattering) is the more reality based celebration of sunup AND sundown. For both are glorious in this realm.

    Afterward

    The Essex sunburst has ostensibly been ornamenting our community since the late 18th or early 19th century. Perhaps this 1882 Harper’s Weekly illustration was inspired by a visit to our fair hamlet?

  • Where in the World is Rosslyn?

    Where in the World is Rosslyn?

    Essex, NY in 1876 (Source: OW Gray Atlas of Essex County)
    Essex, NY in 1876 (Source: OW Gray Atlas of Essex County)

    Where in the world is Rosslyn? If you’re not too terribly averse to a verse, here’s an introduction writ small (wrapped up in a tidy micropoem.)

    Up in the Adirondacks
    at the foot of the foothills,
    where Champlain's sweet waters
    refresh, render respite,
    and sooth worldweary souls,
    a sanctuary sings
    welcoming melodies.
    (Source: Where's Rosslyn?)

    Poetry not your preference? Pity! 😉 Let’s try this.

    Rosslyn is perched on the Adirondack shore of Lake Champlain in Essex, New York. Unlike the Adirondack High Peaks region, the Adirondack Coast (which comprises much of Champlain’s western shoreline) exhibits picturesque colonial architectural unlike the more recent Adirondack rustic camps located further inland. Historic Essex boasts one of the most intact, best preserved collections of early 19th century United States architectural heritage. Serving as a gateway community since the late 1700s, Essex remains an important crossroads today. The Essex-Charlotte ferry connects New York State with Vermont, while nearby NYS Route 87 and Amtrack trains connect Montreal, Albany and New York City. (Source: Where’s Rosslyn? )

    Beginning to zero in on where in the world Rosslyn is? If neither the poetics of place nor encyclopedic brevity are helping much, let’s try a map or two. Maybe I can narrow your focus a little further with this line drawing that I created with Katie Shepard for our community blog, Essex on Lake Champlain back in 2015. (If you click on the map it’ll open a window where you can download the unfuzzy PDF complete with a key explaining each of the numbers in the map.)

    Essex Architecture Map, July 2015 (Source: Essex on Lake Champlain)
    Essex Architecture Map, July 2015 (Source: Essex on Lake Champlain)

    Enough with the old school black and white (and sepia with faint rose highlighting). It’s time for technicolor!

    Where in the World is Rosslyn in Color?!?!

    When it comes to brightening things up, there’s no better bet than close friend, artist, and best selling author, Amy Guglielmo (@amyguglielmo). Back on November 18, 2013 I shared a post showcasing Ms. Guglielmo’s dazzling aerial view of our Essex neighborhood.

    Essex Aerial View (Painting by Amy Guglielmo)
    Essex Aerial View (Art by Amy Guglielmo)

    So, where in the world is Rosslyn? Train your eyes on the three docks/piers extending out into Lake Champlain. The middle one is the ferry dock. (See the ferry heading to Vermont?) The smallest of the three man made peninsula’s is Rosslyn’s dock house (aka “boathouse”). Armed with that little insight, perhaps you can find the same property on the two maps above? (Hint: the boathouse wasn’t yet constructed in 1876 when the map at the top of this post was made.)

    Now back to Amy’s painting and Rosslyn’s boathouse, “the maritime folly that enchanted us back in 2005-6 enough to swap NYC for the Adirondacks.”

    Heck, it still enchants us despite constant maintenance and seasonal flood worries. And the boathouse hammock is a mini vacation!

    Head inland from the boathouse and you’ll discover Rosslyn itself, tucked next to two massive trees, a ginkgo and what I believe is a silver maple (Acer saccharinum). In fact, I’m sitting in the top right room on the second floor right now. Perhaps if you swoop in a little lower you’ll catch me jotting this blog post.

    A little further left of the house are the carriage barn (lower) and ice house (upper) which offer up all sorts of mysteries. But those for another day. Unless you remember three curious artifacts I shared with you a while ago… (Source: Essex Aerial View)

    Hopefully this helped orient you. Yes, a Google map might be more precise and quicker, but sometimes Rosslyn Redux and the art of homing aren’t particularly precise or quick. Besides, a thin veil of privacy keeps the snoopers away. Or at least adds a little challenge to their quest. But if you’re looking for a little more clarity on where in the world Rosslyn is located, I suggest you check out this hopefully helpful hub: “Where’s Rosslyn?

  • Rosslyn Boathouse Doodle on a Slate

    Rosslyn boathouse doodle on a slate for Adirondack Art Association fundraiser
    Rosslyn boathouse doodle on a slate for Adirondack Art Association fundraiser

    The Adirondack Art Association in Essex, NY sponsored a creative fundraiser recently. They invited members of the community to transform recycled slate from Rosslyn’s roof into unique artworks to auction off. Dreamed up by Amy Guglielmo following her successful Depot Theatre “sap bucket” art auctions, the slate art auction was an artistic and fundraising success.

    Though I’m not sure how much my goofy doodle of Rosslyn’s boathouse contributed…

    Just thought you would enjoy seeing it. Actually part of a longer term project to create slate doodles of many historic Essex architectural views which is the reason I saved the slate back when we were renovating. One more project for a rainy day!

  • Essex Horse Nail Company in Essex, New York

    Welcome to my gallery of Essex Horse Nail Company artifacts. I’m intrigued by artifacts that offer a window into bygone Essex heritage and buildings such at the Essex Horse Nail Company which once stood proud and productive on the site of present day Beggs Park.

    During the endless process of rehabilitating Rosslyn, I have assembled a vast treasure trove (“treasure” in my odd opinion, at least!) of Rosslyn artifacts and miscellaneous relics related to EssexLake Champlain, and the Adirondacks.

    While resuscitating Rosslyn, we have discovered lots of local artifacts, relics, memorabilia and esoterica. And — a bit like archeologists poking through ancient midden heaps — we have deciphered and guessed the relevance and context of rotting lineament bottles, wallpaper shards, yellowing postcards, etc. Our burgeoning collection of Rosslyn artifacts, Essex artifacts, Lake Champlain artifacts, and Adirondack artifacts comprises a veritable “digital museum” of curated collectibles all directly or indirectly related to the historic William Daniel Ross home in Essex, New York. (Rosslyn Redux)

    Many of the Essex Horse Nail Company artifacts in this gallery have been showcased at Essex on Lake Champlain, the community blog for Essex, New York. I’m perennially on the lookout for local artifacts that help fill a visual and informational void, so if you are aware of additional Essex Horse Nail Company artifacts that I’m missing, please let me know. Thanks.

    Essex Horse Nail Company Gallery

    Essex Horse Nail Company in Essex, New York
    Essex Horse Nail Company in Essex, New York

    The Essex Horse Nail Company was located on Beggs Point… It manufactured nails for horse shoes… for almost two decades until the factory was destroyed in a fire in 1918.

    “Later 19th century industry on Beggs Point included Essex’s only factory building, first occupied by the Essex Manufacturing Company to 1877, then by Lyon and Palmer blind and sash manufactory until 1879, followed by the Essex Horse Nail Company Limited from 1880 to 1918, which in 1885 employed 60 or 70 hands.” (Essex on Lake Champlain by David C. Hislop, pg. 55)

    As the factory was only in operation from 1880 to 1918 that dates that photo to some point in or between those years. After the fire the area was barren, and in the 1920s the area was landscaped into Beggs Park which remains public green space today. (Source: Vintage Photo: Essex Horse Nail Factory | Essex on Lake Champlain)

    Essex Horse Nail Factory in Essex, New York
    Essex Horse Nail Factory in Essex, New York

    Essex Horse Nail Factory… burned in a fire that destroyed the factory in 1918 (which date the photo to that year or prior). After it was gone the area was turned into Beggs Park which remains today. Learn more about its history here. (Source: Vintage Photo: Horse Nail Factory | Essex on Lake Champlain)

    Essex Horse Nail Company Factory in Essex, New York
    Essex Horse Nail Company Factory in Essex, New York

    Robert Hammerslag: ECHO and/or the ECHS did an oral history project back in the 70s. It was headed up by Betsy Tisdale. One of the tapes was a recollection of the fire. I am sure the tapes must be available. I can see the Fire Dept, Ross Store, Community Church and maybe the Noble Clemons House at the upper left.

    Todd Goff: Bob, a quick search shows c. 1973 tapes of, “Rev. Stephen F. Bayne of Essex, N.Y. talks about the horseshoe nail factory fire in Essex in 1918.” are in Potsdam Library and Blue Mtn Lake. I will look up at HSX. for them too. Thanks for the heads up. It would be good to digitize them.

    Robert Hammerslag: Yes, unless it has already been done, it would be good to digitize those old cassette tapes while it’s still possible. They could be forty years old!

    David Hislop: The Essex Heritage Center featuring the Essex Town Historian Office which…has had this audio tape of the Reverend and visuals playing on a feature loop. Stop by to see it and learn more! (Source: Vintage Postcard: View from Steamer of Essex, NY | Essex on Lake Champlain)

    Essex Horse Nail Company Factory in Essex, New York
    Essex Horse Nail Company Factory in Essex, New York

    Another postcard was submitting to us by Todd Goff after he saw us share the above postcard. Thank you very much for adding to our digital collection!His postcard reads, “Steamboat landing of the Lake Champlain Transportation Co., at Essex on Lake Champlain, N.Y.” This postcard shows us an alternate view of the same scene. The photo is looking north up the lake and we can see the side of the Horse Nail Factory in the center of the image along with other facets of this section of the Essex waterfront at this time. (Source: Vintage Postcard: View from Steamer of Essex, NY | Essex on Lake Champlain)

    Essex Horse Nail Company Factory in Essex, New York, circa 1909.
    Essex Horse Nail Company Factory in Essex, New York, circa 1909.

    According to the back of the postcard the photo was originally published by “J.S. Wooley, Ballston Spa, NY.” In the center of the photo we can see the old horse nail factory that burned down in 1918. Take a look at other postcards featuring this factory for a better look and to learn more. This building being present here tells us the photo was taken before 1918. As “25.8.09” is written on the face of this postcard we can assume that this may have been the date (August 25, 1909) the postcard was created or possibly the date it was sent… (Source: Vintage Postcard: Essex from Lake Champlain (1909) | Essex on Lake Champlain)

    Essex Horse Nail Company/Factory located where Beggs Park is today.
    Essex Horse Nail Company/Factory located where Beggs Park is today.

    Dianne Lansing: That’s the Horseshoe nail factory on the right…one of several in the photo that are no longer there…

    Katie Shepard: This Essex lakefront view does have the old Horse Nail Factory to the right, which burned in 1918 and the location is Beggs Park today… The postage mark is a little hard to make out but I believe it matches the date written out, which reads: “9/22/09.” […] The back of the postcard also tells us that the publisher is “W.H. Cruikshank” in Essex, NY. The name has appeared as the publisher on several of the old postcards that we’ve shared on the blog. (Source: Vintage Postcard: Essex Lakefront Scene | Essex on Lake Champlain)

    Essex Horse Nail Company Factory (Source: Susie Drinkwine via Essex on Lake Champlain)
    Essex Horse Nail Company Factory (Source: Susie Drinkwine via Essex on Lake Champlain)

    The church steeple in the center is the Essex Baptist Church and to the far right the tall object (tower? pipe?) is part of the Essex Horse Nail Company‘s factory. Both are now absent from the town due to fire which destroyed the church in 1943 and the factory in 1918, which dates the photo pre-1918. (Source: Vintage Photo: Essex Waterfront with Nail Factory | Essex on Lake Champlain)

    Essex Horse Nail Co. Factory in Essex, NY
    Essex Horse Nail Co. Factory in Essex, NY

    This week we’re happy to share this black and white photo dated to about c. 1900-1910… I believe I see the part of the old Horse Nail Factory on the far right of the photo. Do you agree?  (Source: Vintage Photo: Essex Waterfront | Essex on Lake Champlain)

    Rosslyn bathhouse, boathouse, and the steam yacht, Kestrel, are center foreground, the Old Dock is center background with Essex Horse Nail Co. Factory at far left. (Source: Shirley LaForest via Essex on Lake Champlain)
    Rosslyn bathhouse, boathouse, and the steam yacht, Kestrel, are center foreground, the Old Dock is center background with Essex Horse Nail Co. Factory at far left. (Source: Shirley LaForest via Essex on Lake Champlain)

    Although Rosslyn’s bathhouse, boathouse (and the Kaiser family’s steam yacht, Kestrel) occupy the center foreground, the Essex Horse Nail Co. Factory’s smoke stack is just visible at the far left of the Old Dock (center background).

    Horse Nails and Crate from Essex Horse Nail Company / Factory (Source: Dianne Lansing via Essex on Lake Champlain)
    Horse Nails and Crate from Essex Horse Nail Company / Factory (Source: Dianne Lansing via Essex on Lake Champlain)

    This photograph popped up in my Facebook feed about a week ago, posted by my neighbor Dianne Lansing with the following description.

    “A special gift from a very dear friend. It’s an original box of horseshoe nails made at the Essex Horseshoe Nail Factory which was located at what is now Beggs Park.” ~ Source: Diane Lansing, Facebook, March 14 at 9:16pm

    Situated on a commanding promontory overlooking Lake Champlain, the Essex Horse Nail Company occupied the site of several earlier industries. The Essex Horseshoe Nail Factory burned long ago, so it’s veiled in a bit of mystery. (Source: Essex Horse Nails | Essex on Lake Champlain)

    Envelope from Essex Horse Nail Co., Limited in Essex, New York, circa 1898.
    Envelope from Essex Horse Nail Co., Limited in Essex, New York, circa 1898.

    I spied this intriguing artifact in an eBay auction. It’s a canceled envelope for a letter, invoice, something… sent from the Essex Horse Nail Co., Limited in Essex, New York on August 16, 1898 (year cited in eBay auction, though I’m unable to verify) to Mr. D. J. Payne in Wadhams Mills, New York. (Source: Essex Horse Nail Company and Wadhams Mills » Rosslyn Redux)

    My "doodlebomb" of the Essex Horse Nail Company including the enterprise's logo (top center).
    My “doodlebomb” of the Essex Horse Nail Company including the enterprise’s logo (top center).

    While researching and illustrating the Essex, New York Architecture: A Doodler’s Field Guide I “doodlebombed”several vintage images of Essex landmarks including the Essex Horse Nail Co. Not much of an artifact? Sorry!

  • Industrial Essex Waterfront

    Industrial Essex Waterfront
    Industrial Essex Waterfront

    In Essex we live connected with our history. There are daily reminders — architectural, cultural, anecdotal, etc. — of the yesterdays that endure or linger on today. It’s not so much that time has stood still (although there are plenty who will suggest as much), but rather Essex allows a concurrence of times. Past and present coexist in some respect, as layers or textures of our day-to-day.

    And yet there are occasional reminders of our long gone past. The industrial Essex waterfront documented fuzzily in the postcard above, for example, stands in stark contrast to the same waterfront today. The industry and innovation alive and well in Essex today is very different from 100 or 200 years ago.

    I’m especially smitten with Essex waterfront images, fueled no doubt by a lifelong yen for things nautical.

    I appreciate lakeside time capsules that pop up unexpectedly like this historic postcard that I tried unsuccessfully to purchase on eBay. It turns out that another collector with deeper pockets (and more persistent auction monitoring!) was able to win this nostalgic view of Essex’s northern waterfront, but I’ve made an effort to render the low definition photograph slightly more legible for you so that you can decipher the stories suggested by yesteryear’s industrial Essex waterfront.

    In my estimation the photographer appears to have been looking south across Blood’s Bay toward the cape or peninsula now known as Begg’s Park. This Essex “skyline” adorns a circa 1924 postcard, but the photograph was likely made years or even decades earlier.

  • Essex, NY’s Industrial Waterfront c. 1910

    Essex, NY’s Industrial Waterfront c. 1910

    Industrial Waterfront, Essex on Lake Champlain, circa 1910
    Industrial Waterfront, Essex on Lake Champlain, circa 1910

    This morning I’d like to share a fresh (at least to me) look at Essex, New York’s industrial past. This vintage postcard titled, “A Lake View, Essex, N.Y.” (and allegedly published between 1907 and 1915 was recently available for auction on eBay. Sadly, I was overbid in the final seconds of the auction, but I’ll continue hunting for another copy of this revealing document.

    Although I’ve shared other Essex Horse Nail Company images and artifacts before (i.e. Essex Horse Nail Company in Essex, New York and Essex Horse Nail Company and Wadhams Mills), this perspective was previously unfamiliar to me. And it’s fascinating!

    I’m surprised by how incredibly immense the Essex Horse Nail Company’s building complex appears, especially in proportion to the other buildings in the historic photograph. I was unaware that such a large structure stood where Alan Wardle’s Nail Collector’s House, a singular, brass clad cottage, nestles today. (I admit this oversight despite the fact that I’ve often witnessed the old stone foundations that define the tree-shrouded promontory that inspired Steven Holl’s bold architectural.)

    The treeless shoreline north of Rosslyn (perhaps looking south from the Wilder House lawn?) intrigues me. I’ve collected other historic photos demonstrating that most of the land north and west of Rosslyn were treeless fields (and orchards, so not exactly treeless, I guess), but I find the opportunity to witness views — now altered with trees and construction — enticing. Lastly, I’m reminded that there was a small dock house on/near the waterfront now home to Cabins by the Lake. I have other historic images that indicate that this dock house was part of a boat and automobile refueling station, though it’s not 100% clear whether or not that’s the case when this photograph was made.

    And I’m reminded that I still haven’t definitively determined whether or not this northern Essex harbor (where Rosslyn’s boathouse is located but ubstructed by the shoreline trees on the right side of this vintage photograph) was once referred to as Blood’s Bay. Any credible historians able to weigh in?

     

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  • Meadowmount and Rosslyn

    Rosslyn Boathouse, by Steven Rochen
    Rosslyn boathouse photographed from Essex ferry dock (photo credit Steven Rochen)

    What a pleasure to discover on Monday morning that the newest friend of the Rosslyn Redux Facebook page was Steven Rochen. Who you might ask? (Though, if you’re a Meadowmount School of Music alum, you probably already know!) Mr. Rochen first crossed my radar back in February of this year when I happened upon an interesting photograph of Rosslyn’s boathouse. The following was originally posted in “Rosslyn Boathouse in August 2005“:

    Another Rosslyn boathouse sighting, this time discovered via Google Earth. The photo was taken by czechsteve on Panoramio.com on 2005/08/12 which is approximately one year before my wife and I purchased Rosslyn. The wooden Chris Craft on a mooring between our boathouse and the Essex ferry dock belonged to our neighbor, but he has since replaced it with a sailboat which is visible in more recent photographs.

    If you go click through to the original photo and enlarge it, you can see the degree of disrepair that we inherited when we took ownership and began restoring this stately old maritime structure.

    I have contacted the photographer to suggest a title because the image is currently untitled.

    Update: Today is Wednesday, February 2, 2011 and I’ve just heard from the photographer:

    I have added a title to your boathouse picture. Thanks for your input – I have seen that boathouse for many years (I’ve been coming for summers in the Adirondacks since I was a teenage student at the Meadowmount School of Music coming from Texas to study violin.)

    Was the boathouse there in 1980? I don’t remember when I first saw it from the ferry crossing but I have always enjoyed seeing it – that is why I took the photo years ago…I can’t wait to see what you have done…

    All best wishes! Steven Rochen – a.k.a. czechsteve!

    Wonderful response. I’m excited to have made the connection, and I’m hoping that I may one day have the chance to meet Steven Rochen and give him a tour of the boathouse which has intrigued him for decades.

  • Haying with Draft Horses at Full and By Farm

    Haying with Draft Horses at Full and By Farm

    Another spectacular day in Essex! Perfect summer days mean great gardens, and soon enough I’ll be posting a garden update to show you how well the tomatoes, eggplants, peppers and Brussels sprouts are doing. But first I’d like to introduce you to one of the lifestyle luxuries we’re able to enjoy as Essex residents. Please meet Sara Kurak and James Graves of Full and By Farm.

    We pick up our farm share every Thursday evening, and Sara emails the farm members in the morning to let us know what to expect. I’m including last week’s note in its earthy entirety below, and the video tells a little piece of the haying story described in in her note. I hope you enjoy both! Here’s the Full and By Farm note for June 17, 2011.

    We are trucking right along this week—moving animals, planting crops, harvesting, weeding, cutting hay, cutting soap, building wagons, enjoying the moderately warm sunshine. This is our first year cutting our own hay and the learning and preparation curves have been steep. Given the uncertain weather predictions for the week and all of our new-to-us equipment we decided to cut one small field on Tuesday and get the process down before going for it whole hog. We took Abby and Lightning out on the horse-drawn mower, selecting the smallest field, but coincidentally the steepest and least rectangular. They took it on like champs, despite several problems with the mower, and the sneaking suspicion that lots of sharp scissors are following right at one’s heels. James is out now tedding the field, we plan to rake, bale, pick-up and unload all TODAY. Hay wagon building has largely been a late night activity. If we seem a little shell-shocked at pick-up tonight, please be nice, it’s been a long day and week.

    The vegetables are perking up and getting green out in the fields. Our current harvests however are still being hampered by the earlier mud season issues of poor germination and cloudy skies, followed by the really hot week which caused the soggy, stressed out plants to bolt. All this to say that we are starting to harvest a little bit of a lot of things. Great news on the variety front, but hard to divide up 40 ways. We’re getting creative though and offering up some fun stuff at the share tonight and as well as sweet things to nibble on while picking them up.

    Three important things to know today:

    1) We are having our spring farm tour and member dinner two weeks from tonight, on Thursday June 30th at 6pm. We’ll provide a farm-fresh dinner and solid wagon ride. You all bring the desserts, a place setting and drinks to share. Please rsvp by email or the list in the csa room. I’ve put in the rainbow request already, but they won’t guarantee a thing this far out.

    2) We are officially rolling out the Full and By Farm “Go Whole Hog” challenge tonight!!! The rules are simple: fill out a card for your household, this will live at the farm. Check off the boxes after you’ve used each of the cuts on the list**. When your card is completed you will get a hand printed “Go Whole Hog” shirt or grocery bag. **And don’t worry, we’ll help you out with some of the more challenging ones.

    3) Our last spring calf was born on Monday into a muddy puddle. It was a rough entry, but his long legs helped him out. We had originally named him Gus after the legendary Texas Ranger Augustus McCrae. But after getting to know him a little the name just doesn’t seem right, mostly due to his challenge with direction (i.e. his tendency to walk the opposite way when we move the cow herd). We’re considering Gonzo and Gulliver. Bring your vote tonight, write in’s are welcome.

    In the veggie share: lettuce, lettuce, lettuce, spicy lettuce mix, braising mix, stir-fry add-ins, spring onions, spinach, nettles (by popular demand) potatoes, celeriac, black and white beans. coming soon: garlic scapes, baby turnips and radishes.

    In the meat share: pork, chicken and ground beef, lard and leaf lard, lavender soap.

    See you all tonight between 4 and 6,
    Sara

  • Rosslyn Roundup, May 4

    Rosslyn boathouse, January 8, 2012 (Photo credit: Glenn Estus, via Flickr)
    Rosslyn boathouse, January 8, 2012 (Photo credit: Glenn Estus)

    It’s time for another Rosslyn Roundup to share everything Rosslyn-related that I didn’t get a chance to post over the last few weeks. Champlain Valleysprings are unpredictable and exciting, sometimes arriving early (this year) and other times hiding behind rain, rain, rain (last year).

    We’ve been celebrating our good fortune (quietly, with fingers crossed, while chewing on garlic cloves) that Spring 2012 has been considerably drier than Spring 2011. Remember the devastating Lake Champlain floods last year? For the better part of two months we experienced history making high water levels which inundated the Town of Essex and swamped Rosslyn boathouse under three feet of water for weeks on end. But we were lucky. Damage was minimal, and we recovered. Actually… we’re still recovering. Rebuilding the stone walls along the waterfront is ongoing, but that story for another blog post!

    It’s a bit hard to believe that I launched the Rosslyn Redux blog just over a year ago. I’ve been finding my feet, trying to decide what goes into the book, what goes into the performance and what goes into the blog. I’m still filtering through artifacts and unadopted stories, but the most everything has fallen into place. The book (books? booklings?) are nearing their inevitable (and looong awaited) right of passage. And the blog, evolving in fits and starts has nevertheless averaged almost one post per week. Expect that rate to increase now that I’m in the homestretch with manuscripts.

    Okay, enough bellybutton gazing. Well, almost enough. A couple of other interesting items to relay before plunging into the Rosslyn Roundup.

    May Day was the busiest day on the blog ever! In addition to “Reawakening Rosslyn” which drew record readers, there were many people who showed up a day late to read “Old Glory & Mud Season“. The combination of these two posts included a magic elixir… If only I knew what it was! Please don’t hesitate to share your preferences for future posts, and I’ll do my best to honor your wishes.

    I have to admit that I was pretty thrilled with the reception that “Reawakening Rosslyn” received. You may have already figured that it’s a central theme in the story of our epic home and property rehabilitation.

    And as it turns out rattlesnakes are another hot topic. Between “Rosslyn Rattlesnake” and “Timber Rattlesnake: Fact, Fiction & Mystery” (posted on EssexonLakeChamplain.com) I seem to have tapped a universal fascination with poisonous pit vipers. Who would have anticipated that? Bizarre.

    Less surprising, my post about cartoonist Sid Couchey was also well received. Proof that whether we all admit it or not, we all love cartoons! And if you ever met my Essex friend and neighbor, you’d love Couchey too. He will remain a local legend for many years to come. I feel fortunate each time I pass Couchey’s painting of Rosslyn boathouse which hangs in our morning room. I’ve decided that the fellow chatting with Champy — the Lake Champlain monster — at the end of the boathouse pier is the cartoonist himself. I’m listening carefully and hoping to hear the joke that they’re sharing.

    Okay, about that roundup… Did you see that spooky photograph of Rosslyn boathouse at the top of this post? Spectacular. Eerie. The image is called “Essex, NY Boathouse #3” and it was shot on January 8, 2012 by local photographer, Glenn Estus. We have several of his photographs hanging on the walls at Rosslyn, and you can see plenty more in his Flickr feed if your interested.

    Speaking of photographs, check out the new Rosslyn Redux board on Pinterest to see a growing collection of Rosslyn photographs shared by people all over the globe. Add your own photos, and I’ll heap praise and accolades upon you.

    And you’ll find more photographs by me and others on the Rosslyn Redux Facebook page which has grown steadily in membership over the last year. If you’re not already a friend of the forthcoming Rosslyn Redux memoir, now’s the time. Please friend the page and feel free to share your thoughts. I look forward to hearing from you.

    Enough. Weekend. Enjoy!

  • House of Dreams

    House of Dreams

    House of Dreams (Quotation by Gaston Bachelard via Keri Smith)
    House of Dreams (Quotation by Gaston Bachelard via Keri Smith)

    Hat top to Keri Smith, one of my favorite doodlers (I’m talking about the short-short list!) for sharing this Eureka moment quotation on her blog.

    In honor of Gaston Bachelard, I’d like to subtly bastardize the sentiment:

    I should say: Rosslyn shelters day-dreaming, Rosslyn protects the dreamers, and Rosslyn allows us to dream in peace.

    It’s not always 100% evident to me. When a foundation leak graces us with a basement flood. Or Lake Champlain spills out of her banks and into our boathouse. Nor when a 100+ year old maple tree succumbs to blasting winds and smashes the handmade fence. Etc.

    But on afternoons like today, the smallest things, like the way the morning light illuminates the carriage barn windows, I know. I understand that this wonderful old, living and breathing home provides for us in innumerable ways every day. I know that Rosslyn is a house of dreams and daydreamers. And for this I am extremely grateful.

    Thank you, Keri and Gaston for the timely reminder!