Tag: Eastlake

  • Rosslyn in Essex on Lake Champlain

    Rosslyn in Essex on Lake Champlain

    Note: The following Rosslyn excerpts originally appeared in Rosslyn (Essex on Lake Champlain, February 26, 2013) and Rosslyn Boathouse (Essex on Lake Champlain, February 27, 2013).

     Rosslyn (aka the W.D. Ross Mansion, Hyde Gate, and The Sherwood Inn) in Essex, NY.
    Rosslyn (aka the W.D. Ross Mansion, Hyde Gate, and Sherwood Inn) in Essex, NY.

    Rosslyn, the second oldest home on Essex, New York’s Merchant Row, is located just south of The Dower House. This historic home (also known as the W.D. Ross Mansion, Hyde Gate, and The Sherwood Inn) was built by William D. Ross for his bride Mary Ann Gould (c. 1826-8) (“Essex: An Architectural Guide.” 30).

    Primarily Georgian in style, Rosslyn also exhibits elements of Federal and Greek Revival architecture. The central entryway of the five-bay facade is flanked by sidelight windows placed symmetrically on both sides of the doorway and an elegant fanlight above the doorway.

    “The structure is noteworthy for its exceptional Doric cornice following a design from a pattern book by Boston architect Asher Benjamin, The American Builder’s Companion (1826).” (“Essex: An Architectural Guide.” 30)

    Rosslyn faces Lake Champlain and Vermont’s Green Mountains beyond. Expansive lawns, locally quarried stone walls, an early 19th century inspired fence, and the alignment (and spacing) of Rosslyn’s outbuildings contribute to the classical proportions of this stately property. Rosslyn’s whimsical boathouse, still visible wharves, and a painstakingly restored waterfront recollect the Ross family’s shipping merchant heritage and The Sherwood Inn’s decades as a popular vacation destination.

    Renovating Rosslyn

    Like many of the homes in Historic Essex, NY, Rosslyn has experienced many cycles of renovation, neglect, alteration and restoration. As the second oldest home on Merchant Row (and one of the oldest residences in Essex village) it is difficult to ascertain the property’s precise historic lineage. While construction of the original brick and stone structure most likely began in 1820, there are indications that it either replaced (or augmented) and already constructed wood frame house…

    A significant rear wing was added to Rosslyn in the early 19th century for domestic services (kitchen, pantry, etc.) and servants quarters. It was once common for wealthy families to hire and house live-in servants (cleaning staff, cooks, gardeners, nannies, etc.), however shifting social norms and economics diminished the practice in the United States making servant quarters increasingly rare.

    Early in the 20th century Rosslyn was converted into The Sherwood Inn, and the service wing was renovated to accommodate guest lodging, restaurant and tavern. When the Sherwood Inn ceased operation in the late 1950s or early 1960s the rear wing was mostly removed and the remaining addition was adapted to residential use.

    “It’s worth noting that the house was constructed out of brick (with stone foundations) and not wood. But this detail — like the soft math when recollecting the number and function of servants — matters little and reveals the patina-ing power of time’s passage. The other notable difference between Hyde Gate as Lesh describes it and Rosslyn as she stands today is that the veranda has been removed, revealing an older — and most likely original — stone stairway and entrance. The owner from whom we purchased the property undertook this alteration in a nod to historic authenticity. He too felt obliged to leave his imprint on the front facade of the house and erected a Greek Revival columned entrance roof which incorporates subtle Georgian detailing…” (Rosslyn Redux)

    The Rosslyn property once consisted of many outbuildings including an ice house, a carriage house, several barns, a granary, and a privy (Images of America: Essex on Lake Champlain. 119). The ice house was the best way to store and preserve food in the past before electricity and refrigeration. The house’s location next to the lake would have been advantageous because in the winter ice could be cut from the frozen lake and brought to the ice house to store for summer.

    A note discovered at Rosslyn identifies June 13, 1908 as the date that the home was first hooked up to electricity by Guy H. Mason (Images of America: Essex on Lake Champlain. 87). With the increasing ease of indoor plumbing, electricity, and other conveniences many of Rosslyn’s outbuildings became obsolete and were eventually removed. Today the ice house, carriage house and a boathouse (dock house) which was likely constructed in the late 1800s remain and have been renovated.

    Rosslyn Boathouse

    Kestrel docked at Rosslyn boathouse
    Kestrel docked at Rosslyn boathouse

    Built on a pier jutting into Lake Champlain in Essex, NY, stands a charming dock house constructed in 1898 (“Essex: An Architectural Guide.” 30). Rosslyn boathouse is modeled on a late 19th century Eastlake Design, considered part of the Queen Anne style of Victorian architecture (Images of America: Essex on Lake Champlain. 118).

    Popular boat races and regattas took place on the Essex waterfront drawing competitors and spectators to the Rosslyn boathouse and shoreline from near and far. While boating regattas have dwindled in the last half century, Rosslyn boathouse remains a spectacular spot for viewing the Essex fireworks on the Fourth of July.

    Kestrel

    Although Rosslyn boathouse is part of the original W.D. Ross family property, it was not constructed by or for the Ross family. The turn-of-the century building was most likely designed and built for the Keyser family to accommodate their 62 ft. long, steam-powered yacht, Kestrel. Constructed entirely of mahogany, the yacht plied Lake Champlain’s water the 1890’s through the 1930’s, becoming as much an iconic vessel in Essex history as the boathouse has become in the century since it first adorned Merchant Row.

    Although the Keysers may have initially kept their yacht on their own waterfront north of Essex, their dock and/or boathouse was rendered unusable by ice or flood damage. Kestrel required local dockage for convenient access and an ample supply of coal to power the steam engine, so the Keyser family purchased a small piece of land on the lake from the Ross family and proceeded to build a dock, boathouse, and coal storage bin for the yacht. The Keyser boathouse has persevered through many floods and ice flows, and today it is once again part of the Rosslyn property. (The Kestrel: An Essex Icon by Morris F. Glen)

    Reawakening a home, a dream and ourselves

    Rosslyn Redux is a vicarious plunge into the idiosyncrasies (and absurdities) of renovating a circa 1822 historic home and boathouse in Essex, NY. The memoir by flâneur and storyteller, virtualDavis, is available at abdul2.rosslynredux.com.

  • Rosslyn Featured on Emmet Carter Green Design

    Rosslyn Wine Cellar (Credit: Nancie Battaglia)
    Rosslyn Wine Cellar (Credit: Nancie Battaglia)

    A major upgrade to the Emmet Carter website incorporating recent green design projects prominently features Rosslyn. I’ll excerpt a few descriptions and some of photographer Nancie Battaglia’s interior images in the post below.

    Welcome to Rosslyn

    Rosslyn is a stately Federal home on the shore of Lake Champlain in Essex, NY. This circa 1823 property, includes a turn-of-the-century Eastlake inspired boat house, an expansive carriage house, an ice houe, and thirty acres of sprawling Adirondack gardens, orchards, meadows, forests and cross country ski trails. (Emmet Carter)

    Living Room

    Rosslyn Living Room (Credit: Nancie Battaglia)
    Rosslyn Living Room (Credit: Nancie Battaglia)

    The detailed trim work and built-ins throughout the room are all new, customized to match existing Federal wood patterns in the home, and comprised of FSC woods and with no toxic glues. Green design details throughout including: rugs are hand made wool from Tibet, the floors are new FSC beech wood, the couches are custom and entirely organic, the white upholstered chairs are sustainable from Lee, and the French chairs are antique and re-upholstered with natural linen and a cotton jute batting.  The coffee table was handmade of walnut by the owner’s brother. All the fabrics in the room are natural and organic and all the wood and paint finishes are natural and non-toxic. Two original fireplaces transformed into gas stoves heat the room on demand for company and in-floor hydronic radiant heat stands by for additional warmth though even in frigid winters has never turned on because of the efficient and warm rooms that surround on all sides.

    Rosslyn Living Room (Credit: Nancie Battaglia)
    Rosslyn Living Room (Credit: Nancie Battaglia)

    The west wall of the living room and the Xian Warrior replica from China look onto the screened porch addition. The paneling is new and inspired from the house’s existing trimwork and other historic Federal precedent. The windows and french doors are new, efficient, double glazed from Marvin. The sconces are antique from the Federal period, and the side chairs are antique french (from a Parisian flea market), re-upholstered in a french inspired cotton toile fabric. The floors are FSC beech with a non-toxic sealer. (Emmet Carter)

    Dining Room

    Rosslyn Dining Room (Credit: Nancie Battaglia)
    Rosslyn Dining Room (Credit: Nancie Battaglia)

    Rosslyn’s dining room served as the previous owner’s wood working shop in the decades prior to our rehabilitation, but enough details remained (or were reconstructed from drawings and photographs) to return this elegant space to its former glory.

    Dining Room Cabinet

    Rosslyn Dining Room Cabinet (Credit: Nancie Battaglia)
    Rosslyn Dining Room Cabinet (Credit: Nancie Battaglia)

    The custom built-in storage piece by a local craftsman was the perfect solution for a small space and a great need for barware storage beside the bar and dining room.  It mimics the shape and detailing of the window opposite it, as does the new trim around the new door to the dining room.  The lovely painting completmenting the area is by local artist Liz Wilson.  The floor is new, local FSC cherry wood with a non-toxic finish.  All the paints are non-toxic, no VOC. (Emmet Carter)

    Parlor

    Rosslyn Parlor (Credit: Nancie Battaglia)
    Rosslyn Parlor (Credit: Nancie Battaglia)

    The fireplace is original and the mantel was a reproduction of the original trimwork from 1823, finished with no-VOC paint. The painting above the fireplace is by local Adirondack artist, Paul Rossi. The curtains are inspired by Federal patterns, and comprised of an embroidered silk from Kravet and tassle trim by Samuel and Sons, and are doubly interlined with natural cotton for thermal barrier from lakefront wind.  The chair is antique French from a Parisian flea market, upholstered in a green silk velvet. The corner piece of salvaged wood was handcrafted in the Adirondacks by the owner’s brother. It opens to reveal a mini bar, glassware and bottled spirits. (Emmet Carter)

    Bar

    Rosslyn's bar and stairway to game room and wine cellar. (Credit: Nancie Battaglia)
    Rosslyn’s bar and stairway to game room and wine cellar. (Credit: Nancie Battaglia)

    This eight foot wide new addition, in the footprint of an historic porch, now mirrors the existing wing on the other side of the house to add symetry to the Federal house. Additionally, it offers space for a bar, half bath, mudroom and staircase to the finished basement. Green design features include the double paned Marvin windows which offer nice views of the lake and south yard, allow large amounts of sunlight to warm the house in winter, and large breezes to enter in the summer. The new addition also insulates the large, historic living room. The honed marble floors conceal efficient radiant heat, and the customized bar cabinet is recessed into the area where an exterior window once stood. Recycled PaperStone tops the bar area and half bath vanity down the hall. (Emmet Carter)

    Breakfast Room

    Rosslyn Breakfast Room (Credit: Nancie Battaglia)
    Rosslyn Breakfast Room (Credit: Nancie Battaglia)

    This is our favorite place for meals during the day, with a view of the north lawn, stone walls, birdfeeder and lake. The table is antique, probably from a farm, complete with multiple knife indentations, the placemats are handmade from sea grass, the irregular ceramic dinnerwear is from Viva Terra and the glass candle holders that are continually used are made by the nearby and talented Vermont company, Simon Pierce.

    Four framed art pieces depict the four seasons of China, and the Marvin double paned windows depict our four seasons of the Adirondacks. The seat cushions were custom made of organic cotton, the background bench was hand carved in the Adirondacks by the owner’s brother and organic fruit and drink complete the natural setting. (Emmet Carter)

    Kitchen

    Though the architect insisted that the existing kitchen be bumped out for a better lake view, and alternatively suggested putting it in the historic living room for an open kitchen, family space, we reminded him that we would not be disturbing the historic footprint of the Federal home and that our “family” consisted of the two of us and a dog. Therefore, though he thought the space entirely too small for a kitchen, we used it as such, as it had been for many years, and it is the perfect size for two people who do a great deal of cooking and entertaining.

    Rosslyn Kitchen (Credit: Nancie Battaglia)
    Rosslyn Kitchen (Credit: Nancie Battaglia)

    Our eight year old nephew chose the color, which reminded him of green apples and grapes.  It worked, and around the green walls we added custom wheat board non-toxic cabinetry and trim with Federal details, and granite from India (Okay, the only green design aspect of these countertops is the color, considering the fossil fuels that it took to haul the stone here, but the surface is very practical, beautiful and resembles marble more than granite, and we’re big fans of India having recently visited there).   The floor is new FSC beech wood, the fabric all linen from Schumacher and Zoffany, and the stove is a white Viking. We achieved the lake view after all by putting a second sink in the island which faces onto the adjoining rooms’s lakefront windows. (Emmet Carter)

    Master Bedroom

    Rosslyn Master Bedroom, East Elevation (Credit: Nancie Battaglia)
    Rosslyn Master Bedroom, East Elevation (Credit: Nancie Battaglia)

    Rosslyn’s master bedroom spent several decades as a demo’ed-to-the-studs, leaky, uninsulated storage space for construction materials, firewood, tools, and miscellaneous household odds and ends. I’ll add a post eventually that chronicles the full evolution of our bedroom, from dismal dump into our favorite room in the house. With windows on three sides, matched fireplaces, elegant but functional built-ins, a private balcony and a magnificent morning and afternoon view this space has become an oasis of calm and privacy.

    Rosslyn Master Bedroom, West Elevation (Credit: Nancie Battaglia)
    Rosslyn Master Bedroom, West Elevation (Credit: Nancie Battaglia)

    And that sofa at the end of the bed? A cozy seat with a view, yes, but first and foremost it serves as throne for King Griffin, our Labrador Retriever. Although, as you can see in the photo above, why occupy the throne when the bed’s even softer and more spacious?!?!

    Master Bathroom

    The master bathroom is an indulgence. All of the bathrooms were well finished, but for our own private space we wanted to capture some of our favorite elements – voluminous, marble mosaic tiled shower, handsome soaking tub, paired sinks, radiant heat and towel bar, and a separate commode room – into a comfortable and minimalist bathroom. We also designed a custom cabinet that now stands between the two windows to store toiletries and balance the white massing. All told, we feel super pampered every time we brush our teeth or wash up.

    Guest Bedroom

    Rosslyn Guest Bedroom (Credit: Nancie Battaglia)
    Rosslyn Guest Bedroom (Credit: Nancie Battaglia)

    This room features all natural and organic fabrics, an antique Italian chair and English dresser, paired with a locally made Vermont bed and side tables (with no toxic finishes). The high bed allows guests to look out of the large windows to the enchanting Lake Champlain and Vermont Green mountains. Guests can adjust the window treatments to allow the flood of light at dawn into the room fully with the windows exposed, or to allow a filtered light with sheer linen roman shades, or to witness it at a later hour by closing the doubly insulated full length curtains. In the winter the insulated panels block any drafts from the lake. The matching bedside lamps are repurposed vases brought back by hand from China and inspired the room’s color scheme and the silk rug and curtains. (Emmet Carter)

    Study Bathroom

    Rosslyn: Study Bathroom (Credit: Nancie Battaglia)
    Rosslyn: Study Bathroom (Credit: Nancie Battaglia)

    This bathroom arrived as an afterthought, and was carved out of the room that housed the master bath. Though its adjoining room is a study, it might easily be used as a bedroom by the current or future owners, so it seemed prudent to add an adjoning bathroom for convenience and resale value. At the top of the stairs it also works well as an additional bathroom for overnight guests, dinner guests or party guests. The rich brown limestone and white ceramic subway tiles add contrast, warmth and pep to a small space, and the gentleman who occupies the office next door appreciates the definitively masculine room complete with some of his favorite artwork and reading materials. (Emmet Carter)

    Attic Guest Bedroom

    Rosslyn Attic Guest Bedroom (Credit: Nancie Battaglia)
    Rosslyn Attic Guest Bedroom (Credit: Nancie Battaglia)

    We removed the dropped ceiling in the attic guest bedroom, trimmed out the beams and added built-ins (with FSC wood and no toxic glues) for maximum storage and efficiency.

    Attic Guest Room Window Seat (Credit: Nancie Battaglia)
    Attic Guest Room Window Seat (Credit: Nancie Battaglia)

    Green design elements include the solid wood bed and tables are were custom made nearby in Vermont with a non-toxic natural oil finish while the chair is a re-upholstered antique, and the decorative dresser was made in India.

    All paints and finishes are non-toxic and VOC free, all the fabrics are from natural fibers and the wool rug is completely non-toxic as well.

    Because the stairway to the attic is very narrow, a normal king mattress would not fit, so we purchased an organic natural rubber king that comes in pieces, enabling easy transport up to the room.

    This quiet bedroom, surrounded by in-wall sugar beet foam insulation and the inviting bed, wrapped in soft organic fabrics ensure that guests never want to leave. (Emmet Carter)

    Attic Guest Bathroom

    Rosslyn Attic Guest Bathroom (Credit: Nancie Battaglia)
    Rosslyn Attic Guest Bathroom (Credit: Nancie Battaglia)

    The attic guest bathroom is popular with guests. The inspiration, from the owner’s love of the Caribbean and the Lake Champlain waters that lie beyond its walls, led to a waterlike color scheme with recycled glass tiles and nautical fixtures. The deep tub, hand friendly fixtures and large tiled surrounding allow easy bathing for visiting children and luxurious soaks for visiting adults (the floor features a suite of kid and adult guest rooms). The large surrounding also distributed the weight of the tub over a larger area in the third floor of an old home. The double sink vanity features a clean white marble. A seperate third sink and toilet are down the hall allowing multiple guests access to sinks at the same time. Everyone’s favorite feature is the recycled floor tiles, which, with rounded edges feel delightful under bare feet. (Emmet Carter)

    What Did I Miss?

    There are other spaces (like a small gym, a pantry/laundry and a “bunk room” for visiting children) that aren’t included in this post. I’ll include a few additional interior photographs from this series below, and one of these days I’ll also add a post with all of Nancie  Battaglia’s exterior photographs of the house plus her images of the outbuildings. But for now, I’ve already maxed out the page load time, right? Onward!

  • Mary Wade’s Rosslyn Art

    Mary Wade’s Rosslyn Art

    Rosslyn, Essex on Lake Champlain (Painted by Mary Wade)
    Rosslyn, Essex on Lake Champlain (Painted by Mary Wade)

    My bride refers to herself as “Mama” to our Labrador Retriever, Griffin. It’s always struck me as a bit goofy, preferring, I suppose, to think of myself as my dog’s master. Though anyone familiar with our little family of three would hastily remind me that I might have that backwards, as Griffin clearly rules the proverbial Rosslyn roost.

    I kid Susan that her childfree stance belies latent maternal instincts which she channels into her canine progeny. (N.B. While you might initially balk at this, detecting an underhanded jab, you can rest assured that Susan is quite comfortable with — even proud of — her “Dog Mama” status. And any implication that I’m married to a metaphorical dog, well, let me just suggest that the quick glimpse of my dazzling damsel in the video below will handily refute any concerns. After eleven years she still knocks my socks off!)

    So where were we?

    Mother’s Day.

    Despite endlessly kidding Susan for mothering Griffin (Perhaps over-mothering?), I actually find it endearing. And our almond-eyed-butterscotch-furred best friend is thoroughly content with the arrangement.

    “Hello, my love bug. Mama missed you,” Susan greets Griffin when he races up to meet her at the end of the day. His tail wags excitedly and he stretches his head upward, offering a nice slobbery kiss. “How did Mama get such a drooly boy?” she asks playfully as she wipes off her nose and cheek.

    This year, I decided it was time to accept my bride’s dog mother instinct. No, I decided it was time to embrace it with a surprise gift or two. And the perfect gift? A symbol of our family, our home.

    Rosslyn's boathouse adorning a wooden box (Artwork by Mary Wade)
    Rosslyn’s boathouse (Artwork by Mary Wade)

    Each winter Essex residents celebrate the holidays early during a weekend-long event called Christmas in Essex. It was this tradition which connected me to Mary Wade, a folk artist who lives in Willsboro but runs a seasonal gallery in Essex each summer. She creates painted wooden models, silhouettes, and paintings of historic buildings in Essex that are collected by her fans all around the world.

    Although I’d visited her shop in the past, it wasn’t until last December (when Mrs. Wade was offering her artwork for sale during the Christmas in Essex event) that we discussed her Rosslyn inspired artwork. I spotted a painting of Rosslyn’s boathouse adorning a wooden box (see image) and asked her if she could make a birdhouse modeled on the same structure.

    “I think so,” she said, considering. “I could do that.”

    “What about a painting of Rosslyn?”

    “Oh, sure. I’ve done that plenty of times, you know, all the Merchant Row houses.”

    As soon as my bride was safely out of earshot, we began to conspire. Could she undertake *both* projects this winter? She could. And much more!

    Last week I met her at home where she unveiled these whimsical renditions of Rosslyn and Rosslyn’s boathouse. The small painted silhouettes of the the boathouse were a bonus, unanticipated when we made our plan last December. She had gotten the idea while creating the birdhouse, and she liked it so much that she decided to make almost a dozen to share with her other collectors.

    I suspected that the birdhouse would prove too valuable to allow it to fulfill its intended use, and Susan promptly confirmed my suspicions.

    “What a perfect centerpiece!” she exclaimed arranging the miniature copy of Rosslyn’s boathouse in the center of our deck table to test out her theory. It was a great idea.

    The beautiful painting of Rosslyn will likely be hung in the morning room where a growing collection of artist renderings of the quirky Eastlake inspired dockhouse adorn the walls. And for now, the silhouetted boathouse is in the screen porch. Until I convince her that it would be fun to have in the boathouse…

  • Rosslyn Featured in Old House Journal

    "Beguiled into Stewardship", Old House Journal, June 2015 Issue (Page 1-2)
    “Beguiled into Stewardship”, Old House Journal, June 2015 Issue (Page 1-2)

    Exactly three years ago on June 3, 2015, Old House Journal published an article about Rosslyn. Time for a flashback! Regina Cole’s story and Carolyn Bates’s photographs are entitled, “Beguiled into Stewardship“, and you can find their original article here. (Note: the print edition and the online edition differ slightly.)

    If you’re unfamiliar with Old House Journal, — and if you’re renovating or rehabilitating an older home — I recommend both the print magazine and the online website and resources.

    This site is the ultimate resource for owners of old houses and period-style homes, gathering information from Old-House Journal, Old-House Interiors, Early Homes, and New Old House. You’ll find inspiration, how-to info and advice, stories and photos of old houses galore and sources for traditional products. Whether you’re restoring your old house or searching for period decor, you’ll find help here. (Source: Old-House Online)

    An Insider’s Glimpse

    It’s worth noting that the article fumbles a few points here and there, but the gist is mostly on target. And the photographs are amazing!

    Like many owners of important old houses, this couple never intended to become stewards of a 2½-storey neoclassical manse that spreads over more than 6,000 square feet. The building was originally just a three-bay, side-hall dwelling, but Rosslyn was expanded between 1835 and 1840 into its symmetrical five-bay configuration. Other buildings on the grounds include several barns and a very adorable, Eastlake-style boathouse added in 1898. (Source: “Beguiled into Stewardship“)

    Eek! Adorable? Though my bride and I fell head over heels in love with the Rosslyn’s boathouse (really a “dock house” more than a boathouse) long before we succumbed to the home’s beguiling pull, neither of us would likely describe the quirky lakeside structure as adorable. Too cute, me thinks, for this weathered folly. But I’ll leave that judgment up to you.

    A significant rear wing had been added to Rosslyn in the 19th century for domestic services—a kitchen and pantry, etc.—and servants’ quarters. Early in the 20th century, when the house became a hostelry called The Sherwood Inn, that service wing was renovated to accommodate guest lodging, a restaurant, and a tavern. When the inn ceased operation by the early 1960s, most of the rear wing was removed.

    George and Susan used its remnant to create a large new family room. For symmetry and better flow, they also added two new wings, one to house a screened porch and one to create circulation between old rooms and new. The boathouse, of course, was a later addition, but its late Victorian style is so charming, they never considered removing it. It has been restored inside and out.

    […]

    The front of the house is historic, but the rear had undergone numerous additions and subtractions over the years. George and Susan updated the rear with sensitive additions and a patio surrounded by a stone wall. George rebuilt the old stone walls that surround the property. They built a new fence, basing its design on one found in a Federal pattern book. (Source: “Beguiled into Stewardship“)

    Mostly accurate, except I’ll humbly concede credit to others for the handsome stone walls. I did design/redesign/adapt them and figure out how to repurpose old stone salvaged from failed walls and long buried foundations, but virtually all of the heavy lifting was done by others. And we remain extremely grateful for it!

    Okay, enough revisionism… On to the article.

    "Beguiled into Stewardship", Old House Journal, June 2015 Issue (Page 3-4)
    “Beguiled into Stewardship”, Old House Journal, June 2015 Issue (Page 3-4)

    The opening spread showcases one of the handsome entrance gates designed and built by our friend, Tom Duca. And that interior shot of the front entrance door with side lites and fan lite? That challenging project was meticulously executed by Kevin Boyle.

    "Beguiled into Stewardship", Old House Journal, June 2015 Issue (Page 5-6)
    “Beguiled into Stewardship”, Old House Journal, June 2015 Issue (Page 5-6)

    The front parlor and the dining room offer pigmented nostalgia bridges.

    The pea green paint in the parlor is a nod to the previous owner whose paint choice perplexed us at first, but grew on us gradually, imperceptibly during our endless renovation. My bride elected to preserve and refresh it while I was away. It was the perfect choice.

    And the light blue walls in the dining room recollect the dining room in Maison Margaux, a top-to-bottom renovation I shepherded in Paris’ Faubourg St. Germain.

    "Beguiled into Stewardship", Old House Journal, June 2015 Issue (Page 7-8)
    “Beguiled into Stewardship”, Old House Journal, June 2015 Issue (Page 7-8)

    The kitchen and morning room (aka “the north porch”) are principle phases of our daily orbit. No finer way to start the day that breakfasting with songbirds!

    "Beguiled into Stewardship", Old House Journal, June 2015 Issue (Page 9-10)
    “Beguiled into Stewardship”, Old House Journal, June 2015 Issue (Page 9-10)

    Griffin, our Labrador Retriever, is the perennially proud protector of Rosslyn in general and our bedroom in particular. From his perch at the end of the bed he can monitor the deer and wild turkeys sneaking snacks from his vegetable garden and orchard. I suppose “protector” might be a mild overstatement.

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