Tag: Boathouse

[caption id="attachment_5744" align="aligncenter" width="1024"]Rosslyn Boathouse (Source: Geo Davis) Rosslyn Boathouse (Source: Geo Davis)[/caption]

Technically a “dock house” built atop a pier that protrudes out into Lake Champlain, this Eastlake inspired structure was originally conceived and constructed as a seasonal residence for the engineer/captain of the Kestrel steam yacht. It is the only surviving example of residential Essex boathouses and one of few historic Lake Champlain boathouses. (Note: there are two commercial boathouses in Essex, the Old Dock Restaurant and the Essex Marina.)

In 2004 through 2006 when we finally purchased the property, Rosslyn’s boathouse—a pleasure-promising peninsula from our perspective—mesmerized Susan and me with her beguiling siren song… What if we abandoned all sensibility and dove into this fantasy?!?!

  • Teeter-Tottering

    Teeter-Tottering

    Teeter-Tottering: Should I stay or should I go? (Source: Geo Davis)
    Teeter-Tottering: Should I stay or should I go? (Source: Geo Davis)

    To borrow a turn of phrase from Shaye Elliott, “I’m teeter tottering between” being fully present in Essex and departing for Santa Fe, betwixt summer’s curtain call and autumn’s debut, between and betwixt scores of less-than-precisely delineated transitions.

    Should I stay or should I go now? — The Clash

    Fair warning: I’m mixing metaphors today. Like fusion cooking and creative cocktail concocting, I’m hoping that purists will forgive my transgression(s) and sample the experiment with an open mind.

    I’ve already shared a couple of quick riffs on the push-and-pull of seasonality, wrapping up the re-decking project, re-starting the boathouse gangway project, launching the exciting new icehouse project, and recovering from August 30 storm damage. I need to flesh out all of those transitions in fuller detail soon, but today instead I’ll touch on our autumn changeover from the Adirondack Coast to the high desert southwest with an unanticipated delay for COVID and a perhaps peculiarly drawn out rumination on teeter-tottering. Fair warning!

    Teeter-Tottering: Should I stay or should I go? (Source: Geo Davis)
    Teeter-Tottering: Should I stay or should I go? (Source: Geo Davis)

    Teasing Out Teeter-Tottering Metaphor

    I’m struck, I might add, by the strength of this teeter-tottering metaphor. The teeter-totter, a seesaw, with someone sitting on the other end, riding the teeter-totter seat down to the ground, close enough to toe-touch. When fortunate, bringing the soles of both feet to rest on the ground and bending knees to squat and push off, sending teeter-totter up into the air as a friend on the other end returns to the earth.

    I recollect that there’s another challenge (and distinct pleasure) to teeter-tottering as well. Sure, it’s exciting to tip one another up and down, but balancing is also appealing, both friends suspended in mid air, neither touching the ground, neither rising, neither falling. Equilibrium. Balance. A quivering stasis that requires focus and collaboration between both friends.

    Obviously the principal thrill of balancing on a teeter totter is that it’s incredibly difficult. And just as obvious is the indisputable fact that teeter-totter equilibrium is it best temporary. Eventually one or the other person will come back down to the earth, planting their feet on the ground, while the other will lift skyward. It’s impossible to postpone indefinitely.

    So if it’s obvious, why am I explaining it this way? I think that the allure of the teeter-tottering metaphor — at least for me, right now — is that it so perfectly conjoins otherwise dissimilar sentiments.

    I’m thrilled, exhilarated, and yet anxious about the abundance of thresholds upon which we are currently balancing. Certainly there’s a very real exuberance in the moments where we shed some gravity and float high. There are butterflies in the belly (and whirlwinds of worry in the belfry) when lofty ambitions come plunging down. But like that teeter-tottering youth of my memory, I often find that we’re endeavoring to maintain some fragile equilibrium, knowing full well that we can’t maintain it forever, and yet hoping to stabilize the teeter-totter for a moment, just another moment,… Or maybe a day? A week? This is not to say that we’re in denial about the inevitability of some pretty major transitions, but it speaks honestly about our hesitance in at least some cases.

    You’ve possibly noticed a parade of posts recently addressing the transitions and transformations that we’re navigating. I apologize for too often talking obliquely, speaking around the issue rather than addressing it directly. Sometimes that’s part of the process, I’m afraid. Sometimes the prologue serves the needs of the storyteller even more than the reader.

    In short, please bear with me. I recognize that not everybody enjoys teeter-tottering, so thank you for your patience, and in many cases, thank you for your generosity and advice and coaching.

    Know then that this curiously kaleidoscopic time and space we’re teeter-tottering through (I warned you about mixing my metaphors!) will yield to more candid sharing when the time is right, with updates aplenty including:

    • The exceedingly handsome garapa deck rebuild that was completed a few weeks ago.
    • The boathouse gangway rebuild v2.0 which we’ll be relaunching soon (or at least as soon as the new team can demo the dangerously misguided fiasco left behind when TFG finally admitted defeat and quit.)
    • The long anticipated icehouse rehabilitation and repurposing project that will get underway by the end of the month.

    With those considerably more interesting transformations in the offing soon, I’ll conclude this post with a slightly more personal teeter-tottering anecdote.

    Susan and I had prepared to depart Essex for Santa Fe considerably earlier this year than we habitually do. We’d invited some friends together for a last hurrah, and Susan had prepared impeccably as she does to enjoy a comfortable journey cross-country with our dog. And, given that our friend, Hroth Ottosen, would be mirroring our north-by-southwest migration as he returns from Santa Fe to Essex to take up residence at Rosslyn while we’re away (more on this including an introduction soon) our early departure was intended to allow comfortable breathing room between our departure and his arrival. But, as they say, the best laid plans…

    After exercising caution and safely eluding Covid for 2-1/2 years, Susan fell ill about a week prior to our departure. And within just under a week I followed suit. Although my recovery was fortunately quick, hers was not. In fact we were both startled with how much more pronounced her symptoms and how much longer the duration of her illness. If Covid affectively debilitated me for two days, it knocked her out for more than two weeks.

    Needless to say, our pre-departure fête and our travel plans were scuttled. Throw in Labor Day travel challenges, and we ended up postponing our departure even further. Perhaps this was the universe’s way of reminding us not to become overconfident in our planning, not to assume that we can orchestrate our way out of unpredictability, setbacks, and topsy-turvy crisis management that these times of transition typically engender. All this to say, the teeter totter tumbled!

  • Rosslyn for Sale

    Rosslyn for sale, November 2004
    Rosslyn for sale (photo credit Jason McNulty)

    Susan and I were driving back to Rock Harbor after visiting Rosslyn, an early 19th century home in Essex, New York, which our realtor had just shown us for the second time in several months.

    It was spring. At least a dozen sailboats speckled Whallons Bay as we wound south along the edge of Lake Champlain. Small white caps, light wind, bluebird skies above. Two fishing boats trawled between the beach and Split Rock where a glimpse of Vermont was visible within the cleft.

    We veered away from the lake and up Couchey Hill toward one of the most picturesque views in the Champlain Valley. Hurricane, Giant, Dix and the Jay Range were silhouetted against cloud specked blue skies to the east. An undulating patchwork quilt of hayfields and tree lines stretched to blue green foothills clumped against the Adirondack Mountains.

    Half an hour can vanish in a single breath while watching a sunny day expire here. Even at midday the view is an open-ended invitation to linger.

    But with minds and mouths racing, we did not even slow down on our way back to Rock Harbor. We were sorting engagements, worrying over deadlines and synchronizing schedules for the week ahead. After a quick lunch, we would drive back to Manhattan. Although the trip could be as quick as five hours, Sunday afternoons were typically slower with increased traffic around Albany and returning weekenders adding to the congestion.

  • Hyde Gate For Sale or Rent

    For Sale: Hyde Gate, aka Rosslyn, in Essex, New York
    For Sale: Hyde Gate (aka Rosslyn), in Essex, New York, April 1910.

    Rosslyn artifacts pop up all over the place! And they’re not always Rosslyn artifacts; sometimes they’re Hyde Gate artifacts or Sherwood Inn artifacts… Honestly one of the most enjoyable aspects of owning and renovating our home is stumbling across interesting relics of its almost 200 year history.

    I originally came across the advertisement above on eBay. The auction item was a full page ripped from the April 1910 edition of Country Life in America. How could I resist? One more quirky artifact for the digital library!

    Turns out it wasn’t the only time that Hyde Gate (aka Rosslyn) was advertised for sale or rent in the early twentieth century. A March 1910 advertisement is available on Google Books. A handy tool for finding print book content, Google Books offers increased functionality for out-of-copyright content such as this old magazine. For free you can “clip” the image (at right) to use elsewhere, and you can even clip the text content from the page. The following is quoted from the ad:

    For Sale: Hyde Gate, aka Rosslyn, in Essex, New York, March 1910
    For Sale: Hyde Gate (aka Rosslyn) in Essex, New York, March 1910.

    FOR SALE “HYDE GATE,” Essex, N.Y. FOR RENT

    The country residence of Caleb James Coatsworth Esq. is just at the outskirts of Essex Village on Lake Champlain, New York. The house faces the lake, and the grounds run right down to the lake with bath houses and a large private dock. The house is between eighty five and a hundred years old. Is built of brick. It is very beautifully furnished with the real antique Colonial furniture and although lighted throughout with electricity there is not on modem electrical fixture on the first floor.

    In the hall there is an old lantern, and in all the rooms old candelabra hanging from the ceilings; there are also lamps on the centre table lighted by electricity. The house is a beautiful example of the Colonial period. It contains ten bed rooms and two bath rooms on the second floor, and three bed rooms on the third floor, also two lavatories on first floor. One can leave “Hyde Gate” in an automobile after breakfast and lunch at Lake Placid, or leave “Hyde Gate” in the morning and dine at Bretton Woods in the White Mountains, or dine at Montreal, Canada. Lake Placid is fifty miles from “Hyde Gate” by road; Bretton Woods one hundred and eighteen miles; and the Windsor Hotel, Montreal, Canada is just one hundred miles; all the roads are very good. It Is a great central starting point for automobiling. The owner of “Hyde Gate” has made all of these trips. You can leave the dock at “Hyde Gate” in a launch and go to Westport, NY, or Vergennes, Vermont (the oldest city in Vermont) through the beautiful Otter Creek or Burlington, Vermont in less than an hour, or “Bluff Point” in two hours where the Lake Champlain Hotel is located, which is considered the best hotel In the Adirondacks.

    The grounds contain between five and six acres, beautifully laid out, and there is a great abundance of flowers, a large kitchen garden, and quite a number of fruit trees and currant bushes, etc.

    A stable with room for five horses, carriage room for five or six carriages, large harness room with glass case for harness, and good comfortable quarters for coachman. There is a large carriage shed outside of table where extra carriages can be stored, also suitable for two automobiles, several chicken houses, and a pigeon house. There is a large new ice house with a cold storage house built in connection with it.

    Hyde Gate” is just half way on Lake Champlain, and one can make the trip to New York in a motor boat in two days running spending the night at Albany, or you can run to Montreal with a motor boat in two days.

    Enquire CALEB JAMES COATSWORTH 110 South Penn Ave Atlantic City NJ (via Country Life in America, March 1910, P. 495)

    A couple of years later a similar advertisement ran in the April 1912 issue of Country Life in America. And it would seem that Caleb James Coatsworth was learning a thing or two about advertising with each return to ink. The text length and detail is generally the same throughout, but a bit of brevity slips into the equation, and the photographs improve significantly. Perhaps there are later advertisements that I’ve missed?

    Let’s take a look at the copy for Coatsworth’s 1912 Hyde Gate advertisement:

    For Sale: Hyde Gate, aka Rosslyn, in Essex, New York, March 1912.
    For Sale: Hyde Gate (aka Rosslyn) in Essex, New York, March 1912.

    For Sale HYDE GATE ESSEX NY For Rent

    “Hyde Gate” is just at the outskirts of Essex Village on Lake Champlain, N.Y. It is the country residence of Caleb James Coatsworth. The house faces the lake, and the ground runs down to the lake. There are bath houses and a large private dock. The house is between 85 and 100 years old. It is a beautiful example of the Colonial period; made of brick. It is very beautifully furnished with antique colonial furniture. It contains ten bed rooms and two bath rooms on the second floor and three bed rooms on the third floor. Also two laboratories on the first floor.

    The grounds contain between 5 and 6 acres beautifully laid out. There is a great abundance of flowers. A large kitchen garden and a number of fruit trees and currant bushes, etc. A stable with room for five horses, accommodations for 5 or 6 carriages, large harness room and good comfortable quarters for coachman. Another carriage shed affords accommodations for extra carriages and two automobiles. There are other outhouses. Further particulars from

    CALEB JAMES COATSWORTH

    Hyde Gate Eases NY (via Country Life in America, April 1912, P. 3)

    Two laboratories on the first floor? Fantastic! It’s handy having multiple versions of this ad to sort out the unlikely presence of a pair of labs in a summer residence… Two lavatories, now that makes a little bit more sense. Imagine the ten year old son who’s spent all spring looking forward to summer vacation on Lake Champlain. His father has promised that their summer rental includes two laboratories. Oh, the experiments that have occupied the boy’s daydreams in the final stretch of the school year. A homemade volcano, frog dissection,… the options are endless. And then to arrive after an exhausting journey along bumpy roads in the days long before air conditioning. And the lad races inside to search for the laboratories, to find the answer to his fantasies only to discover that it was an error. Two lavatories? What sort of evil joke is that?

  • Re-roofing and Flood Proofing

    Re-roofing and Flood Proofing

    Rosslyn boathouse when re-roofing was 50% complete in the summer of 2010
    Rosslyn boathouse when re-roofing was 50% complete in the summer of 2010

    Last summer (June-July 2010) our biggest concern with Rosslyn’s boathouse was restoring the roof. It’s hard to imagine that a year later our biggest concern is saving the building, pier and waterfront from finally-receding-but-increasingly-rough Lake Champlain flood waters! What better way to distract our anxieties than to look back on drier times?

    The cedar shingle was suffering from many years of neglect. Covered with moss and rotted completely through in many areas, it was possible to watch clouds passing overhead (and fireworks) by standing in the second story and looking through the rot spots in the roof! Friend and former neighbor Michael Leslie headed up the project of stripping the expired shingles, rebuilding the rotted beams, sub-roof and related trim including the window overlooking the lake. The following comes from a blog post last July as we rounded the halfway mark.

    The hardest part of re-shingling Rosslyn dock house is now behind us. Special thanks to Michael Leslie, Jerry Spooner and Jim Spooner for their progress so far.

    In a bizarre twist, David Hislop asked me yesterday, “What’s the story with the dock house?” Hmmm… The story? Well, that’s what I’m writing: Rosslyn Redux. Coming soon to a digital download near you. 😉 Turns out he was referring to the roof. “People are asking why you’re re-roofing it AGAIN.” Again? Apparently a half dozen people have asked him this question. Easy answer. We’re not. It hasn’t been re-shingled since the early/mid 1980’s, but after a quarter century of rain, snow, ice, sun and wind, many of the shingles have rotted through and the roof is leaking, especially the southern exposure. We’d known that we would eventually have to strip the old shingles, but we had delayed as long as practical. Let’s hope the new roof lasts as long as the old one!

    Although the re-roofing project took considerably longer than anticipated (this formula has become the rule rather than the exception during the process of renovating Rosslyn), it was worth every second when the beautiful work was complete. And doubly so last winter when snowstorms battered the little structure and again this spring when rain lashed at the roof. For the first time since buying this property in the summer of 2006 my bride and I could stop worrying about the boathouse that seduced us half a decade ago! The foundation had been restored. The structure had been restored. And now the roof had been restored. Life was good…

    Perhaps we were too pleased? Perhaps hubris slipped into our homeowner psyche’s? Perhaps. Or perhaps nature’s far more powerful and far more fickle and unpredictable than we can possibly imagine. I’ve commented elsewhere that nature is a formidable foe and a loyal friend. I genuinely believe this, and yet this spring has reminded me that a boathouse built on a pier in the waters of a lake is not natural. It is a valuable architectural artifact. It is an indulgence. But it is not natural. And despite my resolve to balance my lifestyle with healthy stewardship of the natural environment, I never before stopped to contemplate how unnatural this structure really is. Although I’d likely discourage construction of a new albeit similar structure in fragile habitat like Lake Champlain, I never once stopped to consider Rosslyn’s beautiful boathouse a violation of nature because it already existed. It’s part of the architectural heritage of Essex, NY. In fact, we felt a responsibility to restore the boathouse. Indeed I still do, despite my newfound recognition that it contradicts my conventional bias.

    Life is complex, and contradictions are everywhere. I don’t pretend to know all the right answers, nor even very many of them. But I’m beginning to suspect that the silver lining of Lake Champlain’s destructive flooding this spring is that I’ve been forced me to recognize and grapple with the contradiction in preserving Rosslyn’s boathouse despite the potentially adverse environmental impact. It has reminded me that conviction is handy but not infallible, that conviction must be balanced with questioning and humility.

    So, I’m finally flood proofing my optimism! I’m still soggy and still anxious about the waves rolling through the interior of the boathouse and crashing against the rapidly eroding bank supporting Route 22, but I’m beginning to see that the glass is half full after all. And Lake Champlain? It’s still overfull!

  • Need a Hand?

    Rosslyn boathouse and dock section
    Rosslyn boathouse in distance, upended 16′ dock section in foreground

    “Hey!” I looked up toward Route 22 and saw C.G. Stephens climbing over the guardrail. “Need a hand?”

    It was the first time since our boathouse and waterfront had been submerged that anyone had offered assistance.

    “Thanks. I really appreciate it,” I answered. I wanted to run up the hill and hug him, tell him how good it felt to be asked. But I didn’t. I was waist deep in thirty eight degree lake water, propping a portable dock up on the stone terrace to keep it from floating away. “Actually, I’m pretty good now. But thanks.”

    Two sections of aluminum docking had gotten twisted and battered by waves and floating logs, and this morning the larger of the two had been knocked over the lowest stone retaining wall and lay upended on the submerged beach. Because the water’s now over my head on the beach and my waders only reach up to my chest, I had to work carefully from the terrace above the beach, slowly hauling the dock back up, waves and gravity working against me.

    Doorless and flooded Rosslyn boathouse
    Can’t fight nature! Doorless, flooded Rosslyn boathouse.

    Before recovering the docks I waded through the boathouse. We’re no longer able to shut the main door because the water has swollen the bottom half too much to fit in the doorjamb. The water’s now thirteen inches deep inside, covering the first step and part of the second step leading up to the second floor. The two louvered doors leading out to the pier on the lake side had been battered all night by the waves, and the hinges were ripping. The temporary fastener we’d used to secure the doors was gauging the waterlogged wood. I released the doors and opened them wide, holding one side back with a rope and the other side back with a large stone. Now the water is surging through the inside of the boathouse, still tugging the doors against their restraints, but hopefully the damage will be less severe with them open.

    C.G. and I stood on the bank for a few minutes, talking about the water level, the flooding and the beautiful morning. He said goodbye and headed back up to his big pickup truck idling on the shoulder of the road.

    “Thanks for stopping,” I said as he left.

    I took a few photos and headed back up to the house to find my bride.

    “I’ve just had one of those Ah-ha! moments,” I explained. I told her about C.G. stopping and offering to help. “I finally realize what’s been bugging me; nobody’s offered a hand.”

    I’ve been practically morose for the last few days as Lake Champlain water levels climbed and climbed and climbed. I assumed it was just an emotional reaction to watching our dreams and hard work getting swallowed up by floodwaters. An investment under water. After all, it was the boathouse that had pulled my imagination ever since I was a boy. It was the boathouse that had seduced us and won our hearts each time we visited the house with our realtor. It was the boathouse which had provoked a disproportionate amount of anxiety during renovation, which had posed three years of permitting and engineering and construction challenges, which had drained our coffers and strained relationships with contractors. It was the boathouse that most represented the lifestyle choice which compelled us to leave Manhattan and begin a new life in Essex. It was the boathouse which starred in recent memories of swimming and waterskiing and windsurfing and kayaking with our nieces, nephews, family and friends. It is the boathouse that is celebrated by local artists in exhibition after exhibition. It is the boathouse that adorns postcards and book covers and brochures and newspaper articles over the last hundred years. It is the historic boathouse that was resuscitated by the inspiration and perspiration of so many people over the last few years. Obviously watching the water swallow it up is unnerving. And waking up in the middle of the night, hearing the wind, worrying that the waves will unleash a floating log like a battering ram against the walls or the columns or the railings…

    But three words, “Need a hand?”, illuminated the lightbulb for me. Literally hundreds of friends and strangers have stopped to photograph the submerged waterfront and boathouse. Emails, Facebook messages, Twitter tweets and photographs have flooded in. Sincere condolences and flip observations have lightened the mood. Even a few aesthetic and philosophical reflections have attempted to reframe the scenario. “But until C.G. stopped, nobody’s offered assistance. Is that strange to you?”

    My bride listened. She agreed. She’d noticed the same thing.

    “And, CG, though I’ve known him for at least twenty years, maybe more, isn’t even a particularly close friend. He’s more of an acquaintance, not somebody I would’ve bothered with a request for help.”

    Susan told me that on Friday night over pizza at Dogwood, one of her closest friends had dismissed the flooded boathouse with a cavalier, “Oh, you can always rebuild it.”

    Right. We can always rebuild it.

    Rosslyn boathouse with Kestrel
    Rosslyn boathouse with Kestrel

    Only, we can’t. Rosslyn’s boathouse is historic, built most likely in the late 1800s. It is a part of the historic architectural heritage of Essex, NY. History can not be rebuilt. It can be replaced with a facsimile.

    Only, in the case of Rosslyn’s boathouse, it probably could not. Having been through the complex, multi-authority permitting needed for our original rehabilitation of the boathouse, I can say that if it were dismantled beyond repair, it is very likely that we would not be granted permission to rebuild it. New structures of this sort in the Adirondack Park have been disallowed for many years, and depending on the degree of damage to the structure, rebuilding is not a foregone conclusion.

    And even if it were, the time, labor and material resources alone would be prohibitive. Flood insurance has not been an option. It is a boathouse after all. And even though there is absolutely no historic precedent for Lake Champlain to flood this high, insurance does not offer the safety net that it might for our house or carriage barn.

    And then there is the human capital that it took to rehabilitate this structure. Mine. My bride’s. Several engineers. Between three and four dozen contractors, carpenters, laborers, painters and landscapers. Literally thousands and thousands of hours. Sweat and patience and dreams. People working in some of the most challenging conditions — forming and pouring concrete in freezing water; steel construction in snowy, windy winter; roof shingling and copper flashing in scorching summer — to save and restore a building that has greeted Essex residents and visitors for well over a century.

    In other words, we can’t “just rebuild it.” And the notion that a close friend who witnessed Rosslyn’s rehabilitation from beginning to end wouldn’t see that surprised us both.

    Why the self-pitying post?

    Actually, it’s not self-pitying. Or, hopefully it’s not. I realize I’ve flown pretty close to the woe-is-me frontier, but I’ve tried to stay out of the No Fly Zone. I’m not asking for pity. Frankly, I’m not asking for a hand. Not yet. I’m keeping my fingers crossed and my psychic energy focused like a laser beam on dry, windless days until Lake Champlain’s water level drops two feet.

    We’re resilient. A boathouse is a luxury, a folly, a non-essential, but we’re confident and optimistic that our funny little building on a pier in Essex will endure the flood, take on a handsome weathered patina and slip soon into the realm of “Remember when…”

    So, if this isn’t a self-pitying post, what’s the take-away? If you’re a corporate speak aficionado, the take-away is empathy trumps apathy. Every time. And consider offering a hand when your friends might need it, even if you think they’ll decline, even if you’re not sure how you can help. Intention needs no translation.

    On that note, if you’re anywhere near Essex, NY or Westport, NY consider offering a hand to the Old Dock Restaurant, Essex Shipyard & Rudder Club, Essex Marina, Normandie Beach Resort, Westport Marina and Camp Dudley. All of them are coping with Lake Champlain flooding, and even if they decline your offer of assistance, I suspect they will be genuinely flattered that you offered.

    And, to close on a less preachy note, here are some of the more unique messages that I’ve received over the last few days:

    • “Global warming.” ~ Charlie Davis
    • “People pay a lot of money to have an indoor pool… I hope it’s heated.” ~ Michelle Rummel
    • “I got some great photos with the ducks swimming by, though. It’s all in the name of art…” ~ Catherine Seidenberg
    • “So sorry about your boathouse! Those pictures were so beautiful and so sad!” ~ Elena Borstein
    • “Maybe you can start your own ferry service – is it time to ski to Charlotte?” ~ Bobbi Degnan
    • “I suppose the bright side is that you can fish inside it…” ~ Paul Rossi
    • “I am all for starting a nice water taxi service, the Venice of the Adirondacks…” ~ Linda Coffin
    • “Still a beautiful boathouse even underwater.” ~ Matilde Busana
    • “Let’s all move to Flagstaff!” ~ Chris Casquilho
    • “I always thought it would be cool to live in that boat house with the lake and all… never quite meant it so literally though…” ~ Kevin Cooper
    • “Sad. But maybe there’s a children’s book there?” ~ Amy Guglielmo
    • “George is using him mind control on the lake. Watch it recede as he uses his awesome powers.” ~ Kathryn Cramer
    • “Heck, Catherine and I canoed through your boathouse today… We were very careful!” ~ Tom Duca
  • Hazy Days Haiku

    Hazy Days Haiku

    I’d planned on getting the drone up in the air for some aerial photography of the waterfront and deck areas (where we’re planning some maintenance projects). As luck would have it the morning was misty. No, more like pea soup. So I waited. And waited. It burned off a little, but finally I realized it wasn’t going to clear up. I decided to find out what I could photograph despite the less-than-optimal conditions.

    The results were not as useful as I’d hoped, but also considerably more interesting than anticipated. More dreamy and evocative. More dramatic. More romantic. In short, a win!

    Sometimes it’s just a matter or pivoting priorities, right?

    Hazy Days Haiku

    Lazy, hazy days,
    midsummer lakeside mornings,
    deciduous daze.

    At moments like this that I surrender to poetics. To place. To the poetics of place.

    Sometimes poetry and artful images speak more clearly, even more truthfully, than all the analytic blather we’re want to rely upon. Sometimes it’s worth stepping aside and allowing the simplest of ideas and images to tell the story. 

    Here’s one of the photographs that speaks volumes to me. Hope it says a little something to you as well!

    https://www.instagram.com/p/CSWsTAdrIuU/

    I find that aerial photography (and drone imaging in general) often deliver surprising results. The perspective is often surprising. As is the beauty. The almost tannic inkyness of the foreground waters (where Rosslyn’s boathouse extends east into Blood’s Bay). The shoreline connection to Lake Champlain‘s Adirondack Coast is as compelling as the relationship to the Adirondack Mountains (and Boquet Mountain in particular) is this hazy midsummer “eye in the sky” snapshot.

  • Snow Falling on Cedar Shingles

    Snow Falling on Cedar Shingles
    Snow Falling on Cedar Shingles

    A parting glimpse of the boathouse blurred beyond veil of soggy snowflakes. Southwestern sirens are calling me away — by ferry, airplane and rental jalopy — so I leave the homestead in the able care of my bride and my dog for a few days. I’m willing deep drifts of powdery snow upon my return!

    By the way, if “snow falling on cedar…” rings a bell, there’s a reason why: an amazing novel, Snow Falling on Cedars, by David Guterson. Read it. You won’t regret it. But don’t waste too much time trying to decipher the similarity between the title I used for this snapshot and Guterson’s. No hidden meaning. Just a descriptive reference to Rosslyn’s boathouse roof which received a new shingle roof a couple of summers ago.

  • Boathouse Illustration Revisited

    Boathouse Illustration Revisited

    Back on March 28, 2022 I shared a whimsical watercolor illustration of Rosslyn's boathouse including some of the process. At the time I conceived of the exercise as a way to exercise my rudimentary watercolor abilities while enticing the universe to hasten the spring-to-summer transition.
    Revisiting my mid-March boathouse illustration as a black and white watercolor. Aaahhh… the magic of digital! (Source: Geo Davis)

    Back on March 28, 2022 I shared a whimsical boathouse illustration including some of my creation process. At the time I conceived of the exercise as a way to exercise my rudimentary watercolor abilities while enticing the universe to hasten the spring-to-summer transition. Verdict is out on whether or not my efforts wooed the universe. But the practice was a pleasure, and I’m resolving to make time for more watercolor illustrations this autumn and winter.

    You can click the back/forward arrows in the original Instagram post below to see some of the pre-finished phases.

    https://www.instagram.com/p/Cbqit9bOz6P/

     

    B&W vs. Color Boathouse Illustration

    So why revisit this potently pigmented image with achromatic ambitions?

    I’ve been experimenting for about a decade with black and white as a visual storytelling medium (carpemidlife.com and @carpemidlife). It’s part of a larger project stretching my comfort with creative risk — in poetry, essay, and storytelling and in photographs, collage, illustration, mixed media mashups, and even a little bit of video — as a way to repurpose midlife malaise into midlife motivation. One of the early decisions I made for focusing and structuring the project was restricting all image-making (and writing, for that matter) to black and white. We live in an era of magnificent digital imaging, stunning verisimilitude, oversaturated colors, and a panoply of intelligent filters, algorithms, etc. to augment reality.

    Make no mistake. I’m profoundly grateful to experience these magnificent modern advances in image making, but I find myself missing the granularity and character of the analog world. I explore this more at Carpe Midlife if provoked your curiosity. If not, I’ll return to the present context.

    So often in our sweet sixteen years as the stewards of Rosslyn, I’m drawn to the juxtaposition of old and new. In many respects rehabilitating Rosslyn and making our life here has blurred past, present, and future. History is alive. And similarly much of our quotidian existence is timeless. There’s a whimsical simultaneity of lives and times that infiltrates our lakeside lifestyle. And rather than resist it, I often find it enriching, even entertaining. And so I’ve come to playfully experiment, sometimes renovating that which is vintage or antique. Others times I accelerate aging. Or agelessness. And sometimes these shifts in perspective yield surprising, often refreshing new experiences.

    I was curious to see what might happen by repurposing a colorful new illustration as a colorless facsimile. Stripping away the cheerful colors, what remains? Is it an anemic phantom image? Does the emphasis change? The feeling?

    In my opinion there’s a world of difference between what I notice visually and what I feel internally in response to the black and white boathouse illustration at the top of this page and the color-soaked original below. What do you think?

    Back on March 28, 2022 I shared a whimsical watercolor illustration of Rosslyn's boathouse including some of the process. At the time I conceived of the exercise as a way to exercise my rudimentary watercolor abilities while enticing the universe to hasten the spring-to-summer transition.
    Original boathouse illustration watercolored cheerfully in hopes of hastening grey spring into technicolor summer! (Source: Geo Davis)

    From Boathouse-lust to Wonder-lust

    If you’re a longtime reader and you’re detecting a subtle shift in some of these recent blog and social media posts, you’re not wrong. You’re perceptive.

    There is a shift underway. Like so many whose views and lifestyles have evolved over the last couple of years — pandemic year and post-pandemic year (if we’re bold enough to assume the latter) — Susan and I have new stories to share about Rosslyn. We’re navigating a liminal space that is still unfurling it’s mysteries for us. As we find our way, I’ll share the experience. With a little luck, we will share the experience.

    But for now, I just want to acknowledge that this period of introspection and reflection and significant transition for us is undoubtedly woven into posts like this one. Sometimes familiarity and comfort are exactly what we need. And sometimes wondering and wandering away from the familiar and the comfortable can be just as important.

  • Rosslyn Unplugged

    Building a drystack stone wall at Rosslyn, Essex on Lake Champlain
    Building a drystack stone wall at Rosslyn, Essex on Lake Champlain

    Yesterday, Thursday, May 15, 2009 was windier than a subway median at rush hour. Lake Champlain wind blasts reached 50 mph. The forecast had threatened gusts up to 90 mph. The rain drizzled off and on all day, but the fellow building the stone wall near the mud room stuck it out and got the job done.

    This morning my bride interrupted me, frantic. She could only see one wind surfer on the on the boathouse dock. There had been two. Could the wind have blown it away? Possible, I supposed aloud, but unlikely.

    I headed down and discovered that the older, larger Mistral sailboard was gone. Scanning the shoreline I spied it some two hundred feet north of the boathouse smashing against the rocks in heavy waves.

    I couldn’t believe it. The wind had lifted it off the pier and deposited in the lake where it drifted until washing ashore. The wind! It’s a “vintage” sailboard at least a decade old. Huge. Heavy. A veritable aircraft carrier…

    Yet there it was, getting splintered against the rocky shoreline.

    I made my way north and climbed across the rocks. It was banged up pretty well, but still usable, though I figured it might be time to re-purpose it as a standup paddleboard.

    I retrieved the board and made my way precariously back to the dock house, struggling to control the board in the still gusty wind. I was nearly blown off my feet several times before making it to the lawn.

    Susan met me at the waterfront, and together we stored the Adirondack chairs inside the boathouse. I lashed the louvered doors shut because they’d blown open and wedged the sailboards in beside the chairs. The building moaned and the windows rattled against the wind gusts.

    We headed back up to the house holding hands. The internet/television cable dangled from the pole where it had snapped and we counted two immense ash trees that had been knocked down in woods to the north of our front lawn. Leaves and branches were strewn all over the deck, driveway and lawn. An apple bough laden with blossoms lay on the grass.

    After 24 hours our internet service was still down so I called the local company again for an update. A day later I showed the technician the dangling line. He’d been looking for about half an hour, walking around and using the hydraulic cherry picker on his van to lift him up for in-air surveillance on both sides of the road.

    “Oh, sure enough. There’s the problem,” he said.

    There’s the problem…

  • Contemporary Vintage Boathouse

    Vintage boathouse postcard? Or not? (Source: Geo Davis)
    Vintage boathouse postcard? Or not? (Source: Geo Davis)

    Is this a vintage postcard or a recent photograph taken from the ferry dock in Essex, New York?

    If you guessed that the image is contemporary, you’re right. It was taken on 29 May 2017. Born a moody, slightly fuzzy phone shot but reborn a tango dancing, filter-upon-filter-upon-filtered vintage postcard wannabe. Or something…

    SaveSave

  • Recovering from Irene

    Rosslyn boathouse after Hurricane Irene
    Rosslyn boathouse after Hurricane Irene

    Much of the North Country is still recovering from the devastation wrought by Hurricane/Tropical Storm Irene. Four weeks on, I return to the notes I jotted during and shortly after Irene passed through Essex, New York.

    A sheet of water cascades in front of the parlor windows. I’ve sunk into an armchair to watch the white caps rolling into our stone seawall. Into the dock beneath Rosslyn boathouse. Wind surges, thrashing and straining the leafy limbs of the gnarled old maple tree on the front lawn, violently snapping the boathouse flag.

    Hurricane Irene has been delivering a less devastating blow to the Northeast than originally anticipated, and yet our lawn is littered with branches, entire tree limbs and even the top half of an Aspen which snapped off next to the carriage barn. Lake Champlain‘s water level has risen dramatically, gobbling up the sand beach and lapping at the stone seawalls currently being rebuilt north of our boat dock.

    I initiated this post during the worst of Irene’s wind and water, however I quickly abbreviated my commentary. My mind flashed back to Lake Champlain’s destructive spring flood. I grew superstitious, my premature relief that Irene had taken it easy on us replaced by dread that I was underestimating her impact.

    The next day I continued my observations after a demoralizing round trip to Plattsburgh. My suspicions had been confirmed. We were lucky; others unlucky…

    The day started well enough. Clearing skies. Sunshine. Only a light breeze, virtually imperceptible after yesterday’s 65mph gusts.

    I checked the waterfront, noted the dramatic rise in water level then celebrated the absence of damage to the boat house. I walked the lawn and counted about a dozen broken limbs strewn over the grass. The top third of an aspen tree had snapped off and lay crushed to the south of the carriage barn. But no serious, unrecoverable damage.

    My sunny disposition clouded briefly upon finding 27 bags of ready-mix concrete that had been left uncovered by the fellow rebuilding the stone seawall. All had been soaked and were now petrified, unusable.

    Nevertheless, I departed for Plattsburgh relieved that we’d escaped virtually unharmed.

    This is where my notes end. The day would force me to recalculate my earlier conclusions. Yes, Susan and I had been fortunate. Rosslyn had been virtually unscathed by Irene. But many of our neighbors in Whallonsburg, Willsboro and Wadhams and throughout the Champlain Valley were underwater.

    Normally I’d drive through Willsboro, up and over Willsboro Mountain and then pick up “The Northway” (NYS Route 87) north to Plattsburgh. But I’d already heard that roads were closed beyond Willsboro, so I turned south toward the ferry dock to try another route. Our Town Supervisor was directing traffic at a road block, so I stopped and rolled down my window.

    “What a mess. Roads are closed everywhere.”

    “Can I get to Plattsburgh?”

    “Route 12 is the only access to The Northway.”

    “Toward Lewis? That’s fine.”

    “Would you show those folks how to get to Meadowmount?” she asked, pointing at a car with out-of-state tags that was parked across from the Masonic Hall.

    “Sure.”

    “Good luck!”

    I pulled in front of the car and parked. I introduced myself to the driver and explained that they could follow me to Meadowmount. They were grateful.

    With 20/20 hindsight I should have realized that I would need to take Route 12 to the Lewis exit on the Northway and then cross over and lead them into Meadowmount from Betty Beavers Truck Stop. But there are a half dozen local routes between Essex and Lewis that would be quicker. It never occurred to me that all of them could be flooded.

    They were. And over the next thirty minutes I tried every one only to be stopped at road blocks or unmarked, submerged roads. Staggering. But most heart breaking of all was Whallonsburg, a hamlet of Essex a couple of miles inland from Lake Champlain. The Boquet River flows directly through the middle of Whallonsburg and it had flooded so high that five or six houses along the river were totally inundated. A couple of homes had water up the the second story windows! Emergency services had been set up at The Whallonsburg Grange, and volunteers were directing traffic and assisting displaced residents.

    I would revisit this heartbreaking scene the following day during a bicycle ride assessing the damage all along the Boquet River corridor. By then the water had retreated and residents were dragging furniture and carpets and clothing and books and appliances out onto their yards. Over the next couple of days enormous dumpsters were filled with the destroyed possessions. During my most recent conversation with a friend who lives in Whallonsburg I learned that at least one and maybe more of the homes were condemned. Despite the devastation, it’s been heartening to experience the community spirit and volunteerism that have resulted. The community has pulled together to help the residents effected by Irene with a fundraiser (Good Night, Irene) and countless hours of volunteerism.

    Still trying to absorb the depressing situation in Whallonsburg I proceeded to attempt one road after another. And it seemed that with each “dead end” our entourage collected another vehicle. In due course our entire caravan made it out to The Northway, hopefully in time for one of the cars to make it to the airport without missing their flight. At Betty Beavers I got out and explained to the first car how to get to Meadowmount and offered them my card in case they got stuck. Only a few days later I received a gracious email from them explaining that they made it safely to the music school where their son had studied some years prior.

    I mention this detail for the same reason I explained the community recovery efforts in Whallonsburg. Irene’s proverbial silver lining may be the humanizing influence. People connecting and helping one another. This was also the case last spring when Lake Champlain flooded its banks for weeks on end. In both natural disasters the disruption and destruction were catastrophic, but in both cases effected communities rallied and supported one another. This civic responsibility, this community spirit underpins the attractive North Country lifestyle that has embraced us since moving from New York City to Essex in 2006.

    In closing, the photograph at the top of this post was taken after Lake Champlain’s water level rapidly rose due to the runoff from Irene. Although it pales in comparison to the water levels last spring, it was surreal to watch our beach disappear as water levels returned to typical spring levels.

  • Rosslyn Boathouse Free from Toppling Ash

    Ash tree undermined by Lake Champlain flood
    Ash tree undermined by Lake Champlain flood

    Remember the Lake Champlain flood? The good news is that flooding is abating. Rapidly. In fact the water’s “fallen” to normal spring flood stage… Which means that we’re finally catching up on the damaged waterfront, repairing the boathouse, installing docks and boat hoist, etc. You may remember that large ash tree was undermined by the flood and was beginning to topple down over top of the boathouse. Not good. You may also remember that local arborist Mark Sauslgiver decided to install a tension line from high in the tree to the guardrail north of the boathouse. The idea was that in the event the trees roots gave way and the tree toppled, the line would pull the falling tree northward, sparing the boat house.

    I liked the idea. Sounded good. Looked good when I drew a little diagram on paper. But, I’d be lying if I claimed that I was 100% confident it would work. That’s a big tree, and I had a difficult time imagining a static line enduring a fall much less staying taught and pulling thousands of pounds of gravity-fueled ash anywhere other than straight down. On top of the boathouse, the pier, and the railings. But, turns out Mark knew his tension lines.

    Today his crew removed the tree, piece by piece, sending massive chunks of wood down a “zip line” to the curb or New York State Route 22 where they could be cut up and/or chipped. The entire affair was a success!

    I’m deeply saddened to lose a mature, healthy tree that offered much appreciated shade in the heat of summer and served as a charming frame for images of the boathouse. But I am overjoyed that the tree was removed before gravity won. And I’ve been assured that sooner or later it would.

    I’ll add a short video soon!