Time for a progress report on the garapa paneling that will soon embellish the icehouse bathroom. We started out gently easing the edges, but several iterations later we’ve settled on a full roundover. Here’s why…
Garapa Edge Profiles v1.0 (Photo: Geo Davis)
Roundover Rewind
Because the garapa upcycling backstory helps illuminate the decision to edge these boards with a diminutive roundover, let’s rewind the time machine. The garapa we’ll be installing in the icehouse bathroom as paneling began service at Rosslyn back in 2008 as decking, and it served admirably for almost a decade and a half, enduring summer feasts and foot stomping fêtes, winter snow and ice, and all manner of wear-and-tear. Last summer we deconstructed the deck, not because it was failing, but because the TimberSIL substructure was kaput.
Grading Garapa for Upcycling (Photo: Tony Foster)
After dismantling the old deck we sorted out the best garapa decking boards for upcycling; “cherry picked” and inventoried the best-of-the-best material to ensure sufficient linear footage for adaptive reuse in the icehouse; and then began the painstaking process of trimming, re-dimensioning, planing, and grooving the edges that will be conjoined with garapa splines during installation.
A little over a month ago Peter experimented with several profiles. He started by just barely breaking/easing the edge two ways: sand paper and a single pass with a hand plane at 45°. Too subtle. He eased slightly more and then a little more. He also tried a subtle v-groove (two micro-chamfers), and we finally settled on a full roundover. Both the chamfer and round over details were achieved with a handheld trim router and a super small round over bit.
Garapa Edge Profiles v2.0 (Photo: Geo Davis)
Why Roundover?
Why did I make this decision? Because the garapa is repurposed, it is charactered and irregular. Preserving this patina is important to the finished look we’re endeavoring to achieve. A subtle wabi-sabi story is being told not only in the varied lustre and texture of these boards, but also the handworked (ergo slightly irregular) dimensions. When installed there will be some variability in the thickness of the boards. The roundover will create a shadow line while accommodating the slight inconsistency from board to board, and the quarter round profile will be less severe than the 45° chamfer would have been. I’m hoping that it will all come together with a a subtle horizontal linearity that creates cohesion for the well worn wood.
Tony Roundover Edging Garapa (Photo: R.P. Murphy)
Well Worn & Well Worked
It’s worth noting that the age and patina were showcasing with this upcycled lumber has only been made viable through the guidance of Hroth, Peter, and Pam and Tony’s devoted attention and immeasurable hard work over many months. I joke with Tony that he’s investing lots of love into transforming this material. From debris to centerpiece. In the photo above he’s roundover edging boards that he’s literally been working and reworking since last September or October. That’s a LOT of love!
A day after my bride’s “polar plunge” in still frigid Lake Champlain, I’m swimming and drifting in the warm waters of Antigua, enjoying a free ranging conversation with one of my nephews, allowing salt and surf and steel band sounds (drifting intermittently from further up the shore) to exercise the sort of deep relinquishing that comes from knowing a vacation has only just begun.
Before departing Rosslyn I handed off germinating spring starts (broccoli and cucumbers) to Pam along with various vegetable and flower seeds that will be sown before long. Among the latter, thousands of poppy seeds. Always plenty of Red Corn Poppy (Papaver rhoeas aka Flanders Poppy) seeds as well as Shirley Poppy seeds, a cultivar of Papaver rhoeas that reminds me of my mother-in-law, Shirley Bacot Shamel. As my affection for poppies has long since escaped the restraint of manly propriety, I’ll concede that one of my spring fever symptoms is an infatuation with poppy plants, poppy blooms, poppy seed pods. And, in the case of the Shirley Poppy blooms, there’s always the added excitement since variations allow for intriguing surprises.
So a sunset soak with Christoph, gazing back at the oasis that we’ve been fortunate to enjoy as a family for eight years, curiously preoccupied with poppies, and looking forward to wandering the grounds in the days ahead to inspect the vast array of tropical orchids cultivated at Curtain Bluff, it struck me that I needed to explore these connections in a poem. Perhaps a Shirley Poppy poem?
Perhaps, but not today, as it turns out. The words that wanted to be written were driven in large part by a connection to place. This section seems to be headed in an interesting direction, for example.
Upon arriving,
a warm Wadadli welcome,
a breeze mellowed sun,
familiar phrases,
cadence, laughter
lilting,
lulling,
returning us
to the leeward lap
of ease and comfort,
a simple sanctuary
bursting with blooms
and recollections.
A bit decadent and overwrought still probably, but I am pleased to read it aloud.
But where am I hoping to go with this?!?! I can’t seem to see my way from tropical orchids to Shirley Poppy blooms. Nor am I certain that allowing my perennial passion for place, indeed for the poetry of place, to kidnap this still evolving verse is advisable.
Instead I’m curious how place, right now this perfect place nestled unassumingly into the hilly shore of Old Road, as well as the memories conjured by returning here, especially memories of my late mother-in-law, somehow a little more present when we’re here, connect. And why are they bleeding into my anticipation of a bumper crop of poppies back at Rosslyn?
Hhhmmm… Sometimes it’s wiser to admit defeat. For now. But stay tuned; I’ll try again.
I’ve been reflecting a lot on vessels. Crockery, boats, homes, books, relationships, memories. And conditions. Conditions of vessels, the contents they’re asked to contain, and those of us who rely upon them, who contemplate them.
Broken & Unbroken (Photo: Geo Davis)
The vessel above, a burly bowl, reminds me of another, gifted to us by Pam, crafted from a burl collected by her late husband, turned into this delicate work of art by Ron Bauer. Like this one, that handsome sculptural addition to our morning room would appear better suited to straining, than containing. And yet this one, one of the few art and artifacts we retained from our time at the Lapine House, cradles a fractured sculpture. The small, fragile figure once sat on a windowsill in our kitchen.
Haiku
Broken & Unbroken
Discovered damaged, the fragments reassembled in a burly bowl.
Vessel
A tree burl is a boon born out of damage. A luxury born out of injury.
A burl is a strange-looking collection of tree cells, which are called callus tissue. Normally, callus tissue is formed by a tree in response to an environmental injury such as a pruning cut, disease, or insect damage. In forest settings, callus often arises from storm damage that has eroded away or deposited more soil around the tree’s trunk. (Source: Organic Plant Care)
A broken branch becomes a bulging burl destined to become a bowl. A vessel conjured into existence as a celebration of possibility, purity of form, beauty. Not for serving soup. Not for watering our Carley, our Labrador Retriever.
A damaged effigy shaped out of soft stone by will, whimsy, and chisel has — not altogether unlike the tree-turned-art — been injured, been offered an opportunity to become something different, something new. Currently cradled by a vessel with enough voids and gaps to appear useless, incapable of containing very much at all, and yet robust and relevant. Not just beautiful. Practical. A crucible.
Sometimes we call her the air traffic controller — calibrating schedules, inventorying and coordinating and unmuddling messes, managing myriad micros and macros, and multitasking Monday, Tuesday, heck, every day — also installing docks, feeding ducks and songbirds, soliciting bids and perhaps painting clapboard or pruning persimmons, brush hogging meadows, and welcoming travel guests. In short she is all this — air traffic controller, conductor, ringleader, emcee and referee — but also cheerleader, advocate, confidant, colleague, and dear-dear friend.
Primer, Painter, Polymath
Not my first Pamuela Murphy post, and certainly not my last. Susan and I recount our good fortune daily to share in this work, this journey, this life with a woman of such character and integrity, such persistence and problem solving, such strength and kindness. This preliminary piece of poetry is still germinating, still unfurling its precocious fingers and reaching toward the sunlight, toward springtime’s sweet awakening, the promise of a delicate bloom. With luck a clutch of blossoms soon…
Mixed Species Flooring Experiment: character beech and jatoba, a.k.a. Brazilian cherry (Photo: R.P. Murphy)
Repurposing Rosslyn’s icehouse is an ambitious project within a diminutive space. On the one hand, it’s an historic rehabilitation of an obsolescent utility building into a home office/studio with lifestyle perks like a hot tub and firepit. It’s also an experiment in adaptive reuse: reinventing this no-longer functionally relevant building with materials cherry picked from 17+ years of architectural salvage, surplus building materials from several renovations, and a a carriage barn full of lumber harvested, milled, and cured on site from a decade and a half of restoration work in Rosslyn’s fields and forests. There are even a couple of personal objectives woven into the present project, but I’ll hem them in for now do that I can reflect on the mixed species flooring photographed above and below.
You’re looking at two different hardwood species in these flooring samples: beech (this batch has been selected for its “character”, patterned grain) and jatoba (a.k.a. Brazilian cherry). Both of these are surplus remaining from our 2006-9 rehab of the house, and either/both of them *might* find their way into the icehouse. I’ll explain more in due course, but today I’d like to narrow our focus to our preliminary “research”, experimentation with enough whimsy and creative license that it almost feels like playing around.
I’m referring to a sort of exploratory brainstorming, decidedly unscientific experimentation but curiosity-fueled artistic experimentation. The question we’ve begun to explore is what might be possible if we combined dissimilar wood species in the same floor? Could the beechwood and the jatoba hardwood flooring merge into an appealing design element? Would this experiment in combinatorial creativity contribute meaningfully to a unique, cohesive design?
Wondering and wandering into this experiment was made possible by Pam and Tony who pulled stock from storage, arranged patterns playfully, and sent me the photographs to ponder. And while there’s still plenty of experimentation ahead in this little mixed species flooring experiment, the creative cogs have begun to spin…
Sometimes the singing underneath surfaces in a timely manner. Good fortune allows the insights of Kathleen Kralowec to help answer this question. All of the following excerpts are drawn from her article, a wise wander that opens as if I’d written it myself.
This article, I warn you, is itself an experiment: a conscious act of wandering.
Kathleen Kralowec, “Why Artists Must Experiment” (Source: Medium)
Let’s wander a bit with Kralowec.
Recognizing an act as an experiment releases it from a lot of… demands of perfection. The outcome of experimentation is knowledge, and failure is just as valuable as success, because one has expanded one’s awareness of one’s own abilities, one’s deeper ideas, the potential of a media, a process, a genre, an art-form.
And so we play with beech and jatoba, experimenting and exploring, yielding to our curiosity, risking failure, but also possibly failing our way toward success.
Flooring Experiment: character beech (Photo: R.P. Murphy)
Artists must experiment in order to find their way… because there is no other road-map, no other way to discover how best to navigate…
As creatives we must grow comfortable with the prospect of forging our own way, navigating by trial-and-error. Kralowec goes on to propose the notion of a creative/artistic studio as a laboratory. Experimentation — and this encompasses failures as well as success — is fundamental to the creative process. And so Pam and Tony and I plunge headfirst into our laboratory, experimenting, mapping the unknown.
Practice, or rehearsal, is meant to increase precision on an existing pattern of action. Experimentation takes us outside those repetitions, to unexplored territory, untried actions… Experiment is an open door, an invitation to do things that might not work, and its necessary for what we may as well call innovation in the arts.
Jettisoning the familiar patterns, the customary solutions, and the “right way” is liberating, and sometimes a little unnerving. Welcome to the wilderness!
Experimentation allows one to explore the wilderness of one’s own talent and the wilderness of one’s own mind… Sometimes one must let go, enter into the experimental space, give oneself that permission to stumble, in order to advance to the next stage.
Mixed Species Flooring Experiment: character beech and jatoba, a.k.a. Brazilian cherry (Photo: R.P. Murphy)
And stumble, we will. Stumble, I do. Often. But every once in a while, wandering in this metaphorical wilderness of experimentation, we discover something singular, something remarkable.
Extending Kralowec’s notion of art studio as experimental laboratory to our creative practice(s) in general, then it’s incumbent upon us to untether from the familiar, the tried and true, the already discovered, in order to wonder and wander uninhibited, in order to explore and experiment without prejudice and confining assumptions. Not always, of course. And we must be willing to fail. Often. It is this vulnerability combined with curiosity, and with the courage to challenge our constraints and catalyze that curiosity through experimentation into the possibility of discovery.
At this stage we’re still early in our experimentation. Discovery is still eluding us. But our curiosity and our carefree experimentation are raring to go!
https://www.instagram.com/p/CmFsG48OEa4/
Now that we’ve experimented with the beech and jatoba flooring in their raw, unaltered state I have a couple of follow-on experiments I’m hoping to run. Stay tuned!
What wintery wonders shall I share with you today? How about a celebration (and showcase) of upcycled Christmas gifts dreamed into existence by three allstar members of our icehouse rehab team?
Upcycled Christmas Gifts from Pam, Hroth, and Tony (Photo: R.P. Murphy)
[pullquote]These upcycled Christmas gifts are a product and symbol of renewal.[/pullquote]
I talk and I type, but these three creative characters have reimagined and reinvented deconstruction debris into functional art and decor. They transformed a piece of old garapa decking and a handful of icehouse artifacts (uncovered during laborious hand excavation for the new foundation) into a handsome coatrack, and they transformed a gnarled piece of rusty steel back into a museum-worthy ice hook that turns the clock back 100+ years.
Let’s start with the photograph at the top of this post which Pam accompanied with the following note of explanation.
Hroth, Tony and I wanted to wish you both a very Merry Christmas. We came up with the idea to make a coat rack out of repurposed items. The wood is old garapa. I found the spikes in the icehouse during inventory and the hook was also discovered in the icehouse during excavation for the concrete floor/footers. Hroth custom made a handle for the ice hook. We also wanted to add a new hummingbird feeder to the garden outside of the breakfast area. Merry Christmas! — Pamuela Murphy
Perfection! Garapa upcycled from Rosslyn’s 2008-9 deck build and miscellaneous ice hauling artifacts reconciled and reborn as a new coat rack that will greet icehouse visitors upon entering the miniature foyer, and a restored antique ice hook that will be displayed prominently in the main room. Bravo, team.
Upcycled Christmas Gifts from Pam, Hroth, and Tony (Photo: R.P. Murphy)
I was curious how Hroth had fabricated the garapa handle for the ice hook out of old decking boards. It’s so round/cylindrical that it looks as if he’d used a lathe.
Two pieces of garapa laminated together. Started out about a 16 inch because it was easier to run through the table saw. I made an octagon out of it on the table saw, then used the big belt sander… I roughed it up a little bit. Didn’t want it to look too perfect. Then Pam suggested that we take a propane torch to it. Made it look older.
It was a fun project. I still need to seal the wood and the metal. Penetrating sealer works well on metal. It’s sharp… We were thinking you might want to put some corks on the ends… or garapa balls. That was the first thing I thought of. We can certainly do that. — Ottosen Hroth
Carving tiny garapa orbs to install on the spikes strikes me as the perfect way to complete the coat rack so that jackets can be hung without getting spikes. It’ll be a difficult-but-intriguing challenge! There must be some technique for creating a small wooden sphere out of a block of wood. Hhhmmm…
I can’t imagine more perfect Christmas gifts. Their collaboration has rendered layers of Rosslyn history — from the late 1800s and early 1900s when the icehouse was in use, through 2008 when we built the deck that yielded this garapa, to 2022 when the old deck was deconstructed and the icehouse rehabilitation was initiated — into timeless beauty that will adorn the icehouse when it is introduced/revealed next summer. These upcycled Christmas gifts are a product and symbol of renewal. Our gratitude is exceeded only by Hroth’s, Pam’s, and Tony’s collaborative accomplishment.
Upcycled Christmas Gifts (Photo: R.P. Murphy)
Upcycled Christmas Gifts (Photo: R.P. Murphy)
Upcycled Christmas Gift 2022: antique ice hook with handmade handle (Photo: R.P. Murphy)
The flip-through gallery above offers a few more details, and all three (as the two featured photographs above) are documented inside the icehouse with mid-construction backdrops: old studs with new spray foam insulation and new subfloor ready for interior framing and hardwood flooring. It’s tempting to offer tidier or even fancier backdrops, but authenticity prevails. Future decor created from old materials, documented midstream the icehouse’s transformation. Future, past, and present. Concurrent history and hope, a timeless present, an artistic representation of this liminal moment.
Backstory to Upcycled Christmas Gifts
Susan and my gratitude to Pam, Hroth, and Tony is (and obviously should be) the focus of today’s Rosslyn Redux installment, but I can’t conclude without first considering a slightly more amplified retrospective, the backstory, if you will, to the new coat rack and restored ice hook.
Let’s start by rewinding the timeline to 2008-9. Building the new deck and installing garapa decking was the proverbial caboose in a virtually endless train of construction that started in the summer of 2006. (Source: Garapa Decking 2008-2009)
In the photograph below, taken exactly fourteen years ago today, Warren Cross is putting the finishing touches on our first deck build. Although the perspective may be misleading given the still unbuilt garbage and recycling “shed” which today stands directly behind Warren, this is the northernmost extension of Rosslyn’s deck. The stone step (actually a repurposed hitching post chiseled from Chazy and Trenton limestone (aka “Essex stone”) and the rhododendron shrubs are not yet in place either.
But it you imagine the perspective as if you were standing just north of the morning room, looking back toward the carriage barn and icehouse, you’ll be oriented in no time. Oriented, yes, but nevertheless a bit disoriented too, I imagine, as you look upon a carpenter laboring in the snow to scribe and affix the garapa deck skirting / apron that will complete the installation that had began in the autumn with far more hospitable conditions.
Warren Cross completing garapa decking installation on December 22, 2008 (Photo: Geo Davis)
It’s worth noting that Warren, already in his mature years when he worked on Rosslyn with us, not only threw himself into difficult endeavors like the one above, he contributed decades’ of experience and an unsurpassed work ethic that inspired everyone with whom he worked in 2008 and 2009. But there’s an even more notable memory that describes Warren. He was a gentleman. And he was a gentle man. It was a privilege to witness Warren’s collegiality, and Rosslyn profited enduringly from his expertise. But it was his disposition, his consideration, and his kindness that make me nostalgic when I hear him mentioned or when I catch sight of him in photographs.
In terms of memories conjured by this repurposed garapa decking, I should include Hroth’s “research” this past autumn into how best we might reuse the lumber. There was such anticipation and excitement in the hours he experimented and explored. The image below perfectly illustrates the hidden gold just waiting to reemerge from the deconstructed decking material.
Hroth is continuing to experiment with the garapa decking we salvaged from our summer 2022 deck rebuild. I’m hoping to repurpose this honey toned Brazilian hardwood as paneling in the icehouse bathroom. (Source: Upcycling Decking Debris)
Hroth’s discoveries underpin our plan to panel the interior of the new icehouse bathroom with what for a decade and a half withstood the Adirondack Coast elements season after season, and a rambunctious parade of footfalls, barbecues, dog paws, wetsuits, etc. It’s as if the new coat rack exudes the anticipation and optimism that many of us brought to the journey of upcycling the old decking into the new paneling.
And there is an aside that I’m unable to resist mentioning. Pam’s late husband, Bob Murphy, who worked as our property caretaker and became an admired and dearly respected friend, several times removed and reinstalled Rosslyn’s garapa decking over the years — monitoring, triaging, and compensating for the failing TimberSIL substructure. He knew that we would need to rebuild the entire deck soon, and yet he waged a relentless campaign to extend the useful life of the deck as long as possible. I think he’d be proud of the work accomplished by the team this summer, and he sure would have loved being part of that team! And the icehouse rehab would have thrilled him. Needless to say, these upcycled Christmas gifts from Pam and Hroth and Tony also exude Bob’s smile, familiar chuckle, and that mischievous twinkle in his eyes.
And what about that antique ice hook?
I mentioned above an antique ice hook, and the photograph below illustrates exactly what I was referring to. Disinterred by Tony while cleaning out and grading the dirt floor of the icehouse, this badly corroded artifact bears an uncanny resemblsnce to a common tool of yesteryear: the handheld hook. This implement was most often used for 1) grabbing and hauling ice blocks and/or 2) carrying hay bales. The location where this relic was discovered (as well as plenty of examples uncovered by quick research online) strongly suggest that this is an antique ice hook. (Source: Icehouse Rehab 01: The Ice Hook)
Isn’t a beauty? Well, rusty and corroded, but a beauty nonetheless, I think.
Antique Ice Hook, artifact unearthed during the icehouse rehabilitation, 2022 (Source: R.P. Murphy)
The prospect of restoring that ice hook crossed my mind at the time. But it struck me as a challenging proposition given the advanced state of decay. What a surreal transformation from rust-crusted phantom to display-ready relic! It too is marinated in memories, some recent and personal, others vague and distant. In the near rearview mirror are the painstaking efforts made by our team to secure the historic stone foundation beneath the icehouse while ensuring the structural integrity demanded by modern building codes. A labor of loves on the parts of so many. And today we can look back from the proud side of accomplishment. As for the more distant rearview, the antique mirror has succumbed to the influence of time, the glass crazed and hazy, the metallic silver chipped and flaking. And yet we can detect traces of laughter and gossip as blocks of ice were cut from the lake, hooked and hauled up to the icehouse, and stacked in tidy tiers for cooling and consumption during temperate times ahead.
A Glimmer of Springtime
In closing this runaway post, I would like to express my warmest gratitude for the upcycled Christmas gifts above, and for a new hummingbird feeder to welcome our exuberant avian friends back in the springtime. Taken together this medley of gifts excite in Susan and me the enthusiasm and optimism for the coming months of rehabilitation and mere months from now the opportunity to celebrate a project too long deferred and so often anticipated. With luck we’ll be rejoicing together in the newly completed icehouse by the time the hummingbirds return to Rosslyn.
Hummingbird Feeder 2022 Christmas Gift from Pam, Tony, and Hroth (Photo: R.P. Murphy)
Thank you, Pam, Hroth, and Tony for these perfect presents. And thank you to everyone else I’ve mentioned above for enriching this home and our lives. I look forward to rekindling these memories when I hang my coat or my cap up each time I enter the icehouse. Merry Christmas to all!
Stair framing to the loft is complete! (Photo: Hroth Ottosen)
First phase of interior framing (walls for bathroom, mechanical room, coffee bar, and loft floor) was an invigorating milestone in Rosslyn’s icehouse rehabilitation project. And then, installing the loft subfloor helped complete the transformation, visually defining the new spaces. But the most notable triumph during the interior framing phase is the stairway which has dramatically transformed—both visually and functionally—the construction site into a prototypical preview of Rosslyn’s icehouse reinvention.
Stringers level for stair framing to the icehouse loft. (Photo: Hroth Ottosen)
An avalanche of accolades on Hroth and Matt for successfully completing the stair framing to the icehouse loft. Bravo!
Stringers level for stair framing to the icehouse loft. (Photo: Hroth Ottosen)
Of course, skilled carpentry is the foundational ingredient for framing a staircase, but there’s a fair bit of mathematics and geometry as well. And then there’s the question of codes compliance. Lots of precise and inflexible dimensions enduring the safety of stairs!
Stringers cut for stair framing to the icehouse loft. (Photo: Hroth Ottosen)
And all of these ingredients need to be carefully coordinated to ensure successful staircase framing.
Stringers cut for stair framing to the icehouse loft. (Photo: Hroth Ottosen)
In the days prior to framing the loft stairs, confirmations were ironed out with the inspector; three-way meetings between Hroth, Pam, and yours truly reviewed plans, verified field conditions against the plans, checked and double checked everything to ensure that we were all on the same page; and then Pam and I stepped aside to let the carpenters perform their alchemy.
Stringers cut for stair framing to the icehouse loft. (Photo: Hroth Ottosen)
I’ve juggled my photo sequence a bit in this post to keep things interesting, but it’s worth noting that the first photo at the top of the post actually shows the staircase. And then the next for photographs document the process of installing the stringers.
Mid-story landing 100% level for new stair framing. (Photo: Hroth Ottosen)
In addition to the stringers, Hroth reconfirmed that the landing is 100% level, eliminating problems down the road.
Stair Framing to the Loft (Photo: Hroth Ottosen)
Throughout stair framing verifying everything for level and plumb is critical so that micro adjustments can be made as needed.
Stair Framing to the Loft Complete! (Photo: Hroth Ottosen)
Once stringers are secured and sun-treads installed, stair framing is ready for for further structural integration.
Stair Framing to the Loft Complete! (Photo: Hroth Ottosen)
And then, Hroth moved on to framing the tops of the stringers where railing balusters will land. And he’s even begun framing in the built-in shelves.
New bookshelves integrated into stair framing. (Photo: Hroth Ottosen)
Consider that word parade fair warning for where I’m headed. From dovetails to team dynamics, in the twinkling of an eye. At least, that was my plan in revisiting a flood of field notes. Instead my errand evolved into a meandering meditation on admittedly abstract, fairly freestyle associations between durable joinery and team dynamics.
So, if you’re the A-to-Z git-r-done type, this is a good post for you to skip. Probably. Unless you’ve already burned a cord of calories and you’re surfing a dopamine-endorphin wave, in which case this might be just the departure from your daily that the doctor ordered. (The proverbial doctor, not the real doctor.)
But I’m getting ahead of myself. Let’s rewind a few weeks to my sudden and unanticipated decampment from Santa Fe to Essex.
Durable Joinery (Photo: Geo Davis)
Icehouse Intermission
Mission interrupted, more to the point. Icehouse rehab back on ice for a week or two while we regrouped and remapped and, eventually, rebooted. Upon approaching Rosslyn by water — steely skies and surreal snowflakes fluttering occasionally (as if the special effects team had been downsized), an almost empty ferry, a mostly hibernating hamlet hunkering lakeside — mixed emotions roiled within me.
There was a wellspring of anticipation upon returning to inspect firsthand the team’s progress on the icehouse rehab, boathouse gangway, and some painting and tiling maintenance inside our home. There was also the poignant pique of a visit precipitated not by plan or passion but by infelicitous necessity. (Source: Snow Falling on Homecoming)
Three weeks ago this past Wednesday. The following days were invigorating. Encouraging.
By in large, this impromptu return to Rosslyn has been profoundly positive…
[“On the Level“, a poem drafted during my visit, reflects] the reassurance that I’m encountering, the confidence and conviction that are flowing back in after ebbing…
[…]
On the level, there’s plenty of optimism, despite inevitable setbacks. (Source: On the Level)
The progress was grounding, familiarizing myself physically with what I’d been living virtually, witnessing in person the dramatic transformation of this long-held vision into tangible, well built, inviting spaces and floors and walls and stairs and windows and doors. The volumes and the vessel that contains them, defines them, that had been gestating for almost two decades, was at last becoming believable due to the collaboration and teamwork of many.
Durable Joinery (Photo: Geo Davis)
A furtive foray into the curious coalescence of still tender fractures and ruptures that drew me back to Rosslyn (and that continue to disclose themselves each day of my stay, reminders of quaking in recent weeks) but also the durable bonds and the abiding beauty that hold it all together. (Source: Bowtie & Broken Memento)
While it is indeed Rosslyn’s abiding beauty that beckoned us to this property in the first place and her abiding beauty that has buoyed us through years of historic rehabilitation (and personal rehab!), there are times when the border between broken and unbroken blurs and faultiness become fractures. In such cases it is the durable bonds that prevail, that steady the proverbial ship, that hold it all together.
Rarely, I find, does the journey tidily delineate between clear victories and clear setbacks. Ours is a nonbinary and highly subjective adventure, and this midwinter, mid-project hiatus is no exception. Disheartening and challenging, yes, but also an opportunity to acknowledge and to celebrate accomplishment, a notable benchmark on the quest to reinvent a 19th century utility building as a 21st century lifestyle hub on a par with Rosslyn’s gracious home, waterfront, and generous grounds.
In short, there was — and there is — far more to fête than to lament at this juncture.
Durable Joinery (Photo: Geo Davis)
Back to Work & Field Notes
In what’s become a familiar pattern, today’s post was an orphaned draft, initiated as field notes during my recent Essex sojourn, and then adapted into a readout for the team to catalyze our onsite meetings into an actionable scope of work. That part happened. Practical. Necessary. Timely. Now, with the benefit of sufficient remove (for tempering tone and shifting perspective) I’m revisiting those field notes from a more meditative perspective. And yes, my reflection has been fueled in no small part by an obsession with joinery.
Before I go there, guiding you into the mesmerizing maze of my imagination (bread crumbs advised), let’s ground this soon-to-be-ungrounded stream of conscious in the days we spent together as a team. Here are a few excerpts recapping my extended site visit.
We met as a big group and as multiple smaller groups over more than a week. Much was rehashed, brainstormed, problematized, and decided during these encounters, so I’d like to follow up with a readout from our main meeting as well as some of the items that came out independently in my one-on-one followups. Please understand that some of what I’m including may feel like micromanaging or second-guessing skills, expertise, experience, etc. Please accept my apologies in advance, and understand that neither are among my objectives. However the last month has illustrated the downside to having direction and decision-making silo’ed up. By “flattening” the team, I am hoping to shift the focus toward a more collegial, more ensemble oriented approach. We have ample resources in our team (an almost embarrassing abundance of skill, passion, and work ethic!), and I want to make sure that everyone has an opportunity to contribute, to catch problems before they materialize, to learn from one another, and to avoid the bottlenecks and logjams that we can’t afford at this halfway point.
We will continue to rely on Pam, Peter, and Eric as the three leads or “co-captains” with the objective of streamlining on-site decision-making and progress. But I strongly encourage everyone to study the plans, to ask questions, to make suggestions, and to contribute to the collaborative success of the icehouse rehabilitation as we cartwheel toward the finish line.
Although we covered an expansive scope of work during our meetings, I gathered the gist into a detailed outline for everyone to review, edit, and augment prior to our team meeting the following week. In addition to onboarding everyone as a contributing and valuable member of the team while reaffirming a commitment to transparency as we move forward, I also hope to encourage the sort of cross pollination that has consistently defined the high point of this and previous projects.
Our follow-up team meeting fleshed out the scope of work and cemented the near term benchmarks and timeline. We will be able to revisit weekly with an eye to efficient project management, clear expectations, and an emphasis on incubating the sort of collaborative environment that yields the best results and ensures the most enthusiastic comradely. Goals set. Updates as we advance upon these goals.
So that sets the stage in a dry, rearview mirror sort of way.
What it overlooks is the morale, outlook ,and commitment of everyone with whom I met. Shuffling the team and shifting responsibilities midstream is unsettling and disruptive at best. The way this team came together, processed the change, stepped up to new responsibilities, and immediately, resolutely refocused on the new map and timelines was astounding. Confident and optimistic, proud of their accomplishments heretofore, eager to restore forward motion, and laser focused on the tight timeline, elevated expectation, and bountiful challenges. Unwavering. And hopeful that the full team might be reconstituted in the home stretch to finish up strong together, and to collectively commemorate their accomplishments come June.
And this is part of what takes me to the woodworking, and specifically joinery, as a metaphor. Heck, it’s not even just the sorts of joining and conjunction that are foundational to joinery and even carpentry. It’s the millennia old art and artisanry committed to joining, conjoining, and even mending that fascinates me. I’ve waxed on aplenty about wab-sabi, so I’ll sidestep a tangential deep dive now (ditto for Kintsugi.) A tidy touchstone will suffice.
Wabi-sabi (侘寂) is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is “imperfect, impermanent, and incomplete” in nature. (Source: Wikipedia)
Joining, conjoining, and reconjoining. No false disguise, no pretense, no faux facade. Bringing together. Bringing back together. I’m clearly still ill equipped to wordsmith my ideas into articulate or persuasive prose. But I’m working on it. And I’m hurling this half-baked post into the world with the unrestrained wish that it will settle on fertile soil, that it will germinate, and that I will be able to observe and learn how to communicate what it is that I’m discovering, this groundswell of insight that I’m experiencing without yet fully comprehending what it is. Bear with me, and I’ll do my best to interpret the lessons as they are learned.
In the mean time, I will draw in two compelling perspectives that may well shed some light.
Durable Joinery (Photo: Geo Davis)
Joinery as Metaphor
Allow me a moment to weave in a consideration that deftly approaches the idea of woodworking as metaphor.
I am building a file cabinet for my office. It strikes me an apt metaphor for what we do as teachers in the classroom. I begin with a vision, followed by making a clearly developed plan. I gather the materials I will need – examining them for grain, quality, and fit. Each piece is cut just over the requisite length. I use a variety of joinery techniques to assemble the parts. The finished piece begins to take form. From the rough construction, wood is slowly and strategically removed, rounding edges and corners, sanding rough edges and surfaces, slowly revealing the finished shape. I stand back to see what continues to require attention. Final details are attended. Stain is gently rubbed in; varnish is brushed on – rubbed smooth between coats. I stand back and smile, satisfied with a pleasing, useful piece of furniture. — Bill Lindquist, January 3, 2012 (Source: The Purple Crayon)
Teaching. Yes. And team building. Team rebuilding.
Perhaps the following is only tangentially related, though it feels germane.
But I know full well that many woodworkers don’t want to hear about philosophy. What practical value can there possibly be in sitting around thinking about work? Isn’t it better just to roll up your sleeves and get to it?
I believe that this temptation to leave our brains at the door of the shop is rooted in a fundamental misunderstanding of human nature that separates our thinking from our doing…
We are whole beings, and although we have inner and outer aspects (mind/soul and body), we are essentially unities, not dualities… you cannot separate your mind from your body. You can’t put your thoughts and beliefs in one category and your practices in another.
So, why so much thinking and theory from a woodworking publication? Because, reader, you have a mind inextricably connected to those hands. And I am convinced that if we want our work to reflect the fullness of who we are, the why will be just as important as the how. — Joshua A. Klein, September 28, 2021 (Source: What’s With This Woodworking Philosophy Stuff? – Mortise & Tenon Magazine)
Absolutely. (And, as an aside, this reminds me that I’ve been ignoring another orphaned draft about Rosslyn’s 5w’s. Back on the punch list!)
Durable Joinery (Photo: Geo Davis)
At present I’m endeavoring to unweave our recent Rosslyn narrative just enough to re-braid the threads that anew, mending the challenges that have arisen, as if braiding a bridge over troubled water… (Or a bridge graft at the base of a partially girdled tree in Rosslyn’s orchard… Yikes! Mixed metaphors. And so long as I’m hoarding metaphors, what about kintsugi?)
Kintsugi is an ancient Japanese art in which broken pottery is mended with glue and gold honoring and highlighting the cracks rather than hiding them. The belief is the pottery is stronger and more valuable after the breakage and mending. Kintsugi is a powerful metaphor and physical art practice to explore layers of meaning of broken, to look at the pieces in new ways, and notice the ‘glue’ in our lives that assist us to mend, navigate challenging times and keep on going. — Kristin Pedemonti (Source: Mending What’s Broken | Steer Your Story)
The writhing winds are pulling my mind hither and yon, and I find myself too, too deep into this meandering meditation to abandon it. If I’ve lost you, I apologize. Know that we are lost together. But as fellow sojourners we are not idle, waiting for the illumination of morning. Perhaps we’ll stumble upon or quarry in the darkness.
In closing, and I promise you I am, allow me to apologize for this untethered and unedited runaway. More soon, I hope, on mortise and tenons and dovetails, joyful joinery, rejoinery and durable bonds. My imagination is conjuring an intricate scarf joint that conjoins by gathering, by honoring, by encouraging, a meticulously crafted union where stresses are distributed in all directions and resilient when forces challenge. My imagination is ringing with the melody of strengthen, even repairing a strained or failing joint. Join, conjoin, reconjoin…
Hurrah! As of today we’ve begun installing tongue and groove nickel gap (aka “nickel gap” T&G) in the icehouse loft.
Installing tongue and groove nickel gap in the icehouse loft (Photo: Geo Davis)
Kudos to Matt Sayward for initiating tongue and groove nickel gap installation in the icehouse today. With Peter Vaiciulis guiding (and weeks’ worth of prepping, priming, and painting the paneling almost complete) we’ve launched a new chapter in our rehabilitation project. An exciting and long anticipated chapter because it marks the metaphorical skinning in of the preparatory work — sooo much structural and mechanical accomplishment — underpinning the transformation of Rosslyn’s late 1800s icehouse into a 21st century work+play hub.
Tongue and Groove vs Shiplap
Why did we decide to install tongue and groove nickel gap paneling inside the icehouse instead of shiplap as originally envisioned?
Credit goes first and foremost to Eric Crowningshield whose team collaborated on many, many, many linear feet of shiplap during the ADK Oasis Lakeside renovation, a couple of years ago. He encouraged us to consider switching to tongue and groove instead. By milling the paneling with a nickel gap, the finished results are indistinguishable from shiplap but the installation process is improved (and I believe that the structural integrity is also superior.)
In many respects, Matt took the lead installing the paneling on that project as well, so it’s feels fitting to witness him inaugurating this new chapter today. and the results are handsome. I’m looking forward to another day’s progress tomorrow.
Brushed vs Rolled Finish
In related news, Pam salvaged, four cut-offs from Matt’s work to experiment with re-painting solutions to the problem I broached yesterday. One cutting was preserved, as-is with the dimpled (i.e. orange peel) finish resulting from roller nap. The other samples received three different applications: a third coat with stiff bristle brush, a fourth coat with stiff bristle brush, and a preliminary sanding followed by a third coat with stiff bristle brush.
Although my photo failed to capture the textural differences, applying two additional brushed coats of Benjamin Moore White Dove (OC-17) made a significant improvement. So once Matt finishes installing the tongue and groove nickel gap on the east wall of the loft, we will apply to additional coats. Hoping it will look great!
“The way a team plays as a whole determines its success. You may have the greatest bunch of individual stars in the world, but if they don’t play together, the club won’t be worth a dime.” – Babe Ruth
Collaborate. Incubate. Collaboration. Incubation. Potent verbs. Evocative nouns. Language compromised by overuse. Overuse in terms of frequency, but also in terms of overgeneralized application. Genericized. Peppered across erroneous contexts. Trotted out like currency, displayed like ruffed grouse plumage to impress or intimidate. Potency diminished. Evocation enfeebled.
It’s funny how words (especially trendy buzzwords) and the notions they conjure in our minds give us the sometimes overconfident conviction that we understand one another. That we are communicating apples-to-apples and oranges-to-oranges. But maybe we aren’t. Or, at least, maybe sometimes we aren’t. We bob and nod and smile and volley words and ideas back and forth, feeling smug and productive and accomplished. And yet, a cartoonist might draw little thought bubbles above our heads betraying our inner monologues and assumptions and questions, thought bubbles that show a small and sometimes a huge discrepancy between the world collage we’re creating and any semblance of comprehension.
Pamuela Murphy, July 2022: Kudos to the queen of collaborative incubation! (Photo: Geo Davis)
Collaborative Incubation
Collaboration in’t the plug-and-play gizmo we make it out to be. It’s hard work. Immensely rewarding, but challenging. Collaboration demands much of the contributors. Skills. Expertise. Commitment. Followthrough. Respect for one another. Humility. Ambition. Confidence in the potential for a sum greater than its constituent parts… And it requires a willingness to bridle ego in service to the team, a commitment to second personal pride to the potential for collective accomplishment.
Like I said, it’s hard work. But when everything falls into place, the rewards transcend productivity and accomplishment, which are ample and impressive. The ultimate reward is in the doing, in the collaboration itself. Teamwork, well executed, is immensely satisfying in and of itself.
So how do we incubate collaboration?
Bring together good people. Good skills. Good character. Good minds. Good work ethics. But ingredients don’t make a cake no matter how fine the quality, no matter how long you wait. They’re still just ingredients.
A chef combines the ingredients and sets the chemistry in motion. A catalyst as invested and passionate and humble and ambitious as everyone else on the team. A leader. A captain. A shepherd. Successful collaboration usually originates in successful incubation. Let’s call this collaborative incubation. And then let’s invert the words for a moment… You with me?
Incubating Collaboration
If collaboration profits from (and often requires) incubation — and I’m convinced it does — then it’s worth reflecting on the relationship between collaboration and incubation.
Friday isn’t really TGIF for Rosslyn’s icehouse rehab team. For some members of the crew it’s starting time. As their workweek schedule reaches the finish line, their “side hustle” schedule reaches the starting line. So today, as we wind down another Monday-through-Friday and transition into another productive weekend, I’m feeling profoundly grateful to the many men and women who choose to make our work their work. Thank you for transforming our hopes and schemes into brick and mortar reality. With multiple concurrent projects underway at Rosslyn (icehouse, boathouse gangway, leftover deck rebuild projects, and inside the home), and some but not much overlap between them, there are too many individuals deserving thanks to list here. But there in one individual who keeps all of the moving parts in motion. One humble hustler guarantees that everything is progressing, collision-free. One reliable leader supports the entire team while ensuring quality control, upbeat and respectful morale, impeccable communication with Susan and me. I refer to this point person as the “air traffic controller”, and not just for the myriad projects at Rosslyn. She concurrently manages ADK Oasis Highlawn and ADK Oasis Lakeside, as well as the Westport Yacht Club. And we’re only about half of the properties in her portfolio.
I’m referring to Pam Murphy. She’s the glue that holds it all together. She’s the hub at the center of the spinning wheel. She’s the wizard wrangling hundreds of collaborators and plans and materials and deadlines. She’s the friend and colleague incubating collaboration day after day after day. And Susan and I are among the grateful beneficiaries. For years now. No buzzwords needed. Just profound respect for her intelligence, her intuitive interpersonal dynamics, her methodical organization and communication, her curiosity and appetite for learning, her perennial wellspring of energy, her empathy for everyone on the team, her attention to detail, her fierce loyalty to us and to everyone else with whom she works, her morally unambiguous clarity and conviction, and the confidence she has placed in us over the years to reciprocate the trust, respect, support, and affection that she has always given to us.
When I talk about collaboration, collaborative incubation, and incubating collaboration, the thought bubble above my head is a cartoon of Pam accomplishing a dozen tasks at once while she smiles and all of the cartoon figures around her smile along with her!
“Find a group of people who challenge and inspire you, spend a lot of time with them, and it will change your life.” – Amy Poehler
At the root of Rosslyn Redux is a question. What makes a house a home?
Simple question. Less simple answer. More precisely, the answers to what makes a house a home are diverse and possibly even evolving — slowly, perpetually — as we live our lives. What defines “homeness” as a child likely differs as a young, independent adult, nesting for the first time. And our first autonomous forays into homemaking likely morph as we live through our twenties and into subsequent decades, family and lifestyle changes, etc.
Let’s start with a playful poem by Edgar Albert Guest.
Ye’ve got t’ sing an’ dance fer years, ye’ve got t’ romp an’ play,
An’ learn t’ love the things ye have by usin’ ’em each day;
[…]
Ye’ve got t’ love each brick an’ stone from cellar up t’ dome:
It takes a heap o’ livin’ in a house t’ make it home.
— Edgar Albert Guest, “Home” (Source: Poetry Foundation)
If you haven’t read this Edgar Albert Guest poem, I recommend it. And I strongly suggest you read it out loud!
I start with Guest’s insights because they’re thoughtful despite the playful affect. They capture both the breadth and the subjectivity of answering the question, what makes a house a home? And they hint at the protean nature of this inquiry.
Love Makes a House a Home (Photo: Geo Davis)
An Evolving Recipe
Just when I think I’ve narrowed down a reliable recipe for what makes a house a home, I question it. Whether catalyzed by a conversation with another homemaker, exposure to an especially compelling or innovative home, or a eureka moment totally unrelated to “homeness” (recently, sailboat design of 35-50′ sloops), my reliable recipe is suddenly less reliable. It needs a few tweaks. I remove ingredients less essential than previously believed, and I introduce new ingredients. A teaspoon of this, an ounce of that. Season to taste…
The mercurial nature of “homeness” is not really that surprising given the subjectivity of our residential tastes, needs, means, ambitions, and limitations. The rise of a thriving van life culture in recent years offers a healthy reminder of how little is actually needed for many individuals to feel at home. And yet, the proliferation of van life blogs and social media streams celebrate the individuality and subjectivity shaping perspectives on what makes a house a home. Overlanding in a tricked out van, living aboard a wind and water washed boat, or nesting on an anchored spot of terra firma, it turns out that what makes a house a home is profoundly personal.
One of the joys of homeownership lies in expressing ourselves through our surroundings… Most of us can hardly wait to put our personal stamp on our living spaces. It is, after all, part of the process of turning a house into a home. (New England Home)
The process of transforming a house into a home — fixed or mobile — inevitably encounters elements and conditions that shape the nesting process. In other words, our will and whim are only part of the equation.
Once upon a time
this handsome old house
became our new home,
and along with it
almost two hundred
years of backstory,
lives, styles, and lifestyles…
Snipped from my short poem about repurposing Rosslyn into our home, I’m acknowledging the property’s history and preexisting conditions. It’s a nod to inputs outside of Susan and my personal needs and desires. Just as these inherited inputs can be hurdles or challenges, often they introduce character and richness, add depth and texture, and even invest an aesthetic or programmatic cohesion that might otherwise be lacking.
I’ve frequently joked that no detail of Rosslyn’s rehabilitation escaped our fingerprints, [but] much attention was paid throughout to preserving the buildings’ unique heritage. My bride and I were far less preoccupied with our own personal stamp than we were with finding Rosslyn’s personal stamp, her DNA, and reawakening it to guide our renovation. (Reawakening Rosslyn)
I suspect that there’s often an even more abstract but profoundly important force at work in making a house a home. Intersecting our needs and appetites and the preexisting conditions, there exists an ineffable consciousness, even a conviction, that we feel at home. Can it be a sanctuary where we feel safe, happy, calm, nourished, revitalized, and creative? Can the house, as our home, become an oasis nurturing the sort of life that is indispensable to our wellbeing?
House of Dreams: Gaston Bachelard (Source: The Poetics of Space)
I understand that this wonderful old, living and breathing home provides for us in innumerable ways every day. I know that Rosslyn is a house of dreams and daydreamers. And for this I am extremely grateful. (House of Dreams)
This consciousness or conviction is totally subjective and deeply personal. Clearly articulating it can prove elusive. But we recognize the feeling when we’re fortunate enough to come across it. Sometimes the pull can be so powerful that we yield despite logical and practical considerations, and even despite obvious counterindications.
We had joked about how much time and money it would take to make Rosslyn habitable, categorically dismissing it as an investment. And yet it clearly had captured our hearts. If it were our home and not a short term investment, then maybe the criteria were different. Maybe the potential was different. Maybe the risk was different. (We Could Live at Rosslyn)
Many of us have found ourselves in this push-pull between the abiding rules and paradigms we use to navigate most of our life’s decisions and the sometimes conflicting passion we feel for a potential home. Over the last decade and a half that I’ve been trying to understand “homeness” and the curious exceptions that some of us are willing to make when it comes to our homes, I’ve picked the brains of family, friends, and total strangers when opportunities arose. And sometimes when they didn’t! I’ve been struck as much by the overlaps as the distinctions. There do seem to be some almost universal notions of what makes a house a home, and yet a beautiful bounty of unique attributes are at least as important to the individuals creating (and sometimes recreating) their homes.
Personal Mementos Make a House a Home (Photo: Geo Davis)
Vox Populi, An Introduction
Rather than pretending I’ve distilled the perfect formula, I’m going to showcase a relatively random but recent collection of perspectives and opinions gathered from family, close friends, and several contributors to our current projects. That’s right, I’m going to sidestep the tempting trap of defining what makes a house a home in lieu of broadening and diversifying consideration. Or, put differently, I’ll bypass my own bias by crowdsourcing the question.
I reached out a few days ago to a couple people with whom I’ve discussed this topic before. I asked them all some version of the following.
I have a quick challenge-type-question for you. I’m drafting a blog post about “homeness”, and I’ve reached out to a handful of people that I think might offer interesting perspectives. If you have 30 seconds, I’d love to include your thoughts. If not, no worries. No deep thinking. No fancy answers. No pressure. Just a spontaneous, off-the-cuff, candid response to the question: what does it mean to make a house a home? In other words, what transforms a house into a home?
I was so enthralled with the first few responses that I decided to postpone the post in order to solicit even more perspectives. What follows is a fascinating array of responses, starting with several collaborators on Rosslyn’s icehouse project (Tiho, architecture; Hroth and Eric, construction/carpentry; and Pam, project/property management) and Mike, a carpenter who works for us in Santa Fe (as does Hroth, although we’ve been fortunate to have his expertise at Rosslyn as well since July.)
Tiho Dimitrov: What makes a house a home? For me, it’s my books, my guitars, and the odd pieces of art that I own. It’s the art and the books that bring a sense of me or a sense of my spirit. Combine that with the smell of freshly brewed coffee, and you have a home. It’s the imperfections of a place that make it perfect.
Hroth Ottosen: Off the top of my head the difference between a house and a home would be family. But that doesn’t apply to my life. My circumstances are extremely exceptional. I consider my house in Mora, New Mexico my home because I built it from scratch without much help from anybody, and to my own specifications and desires. Not many people can say that. (Later…) While making dinner I thought about what makes a house a home. A name doesn’t hurt. I consider Rosslyn my home right now!
Eric Crowningshield: Home is the place where I feel proud and comfortable being! I joke around saying we are the dream makers because we try to take homeowners’ dreams and turn them into a reality!
Pamuela Murphy: A house is a house, but a home is where the love is. It takes love, hard work, and teamwork to make a house a home.
Mike Hall: To me it it means cozy and comfortable and someone to share that with. This popped into my head because my wife and I are at the Bosque del Apache celebrating our 31 anniversary!
Homegrown Food Makes a House a Home (Photo: Geo Davis)
My next pollees are family members, starting with my beautiful bride (Susan), then on to my parents (Melissa and Gordon), one of my nieces (Frances), one of my nephews (Christoph), and my cousin (Lucy).
Susan Bacot-Davis: It’s easy to see Rosslyn as my home. We’ve invested sixteen years of our life reimagining, renovating, and sharing her. But I learned in Côte d’Ivoire where I lived in 1989 and 1990 that home can be a place very foreign to me. I came to my village wondering how I would ever be comfortable there. I departed almost a year later wondering how I could ever bear to leave. It was my neighbors, my friends and colleagues, my community, and my sense of belonging within that community, not the concrete hut within which I dwelled, that embraced me and made me feel safe and nurtured.
Melissa Davis: I’d say home needs comfortable spaces for you to do the things that you like to do. That means you need to know what those things are! So I need a place to sit and write, draw, type, pay bills, and address Christmas cards. And I need a place for the related “stuff”. And homeness means music in the places I do my activities as well as space to actually do the activities (room for yoga mat, comfortable chair/bed to read paper and books, do crossword puzzles, and drink coffee). House becomes home with enough outdoor space to grow something to eat! Eventually a home has memories throughout it which solidifies its homeness, and that requires people who are important to us.
Gordon Davis: Takes a heap a livin’ to make a house a home. And snacks.
Frances Davis: What makes a house a home in my mind is the few mementos that hold special memories or are sentimental for any reason, which we bring with us to each new place we live in. For example, random mugs collected over the years, or certain books, or even a sweater that we wore after high school grad. Whatever they are, these items carry significance in our hearts and bring our past into whatever new building we’re in to make it our home.
Christoph Aigner: Home is a place that draws people in, a space that makes one feel comfortable and at peace. It is familiar to those who call it home, and it reflects a person’s or family’s values and the life they live.
Lucy Haynes: Bringing the outdoors in – branches, plants. Living things. Also – antiques and pieces that have been used. And enjoyed.
On to friends, diverse personalities with whom we’ve fortunately become acquainted across the years.
Kevin Raines: The word home has it’s roots in the old English word ‘ham’ and means a place where souls are gathered. I like that idea because as a house is lived in it grows rich in memories that welcome and enrich the inhabitants and guests who frequent the structure. Through the gathering of souls space becomes an extension of self, past, present, and into the future.
Lisa Fisher: Home is not the house where you live but your relationship to it. If within the space you feel comfortable, yourself. To be “at home” is to have a sense of belonging — to a place, to the world you have made within it. I think it was Heidegger who came up with the notion of individual worlds, meaning the stuff we surround ourselves with, including ideas and beliefs, but also our physical realm. Homenesss speaks to the human element of habitation: the inhabiting of a space.
Alexander Davit: The stories that are created while people are living there.
Miriam Klipper: House is the structure. A home is all the things you’ve put in it — including memories. By the way, memories include selecting every painting, carpet (remember our visit in Turkey?), crafting the most beautiful house, every perfect detail…
Amy Guglielmo: What makes a house a home? For me it’s comfort and color! Soft natural textures, local art and touches. Softness, coziness, calmness. Always views for us. Aspirational space to dream. And accessibility to community. Beach, pool, recreation. Close proximity to nature. We’re wrapping up designing our new home in Ixtapa, Mexico, and we’re only missing books and games at this point. But I think we nailed the rest!
Roger Newton: Love.
Jennifer Isaacson: Surrounding yourself with things/objects that hold a history and meaning to you.
Lee Maxey: What transforms a house into a home… One word “life”. Living things, people, animals, plants, and any items that support or enhance life. Cooking implements, cozy blankets, music, well read books on a bookshelf, and signs of soul. Today is the 2nd anniversary of my mom’s passing. I have just spent a couple hours going through photos and crying and writing in my journal. One of the things I miss most are the smells. Our smells make a house our home.
Denise Wilson Davis: For me, simply, what makes a house a home is the feeling that love resides there. That, as an owner you’ve put love into it… from the care and fixing to the furnishings and found objects that bring joy or remembrance. Home is an intimacy — a reflection of your heart and creative soul — that welcomes guests and makes them comfortable.
David Howson: This is similar to the saying, “at home”. When one feels “at home”, they mean they feel a certain kind of comfort and peace. One wouldn’t say, I feel “at house”. I fondly remember the first night I stayed at Rosslyn. While it wasn’t my house, you and Susan certainly made me feel “at home”.
Ana June: I think of home as curated and designed. It is a space where your heart is visible in your environment.
I’m profoundly grateful to everyone who offered their quick thoughts. And I was warmly surprised by how many wanted to expand the exchange into a lengthier conversation. So many intriguing notions of “homeness” and personal perspectives on what uniquely distinguish their own living space. Often relationships, shared experiences, and love wove their way into our discussions. I’ve abbreviated this post, and yet I realize that I’d like to dive in a little deeper with many of those I’ve quoted here. With luck I’ll revisit again in the near future.
Pets Make a House a Home: Griffin, April 16, 2012 (Photo: Geo Davis)
Until then, I’d like to weave in one additional thread that I personally consider an indispensable component of our home. Pets.
While Susan is the beating heart around which our small nuclear family orbits, we’ve never been without a dog for more than a few months. For us family and home are intrinsically connected with Tasha, Griffin, and Carley. Although Tasha and Griffin are chasing balls in the Elysian Fields, they remain with us, surfacing every day in our memories and conversations. They’ve left their imprints in the ways we live and play and entertain and in the way that we raise our current Labrador Retriever, Carley. On occasions when our little threesome is temporarily divided, for example this past October while I was away in California while Susan and Carley were in Santa Fe for a couple of weeks, our home felt incomplete. Despite good adventures with good people, Susan and I both acknowledged the voids we were feeling. Our home was temporarily divided. Returning to my bride and my dog instantly made me feel complete once again. So, for us, an important part of what makes a house a home is all of the beings — human and not-so-human (although our dogs differ on the distinction!) —that inhabit and visit our dwelling.
Snow Falling on Homecoming: January 25, 2023 (Photo: Geo Davis)
Today’s ferry ride from Charlotte to Essex — with snow falling on homecoming — tasted bittersweet if vaguely familiar. There was a wellspring of anticipation upon returning to inspect firsthand the team’s progress on the icehouse rehab, boathouse gangway, and some painting and tiling maintenance inside our home. There was also the poignant pique of a visit precipitated not by plan or passion but by infelicitous necessity.
The circumstances of my sojourn need no airing now since, perhaps, the “better part of valor is discretion“. So let’s skip the preamble and fast forward to the purely positive, right?
The cold, blustery ferry ride. The on-again, off-again frenzies of flurries pointillistic-pixelating the watery panorama, the approach to Essex, the desaturated vision of Rosslyn’s boathouse, the almost empty ferry queue, and the entirely empty roadway home.
Hhhmmm… Still shy of the purely positive, but hold tight. It’s coming.
Snow Falling on Cedar Shingles: January 16, 2014 (Photo: Geo Davis)
Snow Falling on Cedar Shingles
That blue-gray veiled waterfront snapshot dates from a post I shared on January 16, 2014. Just over nine years ago. And the title, “Snow Falling on Cedar Shingles“, remanifested in muddled facsimile (snow falling on hemlocks…) as I pulled in the driveway, observing the row of new evergreens planted along the norther edge of the front yard last spring/summer. (Which reminds me, I’ve still not posted those updates. Best get on with it before the one-year anniversary!)
The photo bears a close similarity with today, and this drift of words struck me as uncanny, sort of the mirrored reflection of my sentiments upon arriving today.
A parting glimpse of the boathouse blurred beyond veil of soggy snowflakes. Southwestern sirens are calling me away — by ferry, airplane and rental jalopy — so I leave the homestead in the able care of my bride and my dog for a few days. I’m willing deep drifts of powdery snow upon my return! (Source: Snow Falling on Cedar Shingles)
And this, fair reader, is where the positive uptick begins.
Another whirlwind visit, but rather than a whirlwind away in Santa Fe, it was to be a whirlwind in Essex. I took note of that. Just shy of a decade; a not-so-subtle shift. And then there was that twin allusion to the recently re-roofed icehouse, long since silver-foxed, and to David Guterson’s novel which had moved me then but has slowly vanished like the ferry’s wake resolving back into the surface of the lake. And that transformation from cedars, actually American arborvitae (known locally as “cedars” or “white cedars”) to hemlocks resonated as well.
Snow Falling on Hemlocks
Remembering the micropoem with macropotence. Superpowers.
There was no crow today to catalyze my “change of mood”. There were birds at the bird feeders beside the deck and beneath the leafless gingko tree. And several mallards retrieving fallen birdseed from the snow beneath the feeders. And the new row of hemlocks, similar to the old row of hemlocks on the other side of the property, looked green black beneath their frosted cloaks. But it wasn’t the songbirds, the mallards, or the hemlocks that “saved some part / Of a day I had rued.”
Snow Falling on Homecoming: January 25, 2023 (Photo: Geo Davis)
Snow Falling on the Icehouse
It was gathering with Tony and Peter and Steve inside the icehouse, taking in the awesome transformation from dirt floored shell of a utility building to micro mansion. A soaring one-room wonderland with a loft that thrills the 10-year old still overmuch alive in me. A barn loft with a handsome, homey stair rather than a ladder. A stout rebuild with an airy energy. An icehouse warm against the frosty afternoon despite the fact that no heat was running. A small scale sanctuary for writing and reading and creating the day away.
After meeting with the members of the team on hand I wandered, cold, and snow capping my hat and shoulders around and around, studying sightlines, editing hardscape and landscape plans, evolving furniture plans. After several months away, inspecting and and guiding and absorbing the progress from a digital distance that distorts the approximately 2,000 miles of reality jam-packed between me and the actual timbers and window openings and stair landing that have risen in the empty volume I left behind in September. Virtual reality is not reality. But walking and touching and rapping my knuckles and eyeballing alignments and sitting in a folding chair exactly where my desk chair will be several months from now,…
Snow Falling on Homecoming
This is the uptick. Where I felt tormented and conflicted in recent days, even as the ferry glided across the chilly lake, I now feel swollen with optimism. And underpinning the optimism is profound pride and gratitude for the work that has been completed and to the team who made this possible. Thank you Hroth, Pam, Tony, Eric, Matt, Brandon, Ben, Justin, Jarrett, Bob, Phil, Zack, David, Steve, Kevin, and everyone else I’m inadvertently overlooking. Your hard work and perseverance have begun to transform a vision into a building — an environment for creativity and productivity and entertainment — worthy of the handsome heritage that this historic property deserves. Susan and I are profoundly grateful to you all.
