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Rosslyn Redux – Page 20 – Reawakening a home, a dream and ourselves

Blog

  • What Makes a House a Home?

    What Makes a House a Home?

    What Makes a House a Home? (Photo: Geo Davis)
    What Makes a House a Home? (Photo: Geo Davis)

    At the root of Rosslyn Redux is a question. What makes a house a home?

    Simple question. Less simple answer. More precisely, the answers to what makes a house a home are diverse and possibly even evolving — slowly, perpetually — as we live our lives. What defines “homeness” as a child likely differs as a young, independent adult, nesting for the first time. And our first autonomous forays into homemaking likely morph as we live through our twenties and into subsequent decades, family and lifestyle changes, etc.

    Let’s start with a playful poem by Edgar Albert Guest.

    Ye’ve got t’ sing an’ dance fer years, ye’ve got t’ romp an’ play,
    An’ learn t’ love the things ye have by usin’ ’em each day;
    […]
    Ye’ve got t’ love each brick an’ stone from cellar up t’ dome:
    It takes a heap o’ livin’ in a house t’ make it home.
    — Edgar Albert Guest, “Home” (Source: Poetry Foundation)

    If you haven’t read this Edgar Albert Guest poem, I recommend it. And I strongly suggest you read it out loud!

    I start with Guest’s insights because they’re thoughtful despite the playful affect. They capture both the breadth and the subjectivity of answering the question, what makes a house a home? And they hint at the protean nature of this inquiry.

    Love Makes a House a Home (Photo: Geo Davis)
    Love Makes a House a Home (Photo: Geo Davis)

    An Evolving Recipe

    Just when I think I’ve narrowed down a reliable recipe for what makes a house a home, I question it. Whether catalyzed by a conversation with another homemaker, exposure to an especially compelling or innovative home, or a eureka moment totally unrelated to “homeness” (recently, sailboat design of 35-50′ sloops), my reliable recipe is suddenly less reliable. It needs a few tweaks. I remove ingredients less essential than previously believed, and I introduce new ingredients. A teaspoon of this, an ounce of that. Season to taste…

    The mercurial nature of “homeness” is not really that surprising given the subjectivity of our residential tastes, needs, means, ambitions, and limitations. The rise of a thriving van life culture in recent years offers a healthy reminder of how little is actually needed for many individuals to feel at home. And yet, the proliferation of van life blogs and social media streams celebrate the individuality and subjectivity shaping perspectives on what makes a house a home. Overlanding in a tricked out van, living aboard a wind and water washed boat, or nesting on an anchored spot of terra firma, it turns out that what makes a house a home is profoundly personal.

    One of the joys of homeownership lies in expressing ourselves through our surroundings… Most of us can hardly wait to put our personal stamp on our living spaces. It is, after all, part of the process of turning a house into a home. (New England Home)

    The process of transforming a house into a home — fixed or mobile — inevitably encounters elements and conditions that shape the nesting process. In other words, our will and whim are only part of the equation.

    Once upon a time
    this handsome old house
    became our new home,
    and along with it
    almost two hundred
    years of backstory,
    lives, styles, and lifestyles…

    — Geo Davis, Old House, New Home

    Snipped from my short poem about repurposing Rosslyn into our home, I’m acknowledging the property’s history and preexisting conditions. It’s a nod to inputs outside of Susan and my personal needs and desires. Just as these inherited inputs can be hurdles or challenges, often they introduce character and richness, add depth and texture, and even invest an aesthetic or programmatic cohesion that might otherwise be lacking.

    I’ve frequently joked that no detail of Rosslyn’s rehabilitation escaped our fingerprints, [but] much attention was paid throughout to preserving the buildings’ unique heritage. My bride and I were far less preoccupied with our own personal stamp than we were with finding Rosslyn’s personal stamp, her DNA, and reawakening it to guide our renovation. (Reawakening Rosslyn)

    I suspect that there’s often an even more abstract but profoundly important force at work in making a house a home. Intersecting our needs and appetites and the preexisting conditions, there exists an ineffable consciousness, even a conviction, that we feel at home. Can it be a sanctuary where we feel safe, happy, calm, nourished, revitalized, and creative? Can the house, as our home, become an oasis nurturing the sort of life that is indispensable to our wellbeing?

    House of Dreams: Gaston Bachelard (Source: The Poetics of Space)
    House of Dreams: Gaston Bachelard (Source: The Poetics of Space)

    I understand that this wonderful old, living and breathing home provides for us in innumerable ways every day. I know that Rosslyn is a house of dreams and daydreamers. And for this I am extremely grateful. (House of Dreams)

    This consciousness or conviction is totally subjective and deeply personal. Clearly articulating it can prove elusive. But we recognize the feeling when we’re fortunate enough to come across it. Sometimes the pull can be so powerful that we yield despite logical and practical considerations, and even despite obvious counterindications.

    We had joked about how much time and money it would take to make Rosslyn habitable, categorically dismissing it as an investment. And yet it clearly had captured our hearts. If it were our home and not a short term investment, then maybe the criteria were different. Maybe the potential was different. Maybe the risk was different. (We Could Live at Rosslyn)

    Many of us have found ourselves in this push-pull between the abiding rules and paradigms we use to navigate most of our life’s decisions and the sometimes conflicting passion we feel for a potential home. Over the last decade and a half that I’ve been trying to understand “homeness” and the curious exceptions that some of us are willing to make when it comes to our homes, I’ve picked the brains of family, friends, and total strangers when opportunities arose. And sometimes when they didn’t! I’ve been struck as much by the overlaps as the distinctions. There do seem to be some almost universal notions of what makes a house a home, and yet a beautiful bounty of unique attributes are at least as important to the individuals creating (and sometimes recreating) their homes.

    Personal Mementos Make a House a Home (Photo: Geo Davis)
    Personal Mementos Make a House a Home (Photo: Geo Davis)

    Vox Populi, An Introduction

    Rather than pretending I’ve distilled the perfect formula, I’m going to showcase a relatively random but recent collection of perspectives and opinions gathered from family, close friends, and several contributors to our current projects. That’s right, I’m going to sidestep the tempting trap of defining what makes a house a home in lieu of broadening and diversifying consideration. Or, put differently, I’ll bypass my own bias by crowdsourcing the question.

    I reached out a few days ago to a couple people with whom I’ve discussed this topic before. I asked them all some version of the following.

    I have a quick challenge-type-question for you. I’m drafting a blog post about “homeness”, and I’ve reached out to a handful of people that I think might offer interesting perspectives. If you have 30 seconds, I’d love to include your thoughts. If not, no worries. No deep thinking. No fancy answers. No pressure. Just a spontaneous, off-the-cuff, candid response to the question: what does it mean to make a house a home? In other words, what transforms a house into a home?

    I was so enthralled with the first few responses that I decided to postpone the post in order to solicit even more perspectives. What follows is a fascinating array of responses, starting with several collaborators on Rosslyn’s icehouse project (Tiho, architecture; Hroth and Eric, construction/carpentry; and Pam, project/property management) and Mike, a carpenter who works for us in Santa Fe (as does Hroth, although we’ve been fortunate to have his expertise at Rosslyn as well since July.)

    Tiho Dimitrov: What makes a house a home? For me, it’s my books, my guitars, and the odd pieces of art that I own. It’s the art and the books that bring a sense of me or a sense of my spirit. Combine that with the smell of freshly brewed coffee, and you have a home. It’s the imperfections of a place that make it perfect.

    Hroth Ottosen: Off the top of my head the difference between a house and a home would be family. But that doesn’t apply to my life. My circumstances are extremely exceptional. I consider my house in Mora, New Mexico my home because I built it from scratch without much help from anybody, and to my own specifications and desires. Not many people can say that. (Later…) While making dinner I thought about what makes a house a home. A name doesn’t hurt. I consider Rosslyn my home right now!

    Eric Crowningshield: Home is the place where I feel proud and comfortable being! I joke around saying we are the dream makers because we try to take homeowners’ dreams and turn them into a reality!

    Pamuela Murphy: A house is a house, but a home is where the love is. It takes love, hard work, and teamwork to make a house a home.

    Mike Hall: To me it it means cozy and comfortable and someone to share that with. This popped into my head because my wife and I are at the Bosque del Apache celebrating our 31 anniversary!

    Homegrown Food Makes a House a Home (Photo: Geo Davis)
    Homegrown Food Makes a House a Home (Photo: Geo Davis)

    My next pollees are family members, starting with my beautiful bride (Susan), then on to my parents (Melissa and Gordon), one of my nieces (Frances), one of my nephews (Christoph), and my cousin (Lucy).

    Susan Bacot-Davis: It’s easy to see Rosslyn as my home. We’ve invested sixteen years of our life reimagining, renovating, and sharing her. But I learned in Côte d’Ivoire where I lived in 1989 and 1990 that home can be a place very foreign to me. I came to my village wondering how I would ever be comfortable there. I departed almost a year later wondering how I could ever bear to leave. It was my neighbors, my friends and colleagues, my community, and my sense of belonging within that community, not the concrete hut within which I dwelled, that embraced me and made me feel safe and nurtured.

    Melissa Davis: I’d say home needs comfortable spaces for you to do the things that you like to do. That means you need to know what those things are! So I need a place to sit and write, draw, type, pay bills, and address Christmas cards. And I need a place for the related “stuff”. And homeness means music in the places I do my activities as well as space to actually do the activities (room for yoga mat, comfortable chair/bed to read paper and books, do crossword puzzles, and drink coffee). House becomes home with enough outdoor space to grow something to eat! Eventually a home has memories throughout it which solidifies its homeness, and that requires people who are important to us.

    Gordon Davis: Takes a heap a livin’ to make a house a home. And snacks.

    Frances Davis: What makes a house a home in my mind is the few mementos that hold special memories or are sentimental for any reason, which we bring with us to each new place we live in. For example, random mugs collected over the years, or certain books, or even a sweater that we wore after high school grad. Whatever they are, these items carry significance in our hearts and bring our past into whatever new building we’re in to make it our home.

    Christoph Aigner: Home is a place that draws people in, a space that makes one feel comfortable and at peace. It is familiar to those who call it home, and it reflects a person’s or family’s values and the life they live.

    Lucy Haynes: Bringing the outdoors in – branches, plants. Living things. Also – antiques and pieces that have been used. And enjoyed.

    On to friends, diverse personalities with whom we’ve fortunately become acquainted across the years.

    Kevin Raines: The word home has it’s roots in the old English word ‘ham’ and means a place where souls are gathered. I like that idea because as a house is lived in it grows rich in memories that welcome and enrich the inhabitants and guests who frequent the structure. Through the gathering of souls space becomes an extension of self, past, present, and into the future.

    Lisa Fisher: Home is not the house where you live but your relationship to it. If within the space you feel comfortable, yourself. To be “at home” is to have a sense of belonging — to a place, to the world you have made within it. I think it was Heidegger who came up with the notion of individual worlds, meaning the stuff we surround ourselves with, including ideas and beliefs, but also our physical realm. Homenesss speaks to the human element of habitation: the inhabiting of a space.

    Alexander Davit: The stories that are created while people are living there.

    Miriam Klipper: House is the structure. A home is all the things you’ve put in it — including memories. By the way, memories include selecting every painting, carpet (remember our visit in Turkey?), crafting the most beautiful house, every perfect detail…

    Amy Guglielmo: What makes a house a home? For me it’s comfort and color! Soft natural textures, local art and touches. Softness, coziness, calmness. Always views for us. Aspirational space to dream. And accessibility to community. Beach, pool, recreation. Close proximity to nature. We’re wrapping up designing our new home in Ixtapa, Mexico, and we’re only missing books and games at this point. But I think we nailed the rest!

    Roger Newton: Love.

    Jennifer Isaacson: Surrounding yourself with things/objects that hold a history and meaning to you.

    Lee Maxey: What transforms a house into a home… One word “life”. Living things, people, animals, plants, and any items that  support or enhance life. Cooking implements, cozy blankets, music, well read books on a bookshelf, and signs of soul. Today is the 2nd anniversary of my mom’s passing. I have just spent a couple hours going through photos and crying and writing in my journal. One of the things I miss most are the smells. Our smells make a house our home.

    Denise Wilson Davis: For me, simply, what makes a house a home is the feeling that love resides there. That, as an owner you’ve put love into it… from the care and fixing to the furnishings and found objects that bring joy or remembrance. Home is an intimacy — a reflection of your heart and creative soul — that welcomes guests and makes them comfortable.

    David Howson: This is similar to the saying, “at home”. When one feels “at home”, they mean they feel a certain kind of comfort and peace. One wouldn’t say, I feel “at house”. I fondly remember the first night I stayed at Rosslyn. While it wasn’t my house, you and Susan certainly made me feel “at home”.

    Ana June: I think of home as curated and designed. It is a space where your heart is visible in your environment.

    I’m profoundly grateful to everyone who offered their quick thoughts. And I was warmly surprised by how many wanted to expand the exchange into a lengthier conversation. So many intriguing notions of “homeness” and personal perspectives on what uniquely distinguish their own living space. Often relationships, shared experiences, and love wove their way into our discussions. I’ve abbreviated this post, and yet I realize that I’d like to dive in a little deeper with many of those I’ve quoted here. With luck I’ll revisit again in the near future.

    Pets Make a House a Home: Griffin, April 16, 2012 (Photo: Geo Davis)
    Pets Make a House a Home: Griffin, April 16, 2012 (Photo: Geo Davis)

    Until then, I’d like to weave in one additional thread that I personally consider an indispensable component of our home. Pets.

    While Susan is the beating heart around which our small nuclear family orbits, we’ve never been without a dog for more than a few months. For us family and home are intrinsically connected with Tasha, Griffin, and Carley. Although Tasha and Griffin are chasing balls in the Elysian Fields, they remain with us, surfacing every day in our memories and conversations. They’ve left their imprints in the ways we live and play and entertain and in the way that we raise our current Labrador Retriever, Carley. On occasions when our little threesome is temporarily divided, for example this past October while I was away in California while Susan and Carley were in Santa Fe for a couple of weeks, our home felt incomplete. Despite good adventures with good people, Susan and I both acknowledged the voids we were feeling. Our home was temporarily divided. Returning to my bride and my dog instantly made me feel complete once again. So, for us, an important part of what makes a house a home is all of the beings — human and not-so-human (although our dogs differ on the distinction!) —that inhabit and visit our dwelling.

  • Essex Aerial View

    Essex Aerial View

    Essex Aerial View, by Amy Guglielmo
    Essex Aerial View (Painted by Amy Guglielmo)

    When is an aerial view more than a Google snoop-shoot? When it’s an Essex aerial view painting created by the super clever Touch the Art creator, Amy Guglielmo (@amyguglielmo). And better yet? You can view Rosslyn from the eagle’s perspective…

    Deciphering this Essex Aerial View

    Start with the two large masses extending out into Lake Champlain. The lower, more rectilinear man made peninsula is the Old Dock Restaurant. If you’ve ever arrived in Essex, NY via ferry from Charlotte, Vermont, you’ve seen this red building. A little over a century and a half ago that pier and building were part of the Ross family’s mercantile operations. Today, the Old Dock is a popular summer destination for boaters and locals to grab lunch, cocktails or dinner with an outstanding view of the Green Mountains.

    The second man made peninsula is the Essex-Charlotte ferry dock. See the ferry loaded with cars? It looks like it has just pulled away from the dock. Our ferry offers more than prime Champy spotting. It’s also the way that many commuters (and a handful of local kids who attend schools in Vermont) conveniently cross Lake Champlain a couple of times a day.

    Now let your eyes drift a little further up Amy’s Essex aerial view and you’ll spy a third, smaller pier. That is Rosslyn’s boathouse, the maritime folly that enchanted us back in 2005-6 enough to swap NYC for the Adirondacks. Heck, it still enchants us despite constant maintenance and seasonal flood worries. And the boathouse hammock is a mini vacation!

    Head inland from the boathouse and you’ll discover Rosslyn itself, tucked next to two massive trees, a ginkgo and what I believe is a silver maple (Acer saccharinum). In fact, I’m sitting in the top right room on the second floor right now. Perhaps if you swoop in a little lower you’ll catch me jotting this blog post.

    A little further left of the house are the carriage barn (lower) and ice house (upper) which offer up all sorts of mysteries. But those for another day. Unless you remember three curious artifacts I shared with you a while ago…

  • Rosslyn Boathouse Doodle on a Slate

    Rosslyn boathouse doodle on a slate for Adirondack Art Association fundraiser
    Rosslyn boathouse doodle on a slate for Adirondack Art Association fundraiser

    The Adirondack Art Association in Essex, NY sponsored a creative fundraiser recently. They invited members of the community to transform recycled slate from Rosslyn’s roof into unique artworks to auction off. Dreamed up by Amy Guglielmo following her successful Depot Theatre “sap bucket” art auctions, the slate art auction was an artistic and fundraising success.

    Though I’m not sure how much my goofy doodle of Rosslyn’s boathouse contributed…

    Just thought you would enjoy seeing it. Actually part of a longer term project to create slate doodles of many historic Essex architectural views which is the reason I saved the slate back when we were renovating. One more project for a rainy day!

  • Pileated Woodpecker

    Pileated Woodpecker

    Pileated Woodpecker (Photo: Rosslyn Wildlife Camera)
    Pileated Woodpecker (Photo: Rosslyn Wildlife Camera)

    Larger than life, or at least most of our avian life, the Pileated Woodpecker (Dryocopus pileatus) is a familiar plumage and percussive soundtrack in our Adirondack Coast forest. And often at our suet feeders, even trees in our yard.

    Freaky physics notwithstanding, the poise and drama of this sylvan neighbor stand out among our local bird population. And for the first time one of our wildlife cameras documented one, a mature male pileated woodpecker mid flight.

    Pileated Woodpecker (Photo: Rosslyn Wildlife Camera)
    Pileated Woodpecker (Photo: Rosslyn Wildlife Camera)

    Pileated Woodpecker Haiku

    Drilling and darting,
    my scarlet capped companion
    drums for his dinner.

    Of course, I’ve taken some poetic license, imagined myself into the moment this digital voyeur glimpsed the pileated woodpecker. But it’s a familiar enough sound and sight that I don’t got a moment feel guilty about my imposter poem. Micropoem. Well, maybe a little…

  • Autumn Aura on the Adirondack Coast

    An autumn aura is descending upon the Adirondack Coast. Autumn colors, autumn lighting, autumn sounds (think southward-flying Canada Geese), autumn textures (think crisp leaves eddying and frosted grass underfoot), autumn smells, and autumn flavors…

    Autumn Aura on the Adirondack Coast: Rosslyn's shifts into her rustic autumn wardrobe... (Source: Doug Decker)
    Autumn Aura: Rosslyn’s shifts into her rustic autumn wardrobe… (Source: Doug Decker)

    Thanks, Doug, for snapping that photo above. And for swapping out summer’s lime green sweet potato vines with golden (poetic license?) corn stalks. We’re autumnified! My bride is thrilled.

    Here’s a glimpse of the intermediate phase a couple of weeks ago. The pumpkins, freshly harvest from our vegetable garden, complement those practically fluorescent sweet potato vines.

    Autumn Aura on the Adirondack Coast: Rosslyn's initial transition from summer to fall wardrobe. (Source: Geo Davis)
    Autumn Aura: Rosslyn’s initial transition from summer to fall wardrobe. (Source: Geo Davis)

    Have you noticed that distinctive shift in the North Country atmosphere? It happens every year as the vestiges of summer yield to the advance of winter. There’s a palpable change in the ambience, the mood, the character of the very same facade and yard and early evening that only weeks ago flaunted summery bravado. The tone has shifted. Harvest season. Halloween…

    Autumn Aura on the Adirondack Coast: Rosslyn's initial transition from summer to fall wardrobe. (Source: Geo Davis)
    Autumn Aura: Rosslyn’s initial transition from summer to fall wardrobe. (Source: Geo Davis)

  • A Place Where Stories are Told

    A Place Where Stories are Told

    So let’s get it out on the table right from the start. This evening‘s post is a departure. Something new. And different. I mean *really* different… Let’s start with the title of this post, “A Place Where Stories are Told”, for example. Sounds like Essex, right? And plenty of other places, perhaps. I’ll jump the gun and tell you that it’s the title of a poem (that I’ll be including in a moment) about our fair village. So far, so good. By this point you’re accustomed to verse popping up in these posts. And you’re certainly not unfamiliar with hyperlocal belly button gazing. But there’s a twist. A wrinkle. A peculiarity. This poem, this post, this title are a collaboration — a conversation even — with an artificial intelligence chatbot. “A Place Where Stories are Told” is largely the product of ChatGPT, or more precisely, discourse with ChatGPT.

    A Place Where Stories are Told (Photo: Geo Davis)
    A Place Where Stories are Told (Photo: Geo Davis)

    If that confession threw you for a loop, I’m sorry. Let’s rewind a little bit. I took that photograph above while pulling away from the Essex ferry dock a few hours ago en route to Burlington for dinner with friends. Rosslyn’s boathouse. A place where stories are told. No artificial intelligence. Just the old fashioned, between-the-ears intelligence and location, location, location (a curiously catalytic energy this location provides for storytelling, reminiscing, and pipe dreaming). If it weren’t snowing and below freezing, the three of us probably would be sitting out there telling stories. Instead, we’ll be hunkering at a farm-to-table restaurant in downtown Burlington.

    Mark, the friend arriving from Montpelier, primed the proverbial pump for this evening’s storytelling with a quick quip from the aforementioned AI chatbot. He directed ChatGPT to “say something nice about Westport, New York” where Jim, the other friend joining us for dinner, lives. Here’s how it responded.

    Westport, New York is a scenic and charming town located near the Adirondack Mountains. Known for its beautiful natural surroundings and friendly community, it offers a range of outdoor recreational activities and opportunities to enjoy the beauty of the countryside. With its rich history, stunning landscapes, and friendly people, Westport is a wonderful place to visit or call home.

    ChatGPT

    Interesting. That reads a little like the sort of gormless drivel we’re accustomed to reading in destination marketing and chambers of commerce blurbs. Canned and generic, but accurate. And, I should note, it *is* somewhat surreal that a chatbot can generate accurate drivel.

    Next, Mark asked ChatGPT to compose a poem about Essex, New York. And this brings us to the title of my post, “A Place Where Stories are Told”.

    A Place Where Stories are Told

    Essex, a town so serene and bright,
    Nestled in the hills with all its might,
    Surrounded by beauty, both near and far,
    A place where memories will always be a star.

    From the rolling hills and vibrant trees,
    To the sparkling waters and gentle breeze,
    Essex is a place where one can find,
    Peace, happiness and a sense of mind.

    With its quaint streets and friendly folks,
    Essex is a place where stories are told,
    Of days gone by and memories made,
    In this beautiful town that will never fade.

    So here's to Essex, a town of pride,
    With its natural wonders and scenic ride,
    A place where dreams and memories come true,
    Forever cherished by me and you.

    ChatGPT

    The chat bot excelled with rhythm and rhyme, but it underperformed elsewhere. It’s worth noting that the penultimate stanza is slightly promising, hence my decision to harvest the title from the least contrived and most accurate, meaningful, and compelling sentence.

    Perhaps like me, you’re a little wary of AI dabbling in the cultural and aesthetic arenas. An idea is percolating underneath my tangled mop, but I’m going to sleep on it. Morning might mature my perspective a few shades. And, so, without further ado, I’ll wrap up for the evening, inviting you to contemplate AI chat bots as fellow sojourners. Artificial intelligence offering us an ode to Essex. Thank you, ChatGPT. Thank you, Mark!

  • It’s Not a Bug, It’s a Feature

    It’s Not a Bug, It’s a Feature

    It's Not a Bug, It's a Feature: luna moth (Photo: Geo davis)
    It’s Not a Bug, It’s a Feature: luna moth (Photo: Geo davis)

    Yesterday I made a passing reference to coder jargon when I said that “the bug is beginning to feel like a feature”. (See “Yesteryear or Yesterday?“) I’m not a coder. Never was. Never will be. But I like the way coders think (and sometimes the way they talk.) You may be familiar with the acronym INABIAF or the phrase, “It’s not a bug, it’s a feature“. Its use long ago jumped the software programming border, and today you’ll hear it bandied about in all sorts of curious contexts. Yesterday’s post, for example… 

    An adage too often deployed, too often stretched and distorted, tends to become overly generic. Tends to lose its oomph. I’m guilty, of course. But unrepentant. Chalk it up to poetic license. Or digital graffiti. Or wanton disregard for the sanctity of jargon?!

    Today I’m doubling down. It’s not a bug, it’s a feature. 

    What, you ask, is not a bug? Certainly some of the spunky snapshots I’ve included in this post are bugs. And insects, though I forget what delineates the two.

    When a Bug is Not a Bug

    So many transfixing bugs at Rosslyn, and so little call for their vibrant mugs. Today I change that.

    But what do these fetching flyers have to do with wonky tech talk? I’m working on that. First let’s detour a moment for more versed expertise on the aforementioned phrase.

    WE’LL NEVER KNOW who said it first, nor whether the coiner spoke sheepishly or proudly, angrily or slyly. As is often the case with offhand remarks that turn into maxims, the origin of It’s not a bug, it’s a feature is murky. What we do know is that the expression has been popular among programmers for a long time… (Source:WIRED)

    This article by Nicholas Carr (@roughtype) handily takes up the INABIAF backstory including a bridge deeper into software speak. 

    A standard joke is that a bug can be turned into a feature simply by documenting it (then theoretically no one can complain about it because it’s in the manual), or even by simply declaring it to be good. “That’s not a bug, that’s a feature!” is a common catchphrase. (Source:The Jargon File)

    More insightful, I think, is the embrace (or at least tolerance of) ambiguity.

    It’s not a bug, it’s a feature is an acknowledgment, half comic, half tragic, of the ambiguity that has always haunted computer programming. (Source:WIRED)

    Of course this flies in the face of the stereotypical assertion and aspiration of most coders who express a quasi cultish obsession with purity and absolutes and confidence in the incorruptible virtue of science. 

    In the popular imagination, apps and other programs are “algorithms,” sequences of clear-cut instructions that march forward with the precision of a drill sergeant. But while software may be logical, it’s rarely pristine. A program is a social artifact. It emerges through negotiation and compromise, a product of subjective judgments and shifting assumptions… (Source:WIRED)

    This. From ambiguity to social artifact. Indeed. Pristine aspirations achieve by people-powered processes and resulting in people-powered products. The blurring of reality and circumstance, the possible filtered through the inevitable. Subjectivity and uncertainty and inexactness.

    It's Not a Bug, It's a Feature: rosy maple moth (Photo: Geo davis)
    It’s Not a Bug, It’s a Feature: rosy maple moth (Photo: Geo davis)

    Of Bugs & Ambiguity 

    Yesterday’s bug reference was a lightheartedly dismissive counter to concerns (anticipated but not advanced) about the ambiguity of unreliable, shapeshifting time in my Rosslyn deep dig. While pouring over a decade and a half of detritus that has accrued during our custodianship of this beguiling property I’ve witnessed time’s tendency to blur and become elastic. Memories and even events themselves can become unmoored from their chronological anchors.

    And I was subtly resurfacing an even larger consideration of time and timelessness across the span of Rosslyn’s two centuries. In the case of the capriciously altered boathouse images — a blurred, patinated, age and wear accelerated photograph of relatively contemporaneous provenance — one’s first impression might be to judge the artifact as a time capsule. A voyeuristic glimpse into an earlier time on Rosslyn’s waterfront. Scrolling down through the three images might dissolve the ambiguity despite the absence of dates.

    While grappling with our Rosslyn adventure, I’m struck not only by the ambiguity of time but also of memories and perspectives and opinions. On the one hand, there’s disagreement among the cognoscenti about Rosslyn’s architectural lineage. Colonial, Greek Revival, Federal, Georgian, or an amalgam of two of more architectural periods or styles? On the other hand, Susan and my memories about notable chapters in our own Rosslyn record frequently diverge. Countless conflicting recollections surface in our conversations. When certain things happened. Why they happened. If they happened at all!

    It's Not a Bug, It's a Feature: bumblebee (Photo: Geo davis)
    It’s Not a Bug, It’s a Feature: bumblebee (Photo: Geo davis)

    It’s Not a Bug, It’s a Feature

    I’ve meditated on wavy glass window panes provoking perspective shifts and even paradigm adjustments. I see these flowing lenses as inviting insight as well as intoxication, delivering discernment as often as distortion. And what to make of the potent clarity of art and poetry that can sometimes better translate what facts and artifacts, expertise and authority overlook? Watercolors, for example, can reveal truth more lucidly than photographs. Hand renderings can articulate architecture’s poignance and prowess better than AutoCAD.

    Carr’s conclusion invites us to wonder wider about the possible merits of buggy artifacts.

    The programmer’s “common catchphrase” has itself become a bug, so trite that it cheapens everything it touches. But scrub away the tarnish of overuse and you’ll discover a truth that’s been there the whole time. What is evolution but a process by which glitches in genetic code come to be revealed as prized biological functions? Each of us is an accumulation of bugs that turned out to be features, a walking embodiment of INABIAF. (Source:WIRED)

    And that, friend, is a piece of the puzzle that’s been captivating me for months. My information gathering and analysis and synthesis are rigorous but glitchy. For a long time I aspired to purity, to algorithmic precision. But often yesteryear and yesterday have bled into one another. Often juxtaposed memories mingle and morph, contradictions converge, and dissonance dithers then dissolves. Fragments reveal what we may have missed in the moment. Curiosity and creativity have emerged from the years of quiescence. I’m less and less called to chronicle the past, to husband our history, Rosslyn’s history into some sort of encyclopedic epic. I find myself more and more compelled to reassemble the fragments with an eye to where I am headed rather than where I’ve been. I’m reveling in the playful possibility of reimagining and repurposing these ingredients into a sculptural collage; no, a three-dimensional poem; no, a montage-mobile almost imperceptibly gyrating in the rhythmic breathing of a slowly awakening breeze; no, a lakeside sanctuary braided out of found fragments, aromatic melodies, spring starts, and autumn harvest; no,… A buffet of indecision!

    Back to bugs. I offer you three flying features: a luna moth (Actias luna), a rosy maple moth (Dryocampa rubicunda), and a bumblebee. Perhaps, for now, these will suffice.

  • Ready to Reimagine

    Ready to Reimagine

    Ready to Reimagine (Photo: Geo Davis)
    Ready to Reimagine (Photo: Geo Davis)

    “Change your life.”
    — Rainer Maria Rilke

    Sometimes calamity can catalyze beneficial transformation. Not always. But often. It rarely feels positive during the crisis or even during early phases of the change. Exciting, sometimes, yes, but also scary. Risky. Disorienting. Stressful.

    Ready to Reimagine

    Upon what fulcrum
    rested our reboot
    sixteen, seventeen
    yesteryears ago?
    Double bereavement,
    recalibrating
    vicissitudes, and
    dissonant surfeits?
    All affirmative.
    Decluttered our plans,
    shifted views, triggered
    a tectonic shift.

    Our decision to swap Manhattan for the Adirondack Coast in 2005-6 was an oversimplified solution to a cluster of complex problems. Half baked. Romantic. Quixotic…

    In hindsight, the common denominator was a yearning and readiness to reimagine our life? We shared a vision of togetherness apart, withdrawal and renewal, intentionally reevaluating what was meaningful to us, of creative collaboration. We shared a loosely sketched mission to build a sanctuary for ourselves and for our family and friends. To be honest, there was plenty of naivety baked into the mix as well. And monumental optimism.

    Ours is by no my means a model to emulate. More foolhardy than wise. We’ve been tremendously fortunate, but the journey has not always been smooth. Yet being ready to reimagine, again and again, has served us both well.

  • Makeshift Workshop in Storage Container

    Makeshift Workshop in Storage Container

    Makeshift Workshop in Storage Container (Photo: R.P. Murphy)
    Makeshift Workshop in Storage Container (Photo: R.P. Murphy)

    We’ve dealt with some unique challenges during Rosslyn’s icehouse rehab, and today’s post provides an inside glimpse into one of the workaround. The icehouse is a small building offering limited workspace. And while we’ve been able to take advantage of the carriage barn for workflows that aren’t adversely impacted by the cold, priming and painting thousands of linear feet of interior and exterior finish lumber requires temperature and moisture stability not currently available in the unheated carriage barn, nor outside during a North Country winter. The solution? Meet our makeshift workshop in a storage container!

    Makeshift Workshop in Storage Container (Photo: R.P. Murphy)
    Makeshift Workshop in Storage Container (Photo: R.P. Murphy)

    We rented a pair of 20′ storage containers to supplement Rosslyn’s two outbuildings. One storage/shipping container is effectively functioning as a warehouse storing building materials, especially all of the architectural salvage that Pam and Tony inventoried and relocated from the icehouse early last autumn.

    Makeshift Workshop in Storage Container (Photo: R.P. Murphy)
    Makeshift Workshop in Storage Container (Photo: R.P. Murphy)

    And today you get a glimpse inside the second storage container, presently serving as our temporary paint station. Steve and Kevin did an commendable job of setting up a makeshift workshop in storage container number two. Add some heat, dehumidification, and a couple of hardworking painters, and… tada!

    https://www.instagram.com/reel/Cn0vAzQA64t/
  • Snow Falling on Homecoming

    Snow Falling on Homecoming

    Snow Falling on Homecoming: January 25, 2023 (Photo: Geo Davis)
    Snow Falling on Homecoming: January 25, 2023 (Photo: Geo Davis)

    Today’s ferry ride from Charlotte to Essex — with snow falling on homecoming — tasted bittersweet if vaguely familiar. There was a wellspring of anticipation upon returning to inspect firsthand the team’s progress on the icehouse rehab, boathouse gangway, and some painting and tiling maintenance inside our home. There was also the poignant pique of a visit precipitated not by plan or passion but by infelicitous necessity.

    The circumstances of my sojourn need no airing now since, perhaps, the “better part of valor is discretion“. So let’s skip the preamble and fast forward to the purely positive, right?

    The cold, blustery ferry ride. The on-again, off-again frenzies of flurries pointillistic-pixelating the watery panorama, the approach to Essex, the desaturated vision of Rosslyn’s boathouse, the almost empty ferry queue, and the entirely empty roadway home.

    Hhhmmm… Still shy of the purely positive, but hold tight. It’s coming.

    Snow Falling on Cedar Shingles: January 16, 2014 (Photo: Geo Davis)
    Snow Falling on Cedar Shingles: January 16, 2014 (Photo: Geo Davis)

    Snow Falling on Cedar Shingles

    That blue-gray veiled waterfront snapshot dates from a post I shared on January 16, 2014. Just over nine years ago. And the title, “Snow Falling on Cedar Shingles“, remanifested in muddled facsimile (snow falling on hemlocks…) as I pulled in the driveway, observing the row of new evergreens planted along the norther edge of the front yard last spring/summer. (Which reminds me, I’ve still not posted those updates. Best get on with it before the one-year anniversary!)

    The photo bears a close similarity with today, and this drift of words struck me as uncanny, sort of the mirrored reflection of my sentiments upon arriving today.

    A parting glimpse of the boathouse blurred beyond veil of soggy snowflakes. Southwestern sirens are calling me away — by ferry, airplane and rental jalopy — so I leave the homestead in the able care of my bride and my dog for a few days. I’m willing deep drifts of powdery snow upon my return! (Source: Snow Falling on Cedar Shingles)

    And this, fair reader, is where the positive uptick begins.

    Another whirlwind visit, but rather than a whirlwind away in Santa Fe, it was to be a whirlwind in Essex. I took note of that. Just shy of a decade; a not-so-subtle shift. And then there was that twin allusion to the recently re-roofed icehouse, long since silver-foxed, and to David Guterson’s novel which had moved me then but has slowly vanished like the ferry’s wake resolving back into the surface of the lake. And that transformation from cedars, actually American arborvitae (known locally as “cedars” or “white cedars”) to hemlocks resonated as well.

    Snow Falling on Hemlocks

    Remembering the micropoem with macropotence. Superpowers.

    Dust of Snow

    The way a crow
    Shook down on me
    The dust of snow
    From a hemlock tree
    Has given my heart
    A change of mood
    And saved some part
    Of a day I had rued.
     Robert Frost (Source: Poetry Foundation)

    There was no crow today to catalyze my “change of mood”. There were birds at the bird feeders beside the deck and beneath the leafless gingko tree. And several mallards retrieving fallen birdseed from the snow beneath the feeders. And the new row of hemlocks, similar to the old row of hemlocks on the other side of the property, looked green black beneath their frosted cloaks. But it wasn’t the songbirds, the mallards, or the hemlocks that “saved some part / Of a day I had rued.”

    Snow Falling on Homecoming: January 25, 2023 (Photo: Geo Davis)
    Snow Falling on Homecoming: January 25, 2023 (Photo: Geo Davis)

    Snow Falling on the Icehouse

    It was gathering with Tony and Peter and Steve inside the icehouse, taking in the awesome transformation from dirt floored shell of a utility building to micro mansion. A soaring one-room wonderland with a loft that thrills the 10-year old still overmuch alive in me. A barn loft with a handsome, homey stair rather than a ladder. A stout rebuild with an airy energy. An icehouse warm against the frosty afternoon despite the fact that no heat was running. A small scale sanctuary for writing and reading and creating the day away.

    After meeting with the members of the team on hand I wandered, cold, and snow capping my hat and shoulders around and around, studying sightlines, editing hardscape and landscape plans, evolving furniture plans. After several months away, inspecting and and guiding and absorbing the progress from a digital distance that distorts the approximately 2,000 miles of reality jam-packed between me and the actual timbers and window openings and stair landing that have risen in the empty volume I left behind in September. Virtual reality is not reality. But walking and touching and rapping my knuckles and eyeballing alignments and sitting in a folding chair exactly where my desk chair will be several months from now,…

    Snow Falling on Homecoming

    This is the uptick. Where I felt tormented and conflicted in recent days, even as the ferry glided across the chilly lake, I now feel swollen with optimism. And underpinning the optimism is profound pride and gratitude for the work that has been completed and to the team who made this possible. Thank you Hroth, Pam, Tony, Eric, Matt, Brandon, Ben, Justin, Jarrett, Bob, Phil, Zack, David, Steve, Kevin, and everyone else I’m inadvertently overlooking. Your hard work and perseverance have begun to transform a vision into a building — an environment for creativity and productivity and entertainment — worthy of the handsome heritage that this historic property deserves. Susan and I are profoundly grateful to you all.

  • Icehouse Trim and Clapboard Installation

    Icehouse Trim and Clapboard Installation

    Matt and Supi Trim Icehouse, West Elevation (Photo: R.P. Murphy)
    Matt and Supi Trim Icehouse, West Elevation (Photo: R.P. Murphy)

    Today I’m pleased to post a quick update on the icehouse trim and clapboard installation. Temperate conditions are proving a bonus to this exciting progress. In the photo above Matt and Supi are wrapping up with the new trim so that the Benjamin Obdyke Slicker and clapboard can be installed.

    The unique, vertically-channeled, three-dimensional matrix of Slicker® Classic provides a continuous space for drainage and drying, a thermal break and pressure equalization—eliminating the threat of trapped moisture. (Source: Slicker® Classic Rainscreen – Benjamin Obdyke)

    This is a new product for us, and I’m optimistic that it will benefit the longevity of the cedar siding, which we ordered pre-primed and which we’re painting with two coats of paint (in the “paint shop” storage container) prior to installation.

    Installing Trim, Slicker, and Temporary Window Grounds on Icehouse (Photo: R.P. Murphy)
    Installing Trim, Slicker, and Temporary Window Grounds on Icehouse (Photo: R.P. Murphy)

    In the second photo you get a glimpse of the Slicker installation, an unfortunate color contribution rendering the temporarily green (ZIP System) building even more of an eyesore until the clapboard siding conceals it. Insect screen has been integrated into our installation to ensure that our insect neighbors look elsewhere for comfy accomodations.

    Tony Installing Clapboard on Icehouse (Photo: R.P. Murphy)
    Tony Installing Clapboard on Icehouse (Photo: R.P. Murphy)

    Clapboard (and slicker) in this next photo are progressing up the southern elevation. It’s a pretty dramatic transformation after looking at the glowing green icehouse, a notably incongruous focal point especially when surrounded by snow. We’re focusing on the southern and northern elevations first since they’ll allow for quick progress and fewer challenges.

    Calvin, Tony, and Matt Install Clapboard on Icehouse, North Elevation (Photo: R.P. Murphy)
    Calvin, Tony, and Matt Install Clapboard on Icehouse, North Elevation (Photo: R.P. Murphy)

    Once Calvin and Tony are super comfortable with the icehouse siding installation given this slightly tricky historic rehabilitation (angles, etc. are never quite true) they will tackle clapboard installation on the gable ends. With the hustle and experience of Tony and Calvin — plus oversight from Peter, Pam, and Eric — this next step will advance smoothly. And soon enough we’ll be able to celebrate a handsome exterior.

    Calvin and Tony Install Clapboard on Icehouse, North Elevation (Photo: R.P. Murphy)
    Calvin and Tony Install Clapboard on Icehouse, North Elevation (Photo: R.P. Murphy)

    Eric, Matt, Jarrett, Supi and Peter will continue installing trim boards throughout the rest of the week/weekend (and temporary window “grounds” that will be replaced when the windows and doors arrive) so that the gable ends are ready for clapboard. Stay tuned for updates.

  • Repainting Entrance Hallway, 2023

    Repainting Entrance Hallway, 2023

    Repainting Entrance Hallway, 2023 (Photo: R.P. Murphy)
    Repainting Entrance Hallway, 2023 (Photo: R.P. Murphy)

    A Jeroboam of gratitude to Kasey McKenna and Karly McKenna for their exceptional accomplishment repainting the entrance hallway. It looks superb! The lighting in the picture above doesn’t do justice to the work in progress, nor now that repainting the entrance hallway is complete. Lighting was poor. And the intention was just a quick progress report. Ditto for this next photo.

    Repainting Entrance Hallway, 2023 (Photo: R.P. Murphy)
    Repainting Entrance Hallway, 2023 (Photo: R.P. Murphy)

    But I’ll be snapping some additional photos soon, hopefully with dramatic morning light illuminating the front hallways downstairs and upstairs. Until then, here’s a quick video walkthrough.

     
     
     
     
     
    View this post on Instagram
     
     
     
     
     
     
     
     
     
     
     

    A post shared by (@rosslynredux)

    Flashback to Yellow Entrance Hallway

    Late last August I reflected on the morning light in the front hallway, shared a moody morning photo as well as this warming shot that I took July 8, 2019.

    Morning Light, Front Hallway, July 8, 2019 (Source: Geo Davis)​
    Morning Light, Front Hallway, July 8, 2019 (Source: Geo Davis)​

    The mood and energy of this photograph perfectly conveys the opening moments of the daydream that I relived countless times in [late 2004 through early 2006 during] the extended prologue to our acquisition of this home. Although the interior of Rosslyn’s front hallway was in decidedly rougher shape during our early visits to the house…, I imagined it looking — and even more importantly — feeling just like this. (Source: Morning Light, Front Hallway)

    I accompanied the photos in the post with a haiku, falling back on my Pollyanna confidence that poetry somehow captures what words and lenses overlook.

    Morning Light Haiku
    Mellow morning lites.
    Merry mantequilla lights.
    Durable daydream.
                         — Geo Davis

    Needless to say, I remain a believer in the poetics of place. The following excerpt follows from the same morning rumination.

    When Susan and I decided on paint colors, I pushed for yellow. She wasn’t particularly keen. I no longer recollect what color she desired, but my yen for yellow was quite simply a yielding to this daydream. My imagination had confected a morning vibe that needed to be experienced in reality. Not a particularly compelling argument when horse trading with Susan over design decisions, but I ultimately prevailed. Trim we agreed on early throughout the house. Beach hardwood flooring, the period chandelier and wall mounted lighting, the rug, the art,… all of these were joint decisions. But the yellow walls remain a point of disagreement even now. In fact, we’re considering a change, and given her willingness to accommodate me for the better part of a decade and a half with faint yellow walls in both halls, I’m inclined to yield at last. (Source: Morning Light, Front Hallway)

    And this brings us to the present. Or just before the present when I agreed that it was Susan’s turn to pick a new color since we’re overdue for repainting the entrance hallway.

    Fast Forward to Monterey White

    She sent me this list of preferred colors, carefully chosen to complement the color of the stair treads (Benjamin Moore‘s Clarksville Gray) that lead upstairs (as well as the hallway floor upstairs.)

    Susan's Benjamin Moore Sample List (Photo: Susan Bacot-Davis)
    Susan’s Benjamin Moore Sample List (Photo: Susan Bacot-Davis)

    She had agreed to meet me partway by allowing that the new color not be a complete departure from the pale yellow paint that had lived in my mind for a couple of years and on the walls of both the first and second floor hallways for the better part of a decade and a half. This list represents her compromise. So off to the paint store I went for samples.

    Benjamin Moore Paint Samples (Photo: Geo Davis)
    Benjamin Moore Paint Samples (Photo: Geo Davis)

    The next step was to paint some swatches onto the walls alongside the trim and the downstairs beech flooring.

    Sample Paint Swatches for Entrance Hallway, 2023 (Photo: Geo Davis)
    Sample Paint Swatches for Entrance Hallway, 2023 (Photo: Geo Davis)

    Although I’ve manage to crop out the flooring inadvertently, the swatches still capture the wide range in tones and hues. Here are the swatches on the mid-flooring landing, adjacent to the Clarksville Gray floor.

    Sample Paint Swatches for Entrance Hallway, 2023 (Photo: Geo Davis)
    Sample Paint Swatches for Entrance Hallway, 2023 (Photo: Geo Davis)

    Again, not the best photos, but you get the point.

    It’s worth noting that there was general consensus around Monterey White which is second from the left on the upper row of swatches in the image above. It is the second from the right on the lower row in the preceding photo. You can see that it has some of the warmth of the yellow (albeit without much of the yellow and a generally grayer cast). Here it is in Benjamin Moore’s color chip, adjacent to the Clarksville Gray which we all agreed was an agreeable combination. 

    And the Winner is... Benjamin Moore's Monterey White (Photo: Susan Bacot-Davis)
    And the Winner is… Benjamin Moore’s Monterey White (Photo: Susan Bacot-Davis)

    In the video above, the finished paint job is in fact somewhat reminiscent of the old color. Granted, Pam shot the video on a gray day which and low light. The result emphasizes the gray hue. But several of us, upon watching the walkthrough, commented on how similar it appeared to the previous color. 

    A closer inspection during the cutting in process however captures the significant change.

    Repainting Entrance Hallway with Benjamin Moore's Monterey White (Photo: R.P. Murphy)
    Repainting Entrance Hallway with Benjamin Moore’s Monterey White (Photo: R.P. Murphy)

    I look forward to watching the space fill with early morning sunshine soon. How much will it rekindle the nostalgic daydream? Or will it feel like the departure that Susan has long anticipated? I’ll share an update soon…