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Rosslyn Redux – Page 11 – Reawakening a home, a dream and ourselves

Blog

  • Poetry of Earth

    Poetry of Earth

    I missed my mark — Earth Day, April 22, 2023 — with this post extolling the poetry of earth. It was germinal then, and it remains germinal today (albeit marginally more mature?)

    Sometimes a seed germinates with exuberance, practically exploding into existence as if overcome with the glory of imminent bloom and fruit. Other times a seed lingers dormant — cautious or reticent or simply, inexplicably vigorless — for so long that its potential is overlooked, obscured by the foliage and flowers and harvest of its neighbors.

    And through it all nature’s song endures. Just when we are lulled into torpid tranquility it swells in symphonic crescendo.

    “The poetry of earth is never dead.” — John Keats, “On the Grasshopper and Cricket” (Source: Poetry Foundation)

    Poetry of Earth, May 2, 2010 (Photo: Geo Davis)
    Poetry of Earth, May 2, 2010 (Photo: Geo Davis)

    Often a blog post is sketched out with a few simple strokes that distill the essence for what I expect to write about. A mini map yo I de ate my route. As I develop the post, filling in the voids, perhaps adding texture and color and context, I approach the anticipated narrative scope. Upon arriving at my destination I publish and share. But exploring a preliminary sketch or fleshing out a rough outline sometimes occasionally renders surprises. Wayward adventures lurk in the most unlikely places. I plan to take journey A, but I end up taking journey B.

    And then there are the posts that linger dormant. A seed is planted, but it doesn’t leap to life. Perhaps the ground is still too cold, the earth isn’t sufficiently fertile, or the rain and sun remain elusive. A sketch, an outline, a map. Perhaps even a journey — or several journeys — but they are abbreviated and fruitless. False starts.

    It is wise on these occasions to move on. Maybe circle back in the future. Try again. Or compost the effort that it might fertilize another seed. For this is the wisdom of nature and the gardener. This is the poetry of earth.

    My mind meanders from Pollyanna printemps — nature reaching and bursting, reinvigorating all that withered and laid dormant these frosty days and nights of winter — to autumn’s harvest. Symphonic crescendo and resounding applause. Such success and such succession. Sweet reward and bitter decline. Decadence and decay.

    This seasonal swan song’s poignance is the marriage of expiry and infinity, waning and immortality.

    As when winter succumbs
    to spring’s tender caresses,
    thawing and refreezing,
    thawing and refreezing,
    melting into muddy mess,
    then gathering composure,
    turning etiolated
    tendril toward the sun
    begins to warm, to green,
    toward foliage and
    flower and fruit and… fall.

    The poetry of earth is a consoling refrain. It is a reminder that beginnings end and endings seed new beginnings. Out of the mud, a sprout. From the sprout a life full of wonder and another generation of seeds.

    “The poetry of earth is ceasing never…” — John Keats, “On the Grasshopper and Cricket” (Source: Poetry Foundation)

    Keats’ poem delivers where I have come up short. Perhaps grasshoppers and crickets and birds lend themselves more willingly to the poetry of nature. Perhaps not. Perhaps this still muddled effort is destined for the compost where it’s decomposition will enrich a subsequent effort to compose this song of seasonality that so far eludes me. To convey the tragic beauty, and the profoundly consoling inspiration of the poetry of nature…

  • Stairway Progress

    Stairway Progress

    We turn our gaze upon stairs, a rudimentary machine known as an inclined plane. Yes, I am referring to the triumph of engineering that allows us to easily and almost effortlessly transition between stories. Today we look at stairway progress in the icehouse.

    When ascending or descending a staircase, do you ever consider the structure and finish upon which you tread? The framing is stout and reliable, the dimensions precisely dictated by building regulations and aesthetics, the handrail and head clearance code compliant but also intuitive and comfortable, and the constituent parts so well integrated that they cease to be treads and risers and balusters and become a single element as familiar and user friendly as countless others you’ve trafficked over a lifetime.

    Stairway Progress​ (Photo: R.P. Murphy)
    Stairway Progress​ (Photo: R.P. Murphy)

    Although the structural undergirding for the icehouse stairs has been in place for a few months, the finished staircase is just now beginning to pull the parts together. New stairway progress includes installation of stair treads and risers, and preparation for the riser lights that will subtly illuminate the treads after dark. With half of the staircase complete, attention turns to the treads and risers above the midway landing and installation of scotia molding at the junction of risers and treads.

    Stairway Progress​ (Photo: R.P. Murphy)
    Stairway Progress​ (Photo: R.P. Murphy)

    Baserails, balusters, and handrails will complete the incremental assembly, completing the simple machine which likely go mostly unnoticed after completion. Despite its central location. Despite its vital utility. Its many parts will have become one. And it will be taken for granted. Perhaps. Perhaps not…

  • River Otter

    River Otter

    Exciting news to share. Today while reviewing images from one of our wildlife cameras, I came across this pair of River Otter photographs. Our first sighting ever!

    River Otter, April 26, 2023 (Photo: Rosslyn Wildlife Camera)
    River Otter, April 26, 2023 (Photo: Rosslyn Wildlife Camera)

    Better yet? As you can see, the date stamp is April 26, 2023, my birthday. So I’m choosing to see this rare encounter as a birthday gift from our wild neighbors, from nature, heck, from the universe itself.

    The North American River Otter (Lontra canadensis) is apparently a common resident of these environs, but they’re elusive. I’ve come across their tracks and slides in the snow on frozen streams, rivers, and ponds, but I’ve never been fortunate enough to witness one firsthand. Nor have we captured photos on our cameras until now, so these less-than-perfect images hold special value. And they serve as encouraging evidence that Rosslyn’s wildlife sanctuary is thriving.

    River Otter, April 26, 2023 (Photo: Rosslyn Wildlife Camera)
    River Otter, April 26, 2023 (Photo: Rosslyn Wildlife Camera)

    Rather than fumbling my way forward with a cobbled, secondhand introduction to River otters I’ll defer to a more knowledgeable source.

    The playful North American river otter is well adapted for semi-aquatic living. The mammals have thick, protective fur to help them keep warm while swimming in cold waters. They have short legs, webbed feet for faster swimming, and a long, narrow body and flattened head for streamlined movement in the water. A long, strong tail helps propels the otter through the water. They can stay underwater for as many as eight minutes. North American river otters have long whiskers, which they use to detect prey in dark or cloudy water, and clawed feet for grasping onto slippery prey. They are very flexible and can make sharp, sudden turns that help them catch fish. Their fur is dark brown over much of the body, and lighter brown on the belly and face. On land a river otter can run at speeds of up to 15 miles (24 kilometers) an hour—they can slide even faster. Their playful snow and mud sliding, tail chasing, water play, and snow burrowing activities also serve other purposes—they help strengthen social bonds and let young otters practice hunting techniques. (National Wildlife Federation)

    Many thanks to John Davis for setting and monitoring Rosslyn’s wildlife cameras. It is John’s stewardship and oversight that underpin Rosslyn’s increasingly robust wildlife population.

  • Dock, Boat Lift & Friends, 2010

    Dock, Boat Lift & Friends, 2010

    This morning my friend, Mark, sent me a photo snapped exactly thirteen years ago (where does the time go?!?!) after we launched the dock and boat lift for the start of the boating season. In addition to a timely hint that spring is starting to flirt with summer — a meta metronomic rhythm reminder, if you will — another note struck me: friendship is the common denominator in so many of our Rosslyn memories. So at its core, this “photo essay” flash back thirteen lucky years ago is a meditation on seasonality and friendship.

    Installing Dock with Tom and Griffin on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Dock with Tom and Griffin on April 30, 2010 (Photo: Susan Bacot-Davis)

    Dock & Friends

    Rosslyn seasonality is a year-round singalong, the metronomic melody I suggested above. Highest water level. Lowest water level. Docks and boat lift in. Docks and boat lift out. The photos in this post tell the springtime refrain of Rosslyn’s waterfront singalong, or at least part of it. The other is the voices joining in the singalong.

    Installing Dock with Doug and Mark on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Dock with Doug and Mark on April 30, 2010 (Photo: Susan Bacot-Davis)

    The inspiration for today’s post, a retrospective photograph texted to me by Mark, sent me digging deep into my photo history. I pulled up the photos that Susan had snapped thirteen years ago while we were readying the waterfront for an incoming boating season.

    Installing Dock on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Dock on April 30, 2010 (Photo: Susan Bacot-Davis)

    Upon locating these images I was struck far less with the docks and the boat lift and much more with the three friends braving the cold lake on an inclement day to help us get ready for months of boating, waterskiing, etc.

    Installing Dock with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Dock with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)

    While I couldn’t ignore the fact that peeling a decade and change off our faces and physiques made me nostalgic for younger days, the more poignant sensation was of gratitude for the camaraderie.

    Installing Dock with Doug and Tom on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Dock with Doug and Tom on April 30, 2010 (Photo: Susan Bacot-Davis)

    Mark Englehardt, Tom Duca, and Doug Decker, I thank you. These fuzzy old photos trigger a great gusher of gratitude to you three. Yes, there’s gratitude aplenty for you waterfront assistance. Plenty! We couldn’t enjoy much of our Rosslyn lifestyle without the generous participation of so many. But there’s also something even more fundamental. Friendship. Rosslyn has, since our earliest days, been interwoven with a wondrous web of friendships.

    Installing Dock with Doug, Tom and Griffin on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Dock with Doug, Tom and Griffin on April 30, 2010 (Photo: Susan Bacot-Davis)

    Over the past year that I’ve been revisiting our almost seventeen years at Rosslyn it’s become abundantly obvious that first and foremost this place is a nexus of friendships, memories made, and memories still-to-be-made. Rosslyn is so much more that bricks and mortar, beach and meadows, gardens and orchard. Rosslyn is connectedness, relationships, people, stories,…

    Installing Dock with Tom on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Dock with Tom on April 30, 2010 (Photo: Susan Bacot-Davis)

    The photos so far, a 2010 dock launch “documentary” of sorts, are interspersed with stream of consciousness notes that, upon rereading, are more gush than good. Unfiltered. Unedited. And perhaps a little over the top. Perhaps. But I’m going to leave them. For now at least.

    And I’ll get out of the way as we shift from dock to boat lift.

    Boat Lift & Friends

    Here’s the photo essay I promised at the outset (sans the sentimental soul dump that infiltrated the preceding. Thanks for your forbearance!)

    Geo and Tom Installing Boatlift, April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boat Lift with Tom, April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boatlift with Mark, Tom, and Carley on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boat Lift with Mark, Tom, and Carley on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boatlift with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boat Lift with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boatlift with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boat Lift with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boatlift with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boat Lift with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boatlift with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boat Lift with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boatlift with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boat Lift with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boatlift with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Installing Boat Lift with Mark, Tom, and Doug on April 30, 2010 (Photo: Susan Bacot-Davis)
    Geo and Tom Installing Boatlift, April 30, 2010 (Photo: Susan Bacot-Davis)
    Geo and Tom Installing Boat Lift, April 30, 2010 (Photo: Susan Bacot-Davis)

    Acknowledgements

    Thank you, Mark, Tom, and Doug. Thank you, Griffin, who made several appearances in these photos. We still miss you. And thank you, Rosslyn, for continuing to connect amazing people (and dogs!)

  • RIP Tennis Court

    RIP Tennis Court

    Once upon a time Rosslyn was the Sherwood Inn, an accommodation for vacationers, a restaurant, and a colonial taproom. As I understand, it there was a clay tennis court adjacent to the icehouse in those years.

    Tennis Net Post with Icehouse Deck and Carriage House (Photo: R.P. Murphy)
    Tennis Net Post with Icehouse Deck and Carriage House (Photo: R.P. Murphy)

    Perhaps the tennis court pre-dates the Sherwood Inn, dating back to Hyde Gate House? I will certainly update this post if and when I discover the answer.

    Old Tennis Net Post (Photo: R.P. Murphy)
    Old Tennis Net Post (Photo: R.P. Murphy)

    A single steel tennis net post still stood in the lawn. For some reason, we never removed it, kept it for all these years. A rusty relic, a monument to a tennis-y past.

    Excavating Old Tennis Court (Photo: R.P. Murphy)
    Excavating Old Tennis Court (Photo: R.P. Murphy)

    But now it it gone. Bob and Phil removed it to make way for the landscaping around the soon-to-be complete icehouse deck.

    Excavating Tennis Net Near Icehouse (Photo: R.P. Murphy)
    Excavating Tennis Net Near Icehouse (Photo: R.P. Murphy)

    While I’m pleased with the progress, enthusiastic about the forthcoming transformation, it’s nevertheless a slightly poignant passing. Sentimental for a tennis court I never witnessed, never played upon? Yes. A little.

    Old Post and Concrete Footer (Photo: R.P. Murphy)
    Old Post and Concrete Footer (Photo: R.P. Murphy)

    RIP tennis court!

  • Movable Feast

    Movable Feast

    Earlier this month one of Rosslyn’s wildlife cameras captured this remarkable image of a coyote (running with her/his mouth full.) Despite the grainy, blurry photograph, John and I both believe that we’ve identified this movable feast.

    Coyote with Deer Leg (Photo: Rosslyn Wildlife Camera)
    Coyote with Deer Leg (Photo: Rosslyn Wildlife Camera)

    To be certain, the eyes are prominent. And the snout. But the coyote is unmistakably carrying something. To our eyes it’s unmistakably a deer leg. Can you see the hoof hanging down?

    Let’s try tweaking the contrast, the depth range, etc.

    Coyote with Deer Leg (Photo: Rosslyn Wildlife Camera)
    Coyote with Deer Leg (Photo: Rosslyn Wildlife Camera)

    Okay, still grainy, but it the movable feast bears an uncanny resemblance to a leg — or, more accurately, a part of a leg from a whitetail deer. Hoof and all?

    What do you see?

  • Nickel Gapping Nooks & Crannies

    Nickel Gapping Nooks & Crannies

    As Rosslyn’s icehouse rehab heads into the final few laps, were beginning to focus on finishes details. In the case of T&G nickel gap installation that means that the large planes (walls and ceilings) are almost complete, so the team’s focus on nickel gapping the remaining nooks and crannies.

    Matt Nickel Gapping Corner (Photo: R.P. Murphy)
    Matt Nickel Gapping Corner (Photo: R.P. Murphy)

    In the photograph above, Matt is mitering and fastening T&G around an inverted corner located at the southeast of the building. The engineer stipulated that two corners — this one as well as the northeast one, located in the bathroom — have load bearing structural columns helping to ensure structural integrity of the loft. Because we’re taking the time to miter (45° angle-cut) both our convex *and* concave corners these finicky little details take time. But details matter!

    Matt Nickel Gapping Ceiling (Photo: R.P. Murphy)
    Matt Nickel Gapping Ceiling (Photo: R.P. Murphy)

    By the time Matt moved on to the ceiling, he’d completed the corner as you can see above. Nickel gapping corners like this requires attention to detail and patience, painstakingly ensuring that the horizontal grooves line up perfectly and the mitered corners, especially the convert corner, close up 100%.

    Nickel Gap Nooks & Crannies in Coffee Bar (Photo: R.P. Murphy)
    Nickel Gap Nooks & Crannies in Coffee Bar (Photo: R.P. Murphy)

    This next pair of photos focuses on the interior wall behind the coffee bar. Note nickel gapping up from the cabinet carcass, just reaching the two apertures in the wall. These will both be finish into niches, the right trimmed into shelves, and the left trimmed into a cabinet with interior shelves.

    Cabinet and Niche in Coffee Bar (Photo: R.P. Murphy)
    Cabinet and Niche in Coffee Bar (Photo: R.P. Murphy)

    In this final photograph the wall and niches are beginning to reveal themselves. And yet a sneak peek through the left opening reveals the backside of the staircase and newly installed nickel gapping in the stairwell. A fleeting view that will soon vanish as we finish up the stairs and the cabinetry.

    Still nooks and crannies today. But nickel gapping and trimming in the days ahead will transform these mercurial rough spots into seamless details that collectively contribute to a seamless, cohesive, and unified interior design. Or so we hope!

  • Loft Shelving

    Loft Shelving

    An endoskeleton for the soon-to-be loft shelving has begun to take shape.

    Loft Shelving (Photo: R.P. Murphy)
    Loft Shelving (Photo: R.P. Murphy)

    Shop-built carcasses fabricated by Bernie Liberty have been delivered and installation has begun. Lining the north and south knee walls, these reading repositories will soon be lined with bound words. One further step toward completion of my icehouse loft study.

    Loft Shelving Haiku

    Book bound words in a
    reading repository,
    icehouse loft shelving.

    A little forward leaning, I suppose. Aspirational. Projecting, courtesy of my imagination, a few weeks forward…

  • Fisher

    Fisher

    This evening we’ll let the photos do the talking. Enjoy this healthy fisher (Pekania pennanti) documented recently with one of Rosslyn’s wildlife cams.

    Fisher (Photo: Rosslyn wildlife cam)
    Fisher (Photo: Rosslyn wildlife cam)

    Part of the weasel family, these native neighbors enjoy dining on wild gates and they’re one of the few predators in our forests who successfully hunt and eat porcupines.

    Given that we frequently document both sling the trail targeted by this camera, I suspect that this stealthy hunter will be sated during his nocturnal ambling.

    Fisher (Photo: Rosslyn wildlife cam)
    Fisher (Photo: Rosslyn wildlife cam)

    Often referred to as “fisher cats”, they’re actually altogether unrelated to cats.

    Fisher (Photo: Rosslyn wildlife cam)
    Fisher (Photo: Rosslyn wildlife cam)

    It’s profoundly satisfying to document these wild creatures trafficking Rosslyn’s wildway earlier this month. Here’s hoping this robust specimen has plenty of companions.

  • The Art of Thresholds

    The Art of Thresholds

    I’m slightly obsessed with transitions and betweenness. Liminality and interstices. Metamorphosis, reawakening, and transformation inevitably weave themselves into my words about gardening and historic rehabilitation. In fact, in a not altogether exaggerated sense, Rosslyn Redux is a kind of carefree contemplation of thresholds, the art of thresholds, and the artifacts of crossing thresholds…

    Transitions. Flux. Liminality. Interstices. Inflection. Evolving.

    […]

    From carpentry fiasco (boathouse gangway) to carpentry triumph (house deck), from summer to autumn (bittersweet seasonality), from hale and hardy to COVID crash dummy, from perennially postponed icehouse rehab to 100% timely reboot, from Adirondacks to southwest,… We are awash in transitions! (Source: Transitions)

    Supi and Peter Fabricate a Charactered Threshold (Photo: R.P. Murphy)
    Supi and Peter Fabricate a Charactered Threshold (Photo: R.P. Murphy)

    One of the most notable changes in the icehouse rehab is a considerable increase in apertures, transparency, and porosity. With an eye to more seamlessly integrating the interior and exterior experience while reducing the potentially confining ambience of such a small (approximately 18’ x 30’) structure, we have introduced lots of glass.

    Windows and doors blur boundaries between the enclosed environment and the exterior views, landscape, hardscape, decks and courtyard. Within the interior we’ve also endeavored to maximize transparency and porosity by embracing an open plan.

    Only the bathroom is fully enclosed. Other zones (entrance, coffee bar, main room, and loft study/studio/office) flow into one another permitting the small volume to feel more ample. Design continuity and viewshed integration enhance this sense of openness, favoring cohesion and harmony over spatial subdivision by function. And yet, subtle transitions (i.e. a doorway threshold, the staircase and banister to loft.) are present and necessary.

    In these instances delineation and boundaries serve us. Sometimes the utility is practical. For example, the loft is enclosed with a banister that extends from the top of the staircase to the north and south knee walls. Although code compliance is the most obvious reason for this, the underpinning logic is that a railing enclosing the second-story loft ensures that we do not accidentally pitch off the edge. The porosity of railing and balusters affords transparency, but the sturdy boundary ensures safety, as much a visual cue (caution, stay back, etc.) as a functional restraint.

    Flooring transitions and how they help differentiate space and use warrant careful consideration. This is true in the icehouse where the top stair riser meets the loft floor, representing a meeting of dissimilar materials (painted poplar staircase and sealed beech flooring) and a blurring of function (stair tread and flooring). It is also true in the elm and garapa threshold that I conceived and Peter created for the icehouse bathroom doorway.

    The highly charactered elm — grown, harvested, aged, milled, and finished on Rosslyn’s property — will integrate with the ash and elm flooring in the main floor of the icehouse. (Source: Elm and Garapa Threshold)

    Today’s update considers the passage from the east entrance and coffee bar area into the main room of the icehouse. In addition to a shift in function and feel, the 8’ flat ceiling in the entrance and coffee bar area opens up to a 2-story cathedral ceiling in the main room. Accentuating this transition with a pair of columns that flank the passageway adds a touch of drama and playfulness given the incongruity of the diminutive space and the dominant pillars.

    The elm and ash flooring will run east-west, so a threshold of sorts, seamlessly conjoining while differentiating the two zones presented an opportunity. Thresholds — door treads, doorsills, etc. — signal the ending of one space and the beginning of another space. But they often function as weather barrier and/or doorstop as well, resulting in a profile raised above the floor plane. I did not desire this threshold to deviate from the floor. Subtler than a doorway threshold, I nevertheless wanted to offer a visual cue that a transition is being made between two zones, a perhaps subconscious delineation of usage.

    I explained my vision, first to Hroth and subsequently to Peter, for a threshold running perpendicular to the flooring and wide enough to frame the column plinths equally around the outer perimeter. Fabricated out of the same ash or elm that we are using for the floor, I proposed a pair of book matched planks that would cause pause and invite interest. I asked them to think of this over-wide threshold, not as a throwaway intended simply to bridge otherwise similar areas of flooring, but instead as an integrated piece of art. A contiguous embellishment within the broader “tapestry” of the floor. Character-rich grain and coloration. Precise joinery, perhaps an inlaid bowtie if necessary and aesthetically pleasing. An interstitial experience/object as bold and intriguing as the columns that rest upon it.

    Peter Conjoins Charactered Boards for Threshold (Photo: R.P. Murphy)
    Peter Conjoins Charactered Boards for Threshold (Photo: R.P. Murphy)

    As you can see, Peter has begun to transform the vision into reality. A mesmerizing tableau to be tread upon. The art of thresholds.

  • Field Finishing Woodwork

    Field Finishing Woodwork

    Today it’s commonplace in carpentry and construction to build with materials that are factory finished. In other words, raw materials (flooring, trim lumber, etc.) are delivered to a job site, pre-dimensioned, pre-surfaced, and ready for installation. While there are times (ie. custom windows and doors) that we rely upon the efficiency of offsite fabrication and factory finishing, the icehouse rehab has incorporated an extensive amount of field finishing — on-site material preparation such as re-milling garapa (upcycled from deconstructed deck) into wall paneling and transforming rough cut lumber into finished hardwood flooring — in an effort to repurpose surplus building materials and architectural salvage.

    Calvin Field Finishing Woodwork (Photo: R.P. Murphy)
    Calvin Field Finishing Woodwork (Photo: R.P. Murphy)

    In the photograph above, Calvin Cumm is planing poplar that was harvested and rough-sawn on property approximately a decade ago. We’ve “high graded” the well seasoned poplar, culling the best quality material for finish trim, stair treads and risers, etc. Although the amount of field finishing we’ve undertaken for this project has increased labor inputs and drawn out the timeline, it was one of the defining principles for our scope from the outset. There are quicker and less expensive ways of rehabilitating an obsolescent icehouse into a 21st century work+play hub. But adaptive reuse and upcycling and repurposing are challenges worth investing in as much for ecological responsibility and the enduring value of quality, custom construction as for the merits of collegial collaboration and knowledge-sharing. We habitually eschew “cookie cutter” renovations for creative, consequential challenges that encourage team wide learning. We’re as concerned with process as product. And we love adventures! Reasserting creative control over the ingredients as much as the recipe can yield surprisingly rewarding results. As much for us, the homeowner, as for the remarkable collaborators who’ve contributed to this project.

    Thank you, Calvin!

  • One Down, One to Go

    One Down, One to Go

    Exciting update: the storage container that’s been serving as our temporary paint station is going, going, gone. One down, one to go.

    One Down, One to Go (R.P. Murphy)
    One Down, One to Go (R.P. Murphy)

    Remember the workflow challenge we were grappling with in the late autumn / early winter? Insufficient heated, climate controlled shop space.

    Priming and painting thousands of linear feet of interior and exterior finish lumber requires temperature and moisture stability not currently available in the unheated carriage barn, nor outside during a North Country winter. The solution? Meet our makeshift workshop in a storage container! (Source: Makeshift Workshop in Storage Container)

    Hat tip to A-Verdi Storage Containers for providing not one but two storage containers to provide necessary flex space during the icehouse rehab.

    We rented a pair of 20′ storage containers to supplement Rosslyn’s two outbuildings. One storage/shipping container is effectively functioning as a warehouse storing building materials, especially all of the architectural salvage that Pam and Tony inventoried and relocated from the icehouse early last autumn. (Source: Makeshift Workshop in Storage Container)

    As of yesterday we’ve satisfied our need for the paint shop storage container, so it’s been retrieved. Sayonara. One down, one to go… Bravo, Pam, for juggling workspace capacity with dexterity!